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    Pickles & Jams by Cris Cheek

    In Pickles & Jams, cris cheek exposes the very membranes that lie between the sensed-real of the culturally dominant and the barely-sensed hyper-real of the culturally emergent. His poetics (initially spawned and tested in Briton) isn’t of an “epiphany” variety, but rather is borne of a sabre-ready constructivist process, whereby the jettisoning of American Capitalist values is at a premium. —Rodrigo Toscano
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    Pieces by Hank Lazer

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    These apt, reductive verses keep a locus of faith with skill and moving commitment. —Robert Creeley
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    Please Do Not Feed the Ghost By Peter Ramos

    These poems by Peter Ramos stage incidents of arrested breath. Diegetic scenes---a mid-century interior, a cocktail party, a clinic, an airport, and everywhere the glow of television---so embroil a psychological subject as to mirror the difficult weather that divides labor from leisure life in the caesuras of time and space.Roberto Tejada
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    POEM FOR THE UNBORN| NOTES TO THE GREATEST GENERATION by Chuck Richardson

    The hip thing these days is to be a poet and write fiction. It is not the hip thing these days to be a fiction writer and write poetry. The former brings possible public reward and greater numbers of readers; the latter brings no public reward and notice but by a few. That is the surface reason this book of poetry--a single dark, weird, shattering poem, really--by the singular fiction writer Chuck Richardson might trigger curiosity and attention. —Kent Johnson
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    Poems by Richard Owens

    From Delaware Memoranda (2008) through Dead in the House of Pound (2018), this volume brings together a broad constellation of poetic work, much of which first appeared through presses on both sides of the Atlantic in editions either out-of-print or distantly circulated.
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    POEMS: now and then by Edric Mesmer

    These poems fall all too neatly into two sections, the eponymous “now” and “then.” I feel the “now” poems, all from the early months of 2020, share a returning-to with the “then” poems, some of which were written as long as 20 years ago. That they have come together so squarely—so circularly—(at least to me), speaks to a sympathy between then and now. I hope that the reader will also find this to be true. — Edric Mesmer, May 2020
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    Poetic Architecture by Kent Johnson

    ...In other words, and at the risk of sounding extreme, I strongly encourage readers to ignore this ridiculous piece of attention-seeking dilettantish drivel. Now, let's get on with the real work. —Kenneth Goldsmith
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    Poetic Realism by Rachel Blau DuPlessis

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    Poetic Realism by Rachel Blau DuPlessis is the fourth episode of the on-going work Traces, with Days. It is both a committed poetry looking out at the world in witness, resistance, and with a fervent vow to find “incantatory information” in an account of what is seen, felt, and thought.
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    Polaroids of Turbulence by Henry Sussman

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    Polaroids of Turbulence is a chronicle of culture trouble, a verse report of the unfathomable depths of our times: “barbarism’s eternal return.” Sussman’s sharp observations and linguistic play mark a “jagged trajectory” through “the outerbanks of / introspection.” —Nancy Kuhl
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    prairie)d by Garin Cycholl

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    Mostly, Cycholl proceeds in dismay for the beggaring of his world. prairie)d is the song of a grieving poet. It tells of the water which dribbles muddily through a once-garden and into lives malformed by manias of profit. —Dennis Cooley
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    Prefab Eulogies, Volume 1 by David Wolach

    Is it possible to out-Flarf Flarf? Prefab Eulogies encourages multi-channel collectivity that demands we read—and act—with a finger on the trigger of forgiveness, with an eye trailing reclamation. —Jules Boykoff
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    Prior by James Berger

    There is an ever-present intensity to James Berger’s Prior through which the reader plummets. Full of complex and particular insight, by turns darkly comic and comically dark, these poems are as unafraid of regret and anger as they are of quick surprise and happiness. — Richard Deming
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    Projection Machine by Debrah Morkun

    In the land of All Language, replete with spoken gold, Debrah Morkun spins poems, then weaves this Projection Machine. This original or pre-. And when reflection mazes and you are inside and civilization itself a book read in all directions, she will take your eyes by the hand and lead you on. I am waiting for you there. —Bob Holman
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    Province of Numb Errs by Jared Schickling

