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37-48 of 88 products

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    Lilith Walks by Susan M. Schultz

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    This humane book, interconnected with her dogged, personable companion, Lilith, investigates life’s multifaceted and poignant zones. —Rachel Blau DuPlessis
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    lithic cornea (Volume V, The Grammaton Series) by Irene Koronas

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    Irene Koronas’ Grammaton Series is an antithetical subphylum launching its egg, planula larva, polyp and tryst autoaffects. —Thetica Zorg
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    Little Cliffs by Paul Naylor

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    “Little Cliffs is a philosophical adventure story. Both characters (Kai and Chishō) and narrator struggle to transcend binaries while wandering the brushy canyonland of eastern San Diego and studying “The Uncertainty Sutra,” The Rule-Governed Sutra, “The Sutra That Shouldn’t Be Written,” etc. Narration enacts choice. Here choices are made, unmade, and remade in a prose poem as serious and light as a sutra.” —Rae Armantrout
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    Love at the End by Wade Stevenson

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    In the formal immediacy of these new poems, Wade Stevenson practices elegy in the imperative mode, in the faithful idioms of amazement. And so it happens that he is vividly able to address evidence and events of loss in their proper bodies, in a tender, mutual anguish. Along the way, he discovers wild decorums of love in the embrace of annihilation. These poems are a consolation beyond consolation, an unprecedented heaven on earth. —Donald Revell
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    MemeWars by Aldon Lynn Nielsen With E. Ethelbert Miller

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    As you begin Memewars, think of Ethelbert Miller’s leading questions as melodies, recognizable tunes, and Nielsen’s responses as harmolodic extensions, waxing nostalgic, and just as moving, just as important, playing all the changes on a prolific career and life in music and writing. —Tyrone Williams

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    Mingling Among by Paul Naylor

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    Paul Naylor’s Mingling Among is a beautifully sustained, thought-provoking, and companionable prose poem in five interrelated sections. Taking the paragraph as his primary unit of composition, scenes are rendered in ever-changing frames of time, scale, and location, in a measured if kaleidoscopic inquiry into the possibility of overcoming our obsession with binary constructions and the domination of nature. —Ted Pearson
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    My Aunt’s Abortion by Jane Rosenberg LaForge

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    My Aunt’s Abortion, a collection of essays and poetry by Jane Rosenberg LaForge, treks the landscape of family. It is an uneven terrain of uncertain memories and mundanities, old and discovered traumas, the vagaries of circumstance and outcome and loss—the unattainable, whether dreams or abortion. —K-B Gressitt
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    My Kinship With The Lotus Eaters by Lewis LaCook

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    My Kinship With The Lotus Eaters confirms Lewis LaCook’s status as an irresistible poet of sensuous, intelligent, surprising work. At the border of synesthesia (“Ellipses in a woodpecker’s throat”), ephemera take shape and miraculously last. —Sheila E. Murphy
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    Nightshades by Michael Gessner

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    Nightshades, Michael Gessner’s new and presciently-titled collection of poems, manages to captivate the reader on its opening pages, beginning with a deadpan, impossibly earnest manifesto titled “Expectations”—followed immediately by a pair of anaphoric poems that seem almost gleeful in their savvy irreverence. All of these offer the reader a highly promising springboard into a unique poetic adventure. —Marilyn L. Taylor
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    Overtures by Ted Pearson

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    The standard acrostic submitted to pre-preparation's careful, reticent, insistently epigraphic procedures; the cenobitic playhouse accompaniment in blue sphere’s black expanse; the constant opening of open and uncountable dialog in analog: ladies and gentlemen and all the swung and transient surround, it's nobody but Ted Pearson! – Fred Moten
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    Ovid’s Creek by Sam Magavern, Art by Monica Angle

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    In Ovid's Creek Sam Magavern, in paying tribute to the Roman poet Ovid, works out his own ars poetica, one that values plainness over ornament,  playfulness over solemnity, and liveliness over propriety and elevation. ... The result is a book of peculiar freshness. —Carl Dennis, Winner of the Pulitzer Prize for Practical Gods.

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