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25-48 of 63 products

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    Fire For Thought by Reed Bye

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    Reed Bye's meditations on meditation open out into lovely Hopkinsesque melodies. There's a clarity here spawned from questions about inside and outside, mind and body, and who we are as humans in our landscapes. —Lisa Jarnot
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    First Baby Poems by Anne Waldman with Collages by George Schneeman

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    With her warm subtle fleshy FIRST BABY POEMS Waldman creates an infant power that did not exist before in her words. These poems are complex joyful bioalchemy. —Michael McClure
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    Golden Age by Seth Abramson

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    Seth Abramson is author of The Metamodern Trilogy, which includes Golden Age (2017), DATA (2016), and Metamericana (2015), all published by BlazeVOX. He is also the author of The Insider’s Guide to Graduate Creative Writing Degrees (Bloomsbury, forthcoming 2018); Thievery, winner of the Akron Poetry Prize (University of Akron Press, 2013); Northerners, winner of the Green Rose Prize (New Issues/Western Michigan University Press, 2011); and The Suburban Ecstasies (Ghost Road Press, 2009).
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    Gradually the World: New and Selected Poems, 1982 – 2013 by Burt Kimmelman

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    The specificity of Burt Kimmelman's poems has, for more than thirty years, been a singularly locating force. It situates us in space, in relation to the luminosity of objects, art, and one another. That every shadow of wonder can stand forth in the most familiar words is the gift this poet offers his readers time and again. – Susan Howe
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    having been blue for charity kari edwards

    The suspicion that writing will be the last utopia is barkingly fulfilled by the extraordinary promise and quivering present of kari edward's careening, techo, lyrical, horny, deep and lustrous oeuvre. Big thanks to this publisher for giving us more of what she sent. —Eileen Myles
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    House of Forgetting by Geoffrey Gatza

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    House of Forgetting comprises two long poems by Geoffrey Gatza. The Twelve Hour Transformation of Clare tells of the disappearance of a woman who slowly transforms over the period of twelve hours into words. Recipe for Water is a double-plus, surreal telling of the life of an artist who gave up writing for painting, and the moments of memory at various stages in that life.
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    Hybrid Hierophanies by Clayton Eshleman

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    Adrienne Rich has stated: “As a poet and translator, Clayton Eshleman has gone more deeply into his art, its processes and demands, than any modern American poet since Robert Duncan and Muriel Rukeyser.” And Robert Kelly has written: “Nobody is like him in his struggle. At times he makes the wildness of most poetry seem merely effete. I know of no poet who has fed so richly from the thingliness of the world beneath his feet, none who so resists the glamour of beliefs. He is a shaman without a single superstition.”
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    I AM YOU by Anne Tardos

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    "I Am You reminds us of something we know but often forget: that identity is formed in relation to others. These poems are couched within the contexts of process-based, art-making practice and clear-headed philosophical inquiry. The result is a kind of philosophical investigation into the multiplicity of time." —Kit Robinson, American Book Review
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    In Your Dreams by Ted Greenwald

    Ted Greenwald's 30th book consists of 79 72-line poems, each with his trademark recombinatory drop-stitch weave. As a basic pattern, which is varied, each poem's 26 demotic lines is repeated in 9 interlinked free triolets (ABCACDAB-DEFDFGDE). In Your Dreams is almost, then is, hard to say, In Your Dreams is almost, hard to say, autopoiesis, In Your Dreams is almost, then is, autopoiesis, flickering fugal strobe of the everyday, or sublime sonic moir , autopoiesis, or sublime sonic moir, spoken and shimmering, autopoiesis, flickering fugal strobe of the everyday. — Charles Bernstein
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    Inbox by Noah Eli Gordon

    Can we, as poets, create texts about how we think and feel by using the language of how others think and feel? Can we compose with the new streams of language flowing in and around us (e.g. the ephemera and minutia of everyday email) to express our own place in the world? In a well-informed gesture beyond Baudrillard’s null set, Noah Eli Gordon’s booklength conceptual poem, INBOX, opens a new chapter of intimacy—his, yours, mine, ours. Welcome to a new subjectivity; welcome to a new way to say from the heart—Robert Fitterman
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    LIZARD or EASY ANSWERS: They Are None Being a Novel Tracing of the Yi Jing/ I Ching Seen to by Thomas Meyer

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    Lizard offers the poet and reader a simultaneous process of personal narration, a creation evolving thought the constant change of form, the reading and the writing in a balancing act of creation, and divination improvisation. Lizard an ever being written and, therefore, changing form of poetic prose thought the I Ching: A form of interpreted life is a meaningful form of poetry. —Michael Basinski
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    Marine Layer by Kit Robinson

