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301-312 of 594 products

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    Musee Mechanique by Rodney Koeneke

    Rodney Koeneke's quick-paced, hilarious, often vulgar juxtapositions are rude to understanding but courteous as a calling card to anyone who cares about the life of language. Assembled with delight, affection, and a connoisseur's ear for the latent pleasures of babble, Musee Mechanique is a joyous record of the words in our head, c. 2006. I love this book. —Benjamin Friedlander
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    Museum Hours by Michael Kelleher

    “Attraction has its pulls,” writes Michael Kelleher. Museum Hours maps, in moving ways, the force of gravity that art has on our lives, our attentions. One trusts the secrets that Kelleher’s poems share. With their precision, their quietness, their frequently keen but subtle wit, these poems enter the ear and the mind as intimately as a sudden sense of wonder just before “the roof gives way to the stars.” —Richard Deming
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    Museum of Thrown Objects by Andrew K. Peterson

    Imagine an ocean leaving its bed to hover above itself, where it should not be, to form a "silhouette" visible against an "afternoon." The technology of displacement is deployed, in Andrew Peterson's brilliant book, to create: not "delay" but "fusion."  It makes sense, then, to build a museum out of artifacts that would, in the wetness beyond architecture, disappear by "low tide", but are instead "kept."  Locked away in a decaying archive, "the thrown objects" form perverse alliances when the lights dim.  Where the genitalia should be, for example, are "leafs and bugs."  —Bhanu Kapil
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    My Aunt’s Abortion by Jane Rosenberg LaForge

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    My Aunt’s Abortion, a collection of essays and poetry by Jane Rosenberg LaForge, treks the landscape of family. It is an uneven terrain of uncertain memories and mundanities, old and discovered traumas, the vagaries of circumstance and outcome and loss—the unattainable, whether dreams or abortion. —K-B Gressitt
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    My Grunge of 1991 by Dennis Etzel Jr.

    Within the poem, “a list of alphabetized semblances for keeping track of occurrences out of post-trauma,” the speaker negotiates a way between quotations. Even pre-9/11, “we [were] no longer safe,” so he cloaks himself in “Grunge music, comic books, and Star Trek.” Amidst the dystopia of the First Gulf War, Dennis Etzel, Jr. brilliantly imagines a utopia where “there are no boy or girl Happy Meal toys – only Hot Wheels or Barbie.” In other words, this absorbing prose-poem sequence is an inoculation against – and hope for – the present. —Joseph Harrington
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    My ID by Bill Lavender

    Life happened before it was over. Then there is the sorting out that empties into overlaid panes, mind’s planets, which Bill Lavender navigates in My ID with consummate élan and a strong dose of “impolite, unpolitic” dissent. —Charles Bernstein
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    My Kinship With The Lotus Eaters by Lewis LaCook

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    My Kinship With The Lotus Eaters confirms Lewis LaCook’s status as an irresistible poet of sensuous, intelligent, surprising work. At the border of synesthesia (“Ellipses in a woodpecker’s throat”), ephemera take shape and miraculously last. —Sheila E. Murphy
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    My Next Heart: New Buffalo Poetry

    My Next Heart: New Buffalo Poetry is a collection of poetry from young Buffalo writers. The poems in this anthology capture the energy and creative output from the city’s thriving slam, alt-lit, spoken word, language poetry, academic, and publishing communities.
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    My Secret Wars of 1984 by Dennis Etzel, Jr.

    The world of 1984 has a deft tenacity in the hands of Dennis Etzel, Jr. This book blends the personal to the greater political as only the best possible memoir can do. We are all in this world together and the strangest things occur, sometimes when other strange things occur, and I thank Mr. Etzel for his brilliant, sharp reminder. —CAConrad
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    mylar by Eric Wertheimer

    "Where we live, we live in cars,” Eric Wertheimer writes in Mylar, of an eerily postmodern city where “Dust storm at the mirror of stars.” Wertheimer locates us in an at-times gorgeously realized lyric moment—a perfectly rhymed couplet, for instance, or the sly grammatique of this deftly languaged poetry. The visionary range of Wertheimer’s poetic dictions across centuries is riveting, and the swerve to tender, embodied attentiveness and vulnerability so moving. Mylar is miracle. —Cynthia Hogue
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    N7ostradamus by Travis Macdonald

    This is a book written from a spirited and volatile unconscious. Read it when it's raining, or at night, or with your eyes completely closed. —Bhanu Kapil
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    Naming God by Jennifer J. Thompson

    This book is part of our moblis in mobli series, a free ebook with a printed books that is for sale from us as well as Amazon.com.
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