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433-456 of 510 products

  • The Pied Piper of Hamelin, A Child’s Story by Robert Browning
    The Pied Piper of Hamelin, A Child’s Story by Robert Browning
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    The Pied Piper of Hamelin, A Child’s Story by Robert Browning

    This facsimile of Robert Browning'sThe Pied Piper of Hamelin, A Child’s Story is beautifully illustrated and colored by T. W. Craik and W. A. Craik. BlazeVOX presents for the first time this wonderful edition, originally created in 1959 as a gift by the illustrators to their young son. Robert Browning's poem captures the mysterious nature of the Piper legend and the resplendent, rich time period in which the tale took place, which has inspired many great illustrators such as Kate Greenaway, Arthur Rackham, Margaret Tarant, and Maxfield Parrish. This work contains over 40 illustrated pages with hand lettering and includes a foreword by Roger Craik detailing this book’s creation by his parents. This unique book is intended for all ages.
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    The Pink by Jared Schickling

    “The Pink” reads like a bio-centric futurist work of patterned effeminate lyricism and distortion whose themes are fatherhood, motherhood, and childhood, while playing heartily at inherited themes and motifs through re-worked fairy tales, observations (recordings), and children’s verses.
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    The Radiant World by Dan Featherston

    Dan Featherston is the author of three other booklength collections of poetry, The Clock Maker's Memoir (Cuneiform Press, 2007), United States (Factory School, 2005), and Into the Earth (Quarry Press, 2005), as well as five shorter collections. He lives in Philadelphia and teach at Temple.
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    The Rapture of Eddy Daemon: Volume I The Posthuman Series by Daniel Y. Harris

    Finally: a posthuman translation of Shakespeare. I'm glad Daniel Y. Harris beat Watson at it. There are still large chunks of human in his kind lineation." —Andrei Codrescu
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    The Real World by Emma Winsor Wood

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    Most of us don’t know how to deal with the reality of the unrealities in which we find ourselves living. Wood shows us one way to do so—and it’s a great one, one in which we can be real. — Lyn Hejinian
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    The Refinery by janna plant

    Janna Plant is an alchemist. She unearths the twin elements of humor and despair from their commonplace lodgings in the language, and reconstitutes them as brilliance. —Anne Kennedy
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    The Reganites: Vol 1 & Vol 2 by Tim Roberts

    Here is a monstrous demonstration of the bloat conditions of our world. Written to extremes, as if to show how truly, really, impossible the current state of language and culture has become. What can Literature do except stop a door—or trip us up, physically as well as lyrically? Who speaks in this massive text, elegantly crafted on the page in wry, deliberate, imitation of a sacred text, twin-columned? —Johanna Drucker
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    The Reincarnation of Anna Phylactic (Volume III: The Posthuman Series) by Daniel Y. Harris

    Daniel Y. Harris’ Posthuman Series is an amazing tour de force! —Marjorie Perloff
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    The Resurrection of Maximillian Pissante (Volume V: The Posthuman Series) by Daniel Y. Harris

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    Daniel Y. Harris’ Posthuman Series is an intoxicating brew of quasis: scientific, esoteric, bibliographic, geologic, lettristic. Who knows what poetry lurks in the heart of codes? It’s as if we are privy to the history of knowledge from its other side, before as much as after. These poems are an explosion in a pataquerics factory. —Charles Bernstein
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    The Sensory Cabinet by Mark DuCharme

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    The Slip by George Tysh

    His engagement with the variable foot of William Carlos Williams gives a new spring and all to George Tysh’s remarkable collection The Slip. For much of the book, especially the haunting title poem, an isolated phrase appears, then the next descends, and then another, each open space miming the way breath appears in human speech, as an aid to understanding and an absolute electric charge—at times one of volcanic intensity. —Kevin Killian
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    The Solace of Islands by Ansie Baird

    The poet is master of her craft and poetic magic manifests in each poem. The magic is all the music of the poetry. Without question, the theme of this poetry is solemn, but there are sparks of humor and tenderness that light the way through the musical landscape. An island is, of course, an enclosed space, a protected place, for poet Ansie Baird the place of the very human heart. —Michael Basinski
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    The Speed of Our Lives by Grace C. Ocasio

