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493-504 of 594 products

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    The Moon Blooms in Occupied Hours by Anis Shivani

    Shivani is at the height of his powers as his lens sweeps with cinematic confidence from the grand to the minute and his voice encompasses the roaring horrors of war and the quieter moments of reflection and grace.—Wendy Chin-Tanne
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    The Mouth Of The Bay by Michael Ruby

    In poems written on the rocky coast of Frenchman Bay in Maine, Michael Ruby begins with wisdom and ends with delight, reversing Frost’s famous dictum about poetry. The Mouth of the Bay begins with the wisdom of the Eleatic philosophers on the coasts of southern Italy and Sicily—“There is no beginning and there is no end”—and their calls for purification. Ruby writes the words that appear in his mind when he repeats sayings of Pythagoras, Xenophanes, Empedocles and others.
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    The Olfactions: Poems on Perfume by Anne Gorrick

    Someone once said that after a Bach sonata, the silence that follows is still Bach. Well, after a poem from Anne Gorrick, the silence that follows is a whiff of patchouli, tar, vanilla, tea and other things... Thank you. Thank you. —Fabrice Penot,
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    The Paris Poems by Suzanne Burns

    this is subject matter clichéd a century ago; all of it forced into newness, not by the references of modernity, but by the observance of  a well-referenced poetess of now— a potential beginning for this century's cliché. —c.vance,
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  • The Pied Piper of Hamelin, A Child’s Story by Robert Browning
    The Pied Piper of Hamelin, A Child’s Story by Robert Browning
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    The Pied Piper of Hamelin, A Child’s Story by Robert Browning

    This facsimile of Robert Browning'sThe Pied Piper of Hamelin, A Child’s Story is beautifully illustrated and colored by T. W. Craik and W. A. Craik. BlazeVOX presents for the first time this wonderful edition, originally created in 1959 as a gift by the illustrators to their young son. Robert Browning's poem captures the mysterious nature of the Piper legend and the resplendent, rich time period in which the tale took place, which has inspired many great illustrators such as Kate Greenaway, Arthur Rackham, Margaret Tarant, and Maxfield Parrish. This work contains over 40 illustrated pages with hand lettering and includes a foreword by Roger Craik detailing this book’s creation by his parents. This unique book is intended for all ages.
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    The Pink by Jared Schickling

    “The Pink” reads like a bio-centric futurist work of patterned effeminate lyricism and distortion whose themes are fatherhood, motherhood, and childhood, while playing heartily at inherited themes and motifs through re-worked fairy tales, observations (recordings), and children’s verses.
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    The Quarry and The Lot by Mark Wallace

    Joseph Klein was a brilliant boy, talented—and dangerous. When he dies, at age 32, under uncertain circumstances, a group of his former friends gather for his funeral and see each other for the first time in some years. How did Joseph change them and what does he mean to them? What do they mean to each other, and why have their lives come to be what they are? The Quarry And The Lot is a novel about love and its limits, memory and history. It explores whether any truth can be stable when what’s happening is changed by what people understand and where what passes for normal is something far more frightening.
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    The Radiant World by Dan Featherston

    Dan Featherston is the author of three other booklength collections of poetry, The Clock Maker's Memoir (Cuneiform Press, 2007), United States (Factory School, 2005), and Into the Earth (Quarry Press, 2005), as well as five shorter collections. He lives in Philadelphia and teach at Temple.
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    The Rapture of Eddy Daemon: Volume I The Posthuman Series by Daniel Y. Harris

    Finally: a posthuman translation of Shakespeare. I'm glad Daniel Y. Harris beat Watson at it. There are still large chunks of human in his kind lineation." —Andrei Codrescu
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    The Real World by Emma Winsor Wood

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    Most of us don’t know how to deal with the reality of the unrealities in which we find ourselves living. Wood shows us one way to do so—and it’s a great one, one in which we can be real. — Lyn Hejinian
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    The Refinery by janna plant

    Janna Plant is an alchemist. She unearths the twin elements of humor and despair from their commonplace lodgings in the language, and reconstitutes them as brilliance. —Anne Kennedy
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    The Reganites: Vol 1 & Vol 2 by Tim Roberts

    Here is a monstrous demonstration of the bloat conditions of our world. Written to extremes, as if to show how truly, really, impossible the current state of language and culture has become. What can Literature do except stop a door—or trip us up, physically as well as lyrically? Who speaks in this massive text, elegantly crafted on the page in wry, deliberate, imitation of a sacred text, twin-columned? —Johanna Drucker
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