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517-528 of 594 products

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    The Trees of Surprise edited by Marjorie Norris

    Trees of Surprise has been published by Buffalo’s BlazeVox Books. It is and edited anthology which responds to the loss of trees during the October 2006 storm.
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    The Tryst of Thetica Zorg Volume II: The Posthuman Series Daniel Y. Harris

    Daring, adventurous, exotic, & necessary, —can this be the exemplary, posthuman poesis? You bet it can if it’s The Tryst of Thetica Zorg. Ushering the reader into the nefarious underworld of computer viruses, Daniel Y. Harris delivers a shimmering dramatic intensity swathed in the rare glow of an Epochal Imagination. —Heller Levinson
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    The Unfinished: Books I-VI by Mark DuCharme

    Mark DuCharme's beautiful poems teach us to read all over again: mystery, the situation of person, the texture of dream and the texture of awareness: The Unfinished is a tough book, a necessary book. —Joseph Lease
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    The Visit by Ana T. Kralj

    , ,
    1992. The war rages in Bosnia and Croatia. In Slovenia, which has escaped the war’s horrors on its own soil, a high school graduate finds herself profoundly shattered. Unable to transition from the safe environment of the high school to the loosely structured student life, struggling to come to grips with an unsuccessful relationship and tormented by her helplessness in the face of the war, she embarks on a harrowing search for the meaning of her existence. But the streets of Ljubljana leave her empty-handed. Until something changes. A visitor comes by.
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    The White Visitation by David Brennan

    Not since the Book of Ecclesiastes has such litany been deployed to smack dab us with a wall of words. In The White Visitation, David Brennan pressure treats language, syntax, grammar, content into a layered labyrinthine quilted fabric of strata. One doesn’t so much as read as one peels, strips, skins the text—a sonic archeology, a narrative dig. Nothing new under the sun? Don’t count on it. The White Visitation is the plasma at the sun’s very core. —Michael Martone
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    The Woman with a Million Hearts by Loren Kleinman

    Loren Kleinman brings a poet's sensibility to her captivating memoir that is at once serious and sly, self-deprecating and a powerful declaration of self. Her memoir is less about memory than it is a fine-tuned, near magical consideration of the small details that ultimately make manifest the large passions of her life. Her edgy meditations are a bit like a delicately rendered Lost and Found for the great grab bag of human experience--instantly relatable, brash, intimate and true. —Rita Gabis, author of A Guest At The Shooters' Banquet
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    The Writers’ Circle and Other Stories by Michael Gessner

    In this stunning collection Michael Gessner pays full attention to the marginal and the marginalized –– whether unwashed, rejected, condemned, or simply unusual –– and brilliantly inhabits them, evoking their passions, their yearnings, and also the rare strands of hope that sustain and illuminate. —Grace Dane Mazur
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    Theater of the Tongue by Diana Adams

    Diana Adams book, Theaters of the Tongue , gives the reader a fascinating canvas of words, some words best described as word food. The reader is treated to lines like “salmon are lead by bells inside.” —Mary Kasimor
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    Theoretical Animals by Gary J. Shipley

    Beggars, fortune tellers, barge captains, bloated corpses, and the ominous tolling of church bells hover anachronistically over a bleakly existential world whose once-physically-present signs have been reduced to html code, rss feeds and online ad campaigns. —Michael Kelleher, author of Human Scale and To Be Sung

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    There’s Something Wrong With Sven by Greg Gerke

    Full of twists and turns, Greg Gerke's debut collection is more powerful than fun; each character has flavor, the situations stick, the work is unique. There's Something Wrong with Sven, but this book is right on. —Kim Chinquee
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    Thief by Katrinka Moore

    In a series of interlocking text-image meditations and small narratives, Katrinka Moore’s Thief rewrites the literary impulse to claim. This thievery confesses our visitor status upon body, mind, land, and book and asks, “So, you select your shape purposefully? How to explore this obscure site? How does the world assemble?” The journey is gendered: how does a woman write into a literary and family history that was actually never so sure of its claims, its own thievery? – Jill Magi
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    Thirty Miles To Rosebud by Barbara Henning

    This On the Road story zig zags the America grain, a rebellious woman’s experience, and the consequences of the Vietnam era. Barbara Henning’s clean, stark realism rejoices and laments the left and the lost, what can and can’t be found in time and mind. —Gloria Frym
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