    These bracing poems celebrate everything from nature to history, to the family, to the famous – and in each, she discovers the music and meaning that lets them bloom in all their strangeness and surprise. —Elaine Equi
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    The Spider Sermons by Robert Krut

    With a winning mixture of verve and tenderness, the poems in The Spider Sermons confront the extreme significance of our daily lives. It's the most passionate of come-ons, but with the kindest of intentions. —Kazim Ali
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    The Sun & The Moon by Kristina Marie Darling

    In poems lit by an incendiary marriage, Kristina Marie Darling traces a story that begins, as stories often do, “as a small mark on the horizon.” Brave and haunted, these poems burn down to ash and winter, daring to unlock the spell of memory’s silver flashings. The small remains, like distant stars, make a moving portrait. —Mary Ann Samyn
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    The Trapeze of Your Flesh by Charles Rammelkamp

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    Charles Rammelkamp’s exposition of the “flesh trapeze” that swings through American entertainment and culture, via the voices of some of its most prominent acrobats, is vital to an understanding of our culture. —Roman Gladstone
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    The Trees of Surprise edited by Marjorie Norris

    Trees of Surprise has been published by Buffalo’s BlazeVox Books. It is and edited anthology which responds to the loss of trees during the October 2006 storm.
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    The Tryst of Thetica Zorg Volume II: The Posthuman Series Daniel Y. Harris

    Daring, adventurous, exotic, & necessary, —can this be the exemplary, posthuman poesis? You bet it can if it’s The Tryst of Thetica Zorg. Ushering the reader into the nefarious underworld of computer viruses, Daniel Y. Harris delivers a shimmering dramatic intensity swathed in the rare glow of an Epochal Imagination. —Heller Levinson
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    The Unfinished: Books I-VI by Mark DuCharme

    Mark DuCharme's beautiful poems teach us to read all over again: mystery, the situation of person, the texture of dream and the texture of awareness: The Unfinished is a tough book, a necessary book. —Joseph Lease
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    The Visit by Ana T. Kralj

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    1992. The war rages in Bosnia and Croatia. In Slovenia, which has escaped the war’s horrors on its own soil, a high school graduate finds herself profoundly shattered. Unable to transition from the safe environment of the high school to the loosely structured student life, struggling to come to grips with an unsuccessful relationship and tormented by her helplessness in the face of the war, she embarks on a harrowing search for the meaning of her existence. But the streets of Ljubljana leave her empty-handed. Until something changes. A visitor comes by.
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    The White Visitation by David Brennan

    Not since the Book of Ecclesiastes has such litany been deployed to smack dab us with a wall of words. In The White Visitation, David Brennan pressure treats language, syntax, grammar, content into a layered labyrinthine quilted fabric of strata. One doesn’t so much as read as one peels, strips, skins the text—a sonic archeology, a narrative dig. Nothing new under the sun? Don’t count on it. The White Visitation is the plasma at the sun’s very core. —Michael Martone
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    Theater of the Tongue by Diana Adams

    Diana Adams book, Theaters of the Tongue , gives the reader a fascinating canvas of words, some words best described as word food. The reader is treated to lines like “salmon are lead by bells inside.” —Mary Kasimor
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    Thief by Katrinka Moore

    In a series of interlocking text-image meditations and small narratives, Katrinka Moore’s Thief rewrites the literary impulse to claim. This thievery confesses our visitor status upon body, mind, land, and book and asks, “So, you select your shape purposefully? How to explore this obscure site? How does the world assemble?” The journey is gendered: how does a woman write into a literary and family history that was actually never so sure of its claims, its own thievery? – Jill Magi
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    This Visit by Susan Lewis

    In the fissures and gaps of a malleable lexicon, Susan Lewis’s playful, punning, musical lyrics create spaces for a reader to explore. In her “mythic stickiness” edges are blurred in service to an “everlasting loop.” Her poems are oddly intimate, full of a wise skepticism and a quirky grace — perhaps more of a place to live in than to visit. —Joanna Fuhrman
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