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    Inventories by Paul Hogan

    A forceful, unapologetic exploration of the masculinity of creative impulse. Hogan looks at nature, life, disparate moments, mysticism, and fatherhood not with rose-colored glasses but with the obsidian eyes of a realist unafraid to be caught submitting to his poetic instincts. Inventories is a work of great relevance, power, and importance. —Gary Earl Ross
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    Iona by Andy Martrich

    Quince Eastwood: proud Iona alum, a man still drawn to that small Catholic college in New Rochelle. He's looking for love in all the wrong places, and tracking info down via the absolute worst subforum. And how could he not? Iona's a place where no one's safe from transmutation, from instantly viral dipshittery.
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    Ithaca: A Life In Four Fragments by Travis Cebula

    Ithaca points profoundly to the past as it creates a future with hope and precision. The story of a birth, it is also the story of her coming of age, her maturity, and her death. Ithaca is everyone, no one, word-filled and silent, as we humans are. Travis Cebula in his beautiful fragments captures the essence of being in life and its conversations with itself, others, and even God. —Maxine Chernoff
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    January Found by Michael Sikkema

    Michael Sikkema’s poems are both carefully honed and fun to read. Each word seems to be happy where it is, and this can be funny, too. —Aram Saroyan
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    Joys: a catalogue of disappointments by Christophe Casamassima

    Quietude = qui  etude: the study of the who , and who's studying it motivates this marvelous book, full of sharp moves based on acute attention to language.  At times directly honoring his sources­-- Jabès, Creeley­--and at times indirectly quoting many others from Joyce to Cendrars  to Lezama Lima, Casamassima proves himself a worthy inheritor of the postmodern tradition of writing that inscribes (and in doing so, refuses) its own impossibility. - Cole Swensen
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    KATA by James Maughn

    Robert Creeley wrote about poems that make rites of passage actual, poems that speak a primary language. In Kata, James Maughn speaks a primary language. He is inventing a world—and this beautiful book enacts a wry and patient intelligence, embodies physical grace. In these lines you will hear fullness of representation, and a luminous consciousness.  — Joseph Lease
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    Kewalo Blues and Echoes by Gary Pak

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    Gary Pak’s Kewalo Blues and Echoes reflects his profound, joyous, and critical grasp of Hawai’i as entangled site of local pidgin, Native Hawaiian, oceanic, and ethnic mores of world-dwelling and culture-making. —Rob Sean Wilson
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    LAST by E.J. McAdams

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    I recommend reading E.J. McAdam's LAST out loud, singing/shouting each line in city parks, the subway, the office. Let it echo off the walls "amidst skyscrapers" in an elegy for our ecology/our planet/our lives that is devastating, but joyous still in its love for what was and what might still be possible —Marcella Durand
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    Le Trouvère Prétendu by Peter Siedlecki

    Congratulations, Peter Siedlecki, on a fascinating, dare I say 'heartwarming', book! His muse takes him in such unexpected directions, like writing a love song to his dog – that poem 'Heike' will always be one of my favorites. —Edward Field
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    Lecture Notes- A Duration Poem in Twelve Parts by Deborah Meadows

    Lecture Notes: A duration poem in twelve parts makes that subtle shift from seemingly raw appropriation to an act of art history right before our eyes so that the safe empiricism of "seeing is believing" is turned upside down, and believing (or culturally-driven perception) creates the scene.
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    Letters To An Albatross by Anita Mohan

    'No ideas but in things.' In lieu of abstraction and sentimentality, Anita Mohan presents 'real gardens' with real apperceptions in them. More inlooker than onlooker, she enlivens the flora and fauna of this volume with her being-in-the-landscape.  —Steven Felicell
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    Lexicartographies by Nicholas Alexander Hayes

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    Nicholas Alexander Hayes's Lexicartographies feels like a microscopic look at an ever-shifting organism, with language serving as a tool for mapping out its evolution and tiniest particles, both fragile and brutal in their raw, naked reality. —Dominik Miles
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    LIFT OFF: a journey of future tense by Stephen Bett

