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The Grammaton Series

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    declivities by Irene Koronas

    Siphoning from a trajectory of experimental literature and poetics from Dadaism to Algorithmics and beyond, the Koronas grammaton is fashioned from a panerotism reconciling the disequilibrium encoded within the hyperlinks of a retromanic pleroma and a feminine clinamen. By excavating the figurations of Rimbaud, Dickinson, de Sade, Bataille and many au courant experimentalists, declivities relegates identity and gender to funerary antiques in a reliquary. —Daniel Y. Harris
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    gnōstos by Irene Koronas (Volume VII, The Grammaton Series)

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    Koronas makes me see words that aren’t there. Her gnōstos is mantic, and her Sophia—the liquid crystal wombed God—inseminates with ink, strumous as an ethotic alley (i.e., a post-bodied diachronic polysemic strangulation). gnōstos is our proleptic apocalypse; “the last Oedipus/licks his gonads.” —Tom Prime
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    Holyrit by Irene Koronas

    Between gilgul and galgal, logos and gematria, Irene Koronos’ fourth volume of the Grammaton Series, holyrit delivers a spectacular juxtapoiesis of textual and sonic probes— fragrant ellipses, fragments and eclipse, where all that is sacred, secular, savage and ex-static explode as sparks of light reminding us how the letters themselves are the building blocks of creation. —Adeena Karasick
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    lithic cornea (Volume V, The Grammaton Series) by Irene Koronas

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    Irene Koronas’ Grammaton Series is an antithetical subphylum launching its egg, planula larva, polyp and tryst autoaffects. —Thetica Zorg
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    $18.00