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QuickviewPerson Hour by Thibault Raoult
Poetry$16.00Thibault Raoult reaches across the orderly table of syntax and conventional content to grab the reader literally by the throat in order to redirect attention to language performing itself as an unresolved constellation of eros, humor, history, and social observation. —Forrest Gander -
QuickviewPERSONAL EFFECTS by Ted Pearson
Poetry, SuperstarsTime travels aphoristically in short hops, seen from long distance, with words as object lessons, in Ted Pearson’s refulgent work. “These annotations mean the world” in the most personal and impersonal sense. But the “eternal present” affords scant comfort, as quatrains slant away or sentences shimmer over the depth of existence. —Alan Bernheimer$16.00 -
QuickviewPetites Suites by Robert Wexelblatt
Fiction“If these stories were mousetraps, we should all be mice. They are enticing and snap without warning, but the real surprise is their grace. The survivors escape a wee bit wiser, more alert, and creatively perturbed.” —R. S. Deese$18.00 -
QuickviewPetrarchan by Kristina Marie Darling
PoetryKristina Marie Darling's Petrarchan uses ideas of the fragment, the unsaid, and the unknown to gesture towards her own passionate syntax. It seeks the person in Petrarch's humanism. —Sean Singer$16.00 -
QuickviewPHARMAKON (A CASE HISTORY) by Kristina Marie Darling
PoetryPHARMAKON is a rattling collection. Laced with pinching, dark detail, the tinge of gone, resonant trinkets, and a seasoned sense of loss, this book dustlessly describes the bewilderment of being, being not, and the feeling that comes with those. —Emily Toder$16.00 -
QuickviewPhoems for Mobil Vices by Rich Murphy
Poetry“intriguing and somehow informative poems.” — Erica Wright, Poetry Editor, Guernica$16.00 -
QuickviewPickles & Jams by Cris Cheek
PoetryIn Pickles & Jams, cris cheek exposes the very membranes that lie between the sensed-real of the culturally dominant and the barely-sensed hyper-real of the culturally emergent. His poetics (initially spawned and tested in Briton) isn’t of an “epiphany” variety, but rather is borne of a sabre-ready constructivist process, whereby the jettisoning of American Capitalist values is at a premium. —Rodrigo Toscano$16.00 -
QuickviewPieces by Hank Lazer
New Releases, PoetryThese apt, reductive verses keep a locus of faith with skill and moving commitment. —Robert Creeley$18.00 -
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QuickviewPlease Do Not Feed the Ghost By Peter Ramos
PoetryThese poems by Peter Ramos stage incidents of arrested breath. Diegetic scenes---a mid-century interior, a cocktail party, a clinic, an airport, and everywhere the glow of television---so embroil a psychological subject as to mirror the difficult weather that divides labor from leisure life in the caesuras of time and space.— Roberto Tejada$16.00 -
QuickviewPOEM FOR THE UNBORN| NOTES TO THE GREATEST GENERATION by Chuck Richardson
PoetryThe hip thing these days is to be a poet and write fiction. It is not the hip thing these days to be a fiction writer and write poetry. The former brings possible public reward and greater numbers of readers; the latter brings no public reward and notice but by a few. That is the surface reason this book of poetry--a single dark, weird, shattering poem, really--by the singular fiction writer Chuck Richardson might trigger curiosity and attention. —Kent Johnson$16.00 -
QuickviewPoems by Richard Owens
PoetryFrom Delaware Memoranda (2008) through Dead in the House of Pound (2018), this volume brings together a broad constellation of poetic work, much of which first appeared through presses on both sides of the Atlantic in editions either out-of-print or distantly circulated.$20.00
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