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    Kit Robinson convects his frontal systems through Marine Layer, happy to be enveloped in its fog while somehow always letting its poems breathe. Information sizzles in these data dispatches from the twenty-first century: poetry as a news feed that knows just enough to trust what happens next, lifting the fog—for us all—on the movable things of song. —Miles Champion
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    Metamerican by Seth Abramson

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    America has been awaiting the arrival of a poet like this for a generation. —Barn Owl Review
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    Mind Over Matter by Gloria Frym

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    How does the present imprint itself on language, on poetry? Gloria Frym's Mind Over Matter shows us that: the outlines of the endless wars, the credit default swaps. But it also shows poetry resisting this. "No poem/would stand for such a line." Frym writes. "A poem is not a fool." This book makes me want to cheer. —Rae Armantrout
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    MORPHEUS: A BILDUNGSROMAN by John Kinsella

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    Morpheus has its origins in a novel John Kinsella worked on in his late teens — a time of transition between adolescence and adulthood, but not a time before he had at least glimpsed the contours of the vast, interconnecting literary project that was to be his lifelong pursuit. An amalgam of realism and fantasy, of fiction, poetry, and drama, the project limned the phantasmagoric yet self-questioning and disciplined emotional terrain that has so captivated and intrigued his many current readers worldwide.
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    Nine by Anne Tardos

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    Anne Tardos, whose poetry & performances have enlightened us for several decades now, emerges in Nines as an innovator of new forms as a vehicle for work that incorporates, like all great poetry, the fullest range of thoughts & experiences & makes them stick in mind & memory. I am struck, as rarely happens, by this combination of form & content, each a powerful extension of the other. —Jerome Rothenberg
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    No Dimes for the Dancing Gypsies by Linda King

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    In No Dimes for the Dancing Gypsies, Linda King masterfully orchestrates an intriguing & mesmerizing work of identity and survival. These are poems of inquiry, poems of resurrection, where “water has a memory” and language reveals “other dichotomies,” where the past and present merge, and language beautifully triumphs. —Marcia Arrieta  
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    Original price was: $16.00.Current price is: $8.00.
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    Notes on a Past Life by David Trinidad

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    In Notes on a Past Life, David Trinidad exorcises the ghosts of New York with a compulsively readable, wrenching memoir in verse. His “Goodbye to All That” offers a critique of ambition, an ode to community, and a sip of the poison that poetry is, in the end, the antidote to. —Eula Biss
    Original price was: $16.00.Current price is: $8.00.
    Original price was: $16.00.Current price is: $8.00.
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    PERSONAL EFFECTS by Ted Pearson

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    Time travels aphoristically in short hops, seen from long distance, with words as object lessons, in Ted Pearson’s refulgent work. “These annotations mean the world” in the most personal and impersonal sense. But the “eternal present” affords scant comfort, as quatrains slant away or sentences shimmer over the depth of existence. —Alan Bernheimer
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    Poetic Architecture by Kent Johnson

    ...In other words, and at the risk of sounding extreme, I strongly encourage readers to ignore this ridiculous piece of attention-seeking dilettantish drivel. Now, let's get on with the real work. —Kenneth Goldsmith
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    Poetic Realism by Rachel Blau DuPlessis

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    Poetic Realism by Rachel Blau DuPlessis is the fourth episode of the on-going work Traces, with Days. It is both a committed poetry looking out at the world in witness, resistance, and with a fervent vow to find “incantatory information” in an account of what is seen, felt, and thought.
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    Quinn’s Passage by Kazim Ali

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    "The will to be transformed away from the senses via the senses is a sensualist's mission. It is Quinn's desire, as it is the desire of the gods. The reader will see that such a desire infuses language with a passion for breathing and utterance equally." —Fanny Howe
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    Robert Creeley on the Poet’s Work in conversation with & photographs by Bruce Jackson

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    This is an edited transcript of a conversation about the work poets do that Robert Creeley and Bruce Jackson held in Robert Creeley’s home—a converted firehouse in Buffalo’s Black Rock district— the morning of September 6, 2001.
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    Selected Prose of Bobbie Louise Hawkins Edited by Barbara Henning

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    Bobbie Louise Hawkins is a remarkable master of the witty understated prose sentence and writes in the lineage of Barbara Pym and Jane Bowles; she is also a fabulous storyteller with a great ear for the "very thing": quip or bon mot. —Anne Waldman
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