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    Canadian poet Stephen Bett has been called a legend internationally. His 24th book, Lift Off: a journey of future tense, like his recent ones, is a serial poem―minimalist in its poetics, and subtle enough to sustain repeated readings. The book concerns painful, but edgy, movement out of chaos and disrepair and into new beginning, into a ‘lifting off’.
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    Light at the End of the Word by Cheryl Pallant

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    Pallant’s poetry seeks connection transducing passed the tympanic membrane whilst continually registering the energy emitting materiality of one’s own body, the wounded other, and the conditions that quicken cosmic connect/to feral superfluity in full throttled resonance. —Kimberly Lyons

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    Light Reading by Stephan Delbos

    Light Reading ranges from micro-minimalist poems to all-encompassing lyric declarations and metatextual litanies. The book’s first section, “Light Reading,” begins with an aubade and ends with a lullaby. In between, these short poems grapple with the marks words make on existence, exploring themes of language and memory, and confronting the work of great poets and thinkers.
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    LIGHT-HEADED by Matt Hart

    In Matt Hart’s poetry, crackling diction and soulful exuberance take the wheel for a happily bent ride through waking and dreaming spaces. Hart works the contours of his chosen forms with precision and humor, and emphasizes reoccurrence as poetic value and material dynamic through which to channel further depths of possibility for the imagination. —Anselm Berrigan
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    Lilith Walks by Susan M. Schultz

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    This humane book, interconnected with her dogged, personable companion, Lilith, investigates life’s multifaceted and poignant zones. —Rachel Blau DuPlessis
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    Limitless Tiny Boat by Ruth Danon

    By investigating the minutiae of life—the stuff that anchors us, a stone and its echo, paradoxes constructed by language—Ruth Danon investigates nothing short of Thanatos and Eros. The journey of the Limitless Tiny Boat is fierce and fearless. Watch out! These poems expand and contract—breathe—as they are read. A substantial achievement. —Martine Bellen
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    lithic cornea (Volume V, The Grammaton Series) by Irene Koronas

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    Irene Koronas’ Grammaton Series is an antithetical subphylum launching its egg, planula larva, polyp and tryst autoaffects. —Thetica Zorg
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    Little Cliffs by Paul Naylor

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    “Little Cliffs is a philosophical adventure story. Both characters (Kai and Chishō) and narrator struggle to transcend binaries while wandering the brushy canyonland of eastern San Diego and studying “The Uncertainty Sutra,” The Rule-Governed Sutra, “The Sutra That Shouldn’t Be Written,” etc. Narration enacts choice. Here choices are made, unmade, and remade in a prose poem as serious and light as a sutra.” —Rae Armantrout
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    Little: Novels by Emily Anderson

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    Come for the Michael Landon Flip Book; stay for the richly rewoven story that excavates hidden moments in Little House on the Prairie and pays playful homage to fan favorites like prairie bitch Nellie Oleson. Little is a new classic, skillfully foraging Laura Ingalls Wilder's much-loved series to create an (ir)reverent rereading that pioneers the new frontier of Little House on the Prairie in the 21st-century. —Alison Fraser
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    Love at the End by Wade Stevenson

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    In the formal immediacy of these new poems, Wade Stevenson practices elegy in the imperative mode, in the faithful idioms of amazement. And so it happens that he is vividly able to address evidence and events of loss in their proper bodies, in a tender, mutual anguish. Along the way, he discovers wild decorums of love in the embrace of annihilation. These poems are a consolation beyond consolation, an unprecedented heaven on earth. —Donald Revell
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    Madstones by Corey Mesler

    “These poems-- at times dark and troubling, at other times passionate and openhearted--are the work of a very talented poet. Madstones is a book worthy of a smart and attentive audience.” —Ron Rash
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    Mainstream by Michael Magee

    Right from the start, Magee’s work bristles with the spirit of improvisation. Everything about it pops: classic poetry chops, a serious sense of humor, unabashed rawness. Mainstream is thrilling because it can turn in any direction at any time, moving effortlessly from wacked units of thought turning inside out to tender moments of highly focused nonsense and song that get, paradoxically, straight to the point.  --Drew Gardner
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