    Jared Schickling’s Province of Numb Errs is a quirky, sincere and often funny homage to the long arms of his Catholic upbringing. Less dour than Stephen Daedalus and the other cohorts of Joyce’s imagination, the narrators in these poems gleefully yoke together Biblical clichés and homespun homilies, xenophobic injunctions and commonsense imperatives, and, per rhetoric, the highfalutin’ and colloquial. —Tyrone Williams
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    Puddles of An Open by Paige Melin

    Through her provocative syntactic ruptures and stream-of-consciousess narrative style, Melin subtly and gracefully interrogates the boundaries between interior and exterior, subject and object, self and world. Puddles of an Open is a stunning debut, as innovative in its technique as it is in its philosophical assertions. —Kristina Marie Darling
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    Rain Check Poems by Aaron Simon

    Aaron Simon's lines feel like strokes of a pre-CBS Jazzmaster. Not plastic. More like rosewood with at least a Gibson tuneOmatic bridge. A brrruummm alliteration where each word-note contains the artful play of improv and composition colliding. Aaron Simon is a good band whose record is killing it on the deck these days. —Thurston Moore
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    Rambo Goes to Idaho by Scott Abels

    In Rambo Goes to Idaho, Scott Abels has blurred the lines between pop culture and personal struggle, the east and the west, God and Gene Simmons. At once heroic and elegiac, these poems balance on a knife edge not unlike Rambo’s, and what’s most beautiful here is that they sometimes get cut. —Clay Matthews
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    Rearview Mirror by Charles Borkhuis

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    The rapidity & delight of Charles Borkhuis’s poetry, set against the serious matters of truth & lies, of light & darkness, is difficult to capture & impossible to escape. And all of this he delivers with a master’s sure sense of humor & grief, the badge of a poet at the top of his powers, which I read now with ever-growing delight, & still can’t stop reading. —Jerome Rothenberg
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    Reflections Of Hostile Revelries by Jennifer C. Wolfe

    Jennifer C. Wolfe’s new collection Reflections of Hostile Revelries is the voice in our heads that needs to be spoken. In this progressive work, Wolfe targets our richest and most powerful enemies addressing their essential flaws and epic mistakes while reminding the reader these are the exact people running our countries. Reflections of Hostile Revelries is direct and honest oral poetics and will leave you tired, but eager to read on. —Jordan Antonucci
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    Requited by Kristina Marie Darling

    The prose poems that open Kristina Marie Darling’s Requited gradually recede, through erasure, into the quieter fragments of the “Epilogue.” The closing section deftly reframes the juxtapositions and silences that come before, making one question whether the collection’s title suggests love or retaliation. —Sandra Lim
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    Responsibilities of the Obsessed by Goro Takano

    Telephones ring “hollow and blank”; “He has no idea what he’ll become. / All he knows is / that tomorrow will be a sunny day / for everybody else.” Dementia and demolished nuclear plants in an immense desert: the artificial landscapes created by Goro Takano in his second book are chillingly, and humorously, real. —Jane Joritz-Nakagawa
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    ROMANCE WITH SMALL-TIME CROOKS by Alexis Ivy

    Alexis Ivy's jagged, hoarse, and beautiful poems recount a journey through a hell that looks a lot like honky-tonk America: the drugs, the booze, the sex— and the promise of transcendence everywhere just out of reach. There is nothing small-time about Romance With Small-Time Crooks. It is an extraordinary book. —Richard Hoffman
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    Rude Girl by John Sakkis

    In Rude Girl, light "scrime[s]," a girl secretly "places a button under her tongue," and a tide is a "pseudonym" both for not speaking (right then) and for what comes after: the start of seeing "the things [in front of]" (my brackets), which in fact "were always [in front of]."  There's an attention too, in John Sakkis's beautiful book, to the "frequency and occurence" with which these things happened.  Are happening. Like "years or color."  Loved these poems.  Hope you will too.  Bhanu Kapil
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    Ruin by Luke McMullan

    ‘The Ruin’ is the remaining fragment of an eighth-century Anglo-Saxon poem that describes the collapsed arches and rubble-strewn site of the old Roman baths at the city of Bath. Here Luke McMullan offers a translation in two strands that cross—poem and gloss—with the generous gift also of a scaffolding: word-tables that reveal for a reader the possible constellations of meanings of the poem’s key words, situating this gorgeous text within the history of its previous translation. —Lisa Robertson
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