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    An Apparently Impossible Adventure by Laura Madeline Wiseman

    Laura Madeline Wiseman’s prose is razor-sharp, cutting through all the falsities we cling to, exposing us all hiding beneath the masks we wear, exposing our wounds, our wandering frailties, all that we sidestep, and most deeply, exposing the ‘mists that divide.’ An Apparently Impossible Adventure is a stunning read. —Karen Stefano
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    AN ARCHITECTURE a poem in 56 sections by Chad Sweeney

    In "AN ARCHITECTURE," Chad Sweeney reveals himself to be a Frank Gehry of language: making an overwhelming but coherent form in precise words that measure "the violet gleam of girders." where "art is/the ghost between us." The world swells with meaning before things "smolder," "collapse," "drown". . . .   And within the violent changes that he so precisely records, there are moments of rest and deep regard for what is passing.   The poem is an elegy for the world in all its beauty and disturbing variety. --Maxine Chernoff
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    An Argument of Roots by Cornelia Veenendaal

    This extra-ordinary poet is at once companionable with the natural world and wonderfully awake to the daily surprises of the city; a poet who is almost painfully attuned to the beauty that sustains us and mindful of the terrors that threaten to fell us. Over and over, Veenendaal's poems cause us to stumble upon the quotidian the way we might catch a toe on a forest snag or trip on a loose brick in the sidewalk or lurch with the sudden braking of a T car. —Marie Harris
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    An Internet of Containment by Anne-Adele Wight

    These poems break containment into speculation about a future where timeliness and timelessness fly hand in hand into the infinite. This is a chronicle of the exodus of souls. This is the scintillating moment when we all become homeless. “from here the aurora has changed color. ––Travis Cebula
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    Analects by Michael Gessner

    Selected from more than four decades of journal keeping, and with additional excerpts from published essays, Analects speaks to the general reader, and specifically to those who have interests in poetry and poetics. The reader will not come away without encountering helpful insights and disclosures about writing and literature in this collection. Gessner's prose has been described as “Structurally ingenious,” (Jonathan Galassi, Farrar, Straus & Giroux,” and “A great talent,” (Ray Powers, Scott & Field).
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    And Others, Vaguer Presences by David Dodd Lee

    In a note that accompanies And Others, Vaguer Presences, the most recent collection of erasures by David Dodd Lee, he uses the phrase, “the poem wanting what the poem wants.” This statement curiously corroborates my impression that these poems were actually written by the poems themselves, which had definite ideas about what they wanted and didn’t want. It’s a strange feeling, being twice removed from one’s poems, strange and refreshing. I highly recommend Lee’s version of the poems’ poems. —John Ashbery
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    Angles of Disorder by Zachary C. Bush

    “Zachary C. Bush’s ANGLES OF DISORDER is like a fairy tale devoured by science, language re-constructed into formulas and translated back into bold prose / poetry.” --J. A. Tyler
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    Animated Landscape by Robert Gibbons

    Robert Gibbons’s new collection of poems lays bare the vast expanse of human history as a widening landscape of the most august imagination. Gibbons, a born maximalist, carries Charles Olson’s excavations into the present tense, but does so in his own measure of music, personal and specific, yet universal and inclusive. Animated Landscape never forgets history is not a then, but always now, always all around us. —Richard Deming
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    Anon By Chris Pusateri

    Anon records "soft static falling as forecast" and an ostensible caress that materializes as "an unpleasant repetition eroding his arm." Against the bleak banalities of this "experience in syndication," Chris Pusateri strikes back with a bracing admixture of silliness and patient intelligence. —Elizabeth Robinson
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    Answer by Mark DuCharme

    Enter a shimmering, wavering, vacillating, crinkly reality, the mysterious acrobatic disjointing of what you thought you knew. Enter Mark DuCharme’s Answer, where the self-evident succumbs to the agnostic as a wizardly lyric unpins certainty. Brilliantly unpredictable, these poems divine by assemblage of a familiar quotidian and set us wondering. —Maureen Owen
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    Ante-Animots: Idioms and Tales by Nicholas Alexander Hayes

    These idioms and tales use language as a tool to lift a hazy film away from our perception and replace it with another. Is it surgery or a theater of cruelty, a catastrophe or a joke? It’s an intervention into both the real and the imaginary—not to show us that one lies beneath the other or hidden inside like a nested doll, but to remind us that animals are composed of wounds and words and that all of us are dying. It isn’t pretty, and it is. It isn’t imaginary, and none of it is real. It’s a vicious and lyrical, lucid and fantastical, vast little book. – Stephen Beachy
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    ANTHROPOCENOMA by Chuck Richardson

    A mapping of word and thought metastases to co-here (in now of us all) the crazed pathological death-life energies of our age – Richardson takes the notes inside my own head, at least, and probably taps a collective despair, why everyone can’t rouse out of diseased, disfiguring, disaster consciousness. “Sleep requires optimism. We dream of sleeping.” Planetary accord? No hope, but it is something, this general re-cognition of or against humans’ dominion over earth as a totalizing, cancerous, growth. —Magus Magnus
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