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145-156 of 594 products

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    Echo Park by Christine Hamm

    From ""pink-spangled bikinis"" to ""your mother's stolen perfume,"" Christine Hamm's Echo Park is littered with the strange, sexy detritus of life, gorgeous life. —Kate Durbin
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    Ekstasis by Peter Valente and Kevin Killian

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    Kevin Killian and Peter Valente’s haunting collaboration Ekstasis comes on like one of those dark dreams you can’t seem to shake – it’s memory and sensations still lingering long after you’ve awoken. —Michael Salerno, artist, filmmaker, and publisher.
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    Elemental Perceptions: A Panorama by Sophie Sills

    Its epigraph from Oppen (“The flaw, the gap which is the aware of being, tho it is within it.  The flaw on which being presses”) suggests the epistemological concern at the center of Sophie Sills’ Elemental Perceptions:  A Panorama:  seeing/hearing things and events in the world, how can we know what’s really ‘there’ – that being “with a pulse . . . without a heartbeat . . . [which] is unknown,” yet which seems to be “aware” of us, seems to “press” against us. —Stephen Ratcliffe

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    Embankments | Outtakes | Uppercuts by Richard Owens

    Embankments | Outtakes | Uppercuts brings together three discrete constellations of divers lyric constructions that testify with alacritas to the bullbaiting, cockfighting and bear beating of the present moment.
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    Emotional Support Peacock by Nada Gordon

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    In spirit closer to the wild geese than the peacock, Nada Gordon brings together a panoply of voices, including the squawk, the screech, the whisper, the whistle, all of which come together—finally, ultimately—and in language both harsh and exciting, to announce our place in the family of things. One cannot but feel uplifted into the Rapture.—Diana Fisher
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    Endless Spectator, The Screens Suite by Jesse Damiani

    In an ironic twist, there are no spectators in Endless Spectator. The mere act of looking involves you, and just like on the internet, the act of looking can be transgressive, if not towards the content, but towards yourself. Through its visual bewilderment, Endless Spectator makes you realize that the cacophony of the internet is alive and pulsing, and you’ve already been consumed by it.
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    Ephemera 1995-2022: On people, politics, art, justice, torture, and war by Bruce Jackson

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    Bruce Jackson’s Ephemera finishes his recent triplicate of essay collections. This one, which starts with an almost breezy account of his own near heart-attack, feels as undeniable as his Places and Changing Tense.—Benj DeMott
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    Epigonesia by Kane X. Faucher and Tom Bradley

    Kane X. Faucher and Tom Bradley bullwhip some of literature's most vibrant luminaries, including Louis-Ferdinand Celine, Charles Bukowski, Henry Miller, Antonin Artaud and Hunter S. Thompson. Through occult means, "Ebeneezer" Pound has reanimated his favorite dead authors as part of a villainous master plan. The re-embodied writers suffer through their tragicomic limitations as epigones of themselves. Faucher's puppeteering of Pound is matched by Bradley, who hurls into the text an annotated revelation of diabolic intrigue involving a dead author and a commandeered laptop.
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    Epigramititis : 118 Living American Poets by Kent Johnson

    "Thanks for sending me the epigrams.* Superb. It's about time for something of the sort, I'd say, what with the ass licking that rules the day. Especially the ass-licking that some ass-lickers want to pass off as "avant-garde confrontation." My salute... And as to your question, well, yeah, absolutely: Olson, if he'd lived to see what has happened, would have loved these." — Ed Dorn
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    Eros & (Fill in the Blank) by Charles Freeland

    Charles Freeland’s poetic voice is that rarity of philosophical posits intertwined with a language of emotional accord.  Eros & (Fill in the Blank) contains poetry of invention, reinvention, musical decency drawing the reader into Freeland’s specialized poetic language. — Felino A. Soriano
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    Evening Train by Tom Clark

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    In Evening Train we witness people on a bus, a window in the night, greenery, a bird on its perch—and then at the center of this world, something nameless seems to open. It’s hard to say just what happens, other than the words of each poem itself. But that isn’t quite right. It’s as if the words are a way for the poet to inscribe silence. You turn the page, wondering, and it arrives again—something quite beyond what is told. Tom Clark is a master. —Aram Saroyan
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    Every Strange Meridian by Todd Romanowski

    Intensely lyric, often surreal, the poems in Every Strange Meridian cast a spell that is at once dangerous and beautiful. —Joan Houlihan
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