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    or, The Whale by Sherry Robbins

    “Into this first and oldest cradle / I invite you, reader.” from “The Fossil Whale” by Sherry Robbins. “me in in in / in the boat / of my body” from “The Chase – First Day” by Sherry Robbins. This is her book of poetry. I read her returning to this poetry. Sherry Robbins, ubiquitous saillore at voyage in the allegorical myth of and in her life, explores her journey, the wovenings of woman currents, root drinker and her map of heaven. —Michael Basinski
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    Other Maidens by Toti O’Brien

    In Other Maidens, Toti O’Brien masterfully choreographs shifting perceptions of self and the other in a soulful dance with reality. These intuitive, courageous poems explore the elusive and illusive core of grief and wonder, fear and joy, estrangement and intimacy. —William O’Dal
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    Otherwise Known as Home by Tim Wood

    The poems shimmering in this volume represent an intense and vertiginous new beginning of the sonnet, erupting from the site of "end words." Tim Wood's re-embarkations are thrilling. I hesitate to impose metaphors on a work of art that stands on its own terms, but something related to time travel might turn attention in the right direction. —Lyn Hejinian
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    Overtures by Ted Pearson

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    The standard acrostic submitted to pre-preparation's careful, reticent, insistently epigraphic procedures; the cenobitic playhouse accompaniment in blue sphere’s black expanse; the constant opening of open and uncountable dialog in analog: ladies and gentlemen and all the swung and transient surround, it's nobody but Ted Pearson! – Fred Moten
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    Ovid’s Creek by Sam Magavern, Art by Monica Angle

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    In Ovid's Creek Sam Magavern, in paying tribute to the Roman poet Ovid, works out his own ars poetica, one that values plainness over ornament,  playfulness over solemnity, and liveliness over propriety and elevation. ... The result is a book of peculiar freshness. —Carl Dennis, Winner of the Pulitzer Prize for Practical Gods.

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    Oxidane by Nicole Matos

    Oxidane has the reach of taut flash fiction fiction and the punch of expertly crafted poetry. It is a truly hybrid animal you’ll think about running from—but you'll find yourself running towards it. —J. Bradley
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    Parables For The Pouring Rain by Paul Sutton

    "The ship might be sinking but Paul Sutton has tied himself to the mast and his poems chart the descent as the whole caboodle wallows down. Sutton’s work is a sovereign antidote to the pointless mush of establishment-approved literature." — Rod Madocks
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    Parataxis by Matt Hill

    "... swaying between Baudelairean modalities of social spleen and lyric fervor, perceptions fresh and exacting; each piece demands utopia, and measures reality by its absence." —Andrew Joron
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    Paris Views by Michael Joyce

    Anyone who loves Paris will find that literarily-overdetermined city brought to new life---new and not particularly literary, for through Joyce’s sharp, quick, and cleverly amorous eye, Paris is evoked not as objet d’art, but as sloppily, raucously, lived; as an idiosyncratic confluence of specific instances that shed deep light on the way that individual perception and experience sculpt public space. — Cole Swensen
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    perimeter homespun by Marcia Arrieta

    Marcia Arrieta's perimeter homespun is part meditation, part equation. Both spare and delightfully baroque at the same time, the collection deftly explores the tensions between art and nature, the created world and the occurring one. —Kristy Bowen
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    Permission to Relax by Sheila E. Murphy

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    These intricately constructed structures have an air of lightness about them, though mixed into that lightness is the existential angst of the quotidian rung with rhythmic grace and disjunctive virtuosity. —Daniel Borzutsky
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    Person Hour by Thibault Raoult

    Thibault Raoult reaches across the orderly table of syntax and conventional content to grab the reader literally by the throat in order to redirect attention to language performing itself as an unresolved constellation of eros, humor, history, and social observation. —Forrest Gander
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    PERSONAL EFFECTS by Ted Pearson

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    Time travels aphoristically in short hops, seen from long distance, with words as object lessons, in Ted Pearson’s refulgent work. “These annotations mean the world” in the most personal and impersonal sense. But the “eternal present” affords scant comfort, as quatrains slant away or sentences shimmer over the depth of existence. —Alan Bernheimer
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    Petrarchan by Kristina Marie Darling

    Kristina Marie Darling's Petrarchan uses ideas of the fragment, the unsaid, and the unknown to gesture towards her own passionate syntax. It seeks the person in Petrarch's humanism. —Sean Singer
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    PHARMAKON (A CASE HISTORY) by Kristina Marie Darling

    PHARMAKON is a rattling collection. Laced with pinching, dark detail, the tinge of gone, resonant trinkets, and a seasoned sense of loss, this book dustlessly describes the bewilderment of being, being not, and the feeling that comes with those. —Emily Toder
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    Phoems for Mobil Vices by Rich Murphy

    “intriguing and somehow informative poems.” — Erica Wright, Poetry Editor, Guernica
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    Pickles & Jams by Cris Cheek

    In Pickles & Jams, cris cheek exposes the very membranes that lie between the sensed-real of the culturally dominant and the barely-sensed hyper-real of the culturally emergent. His poetics (initially spawned and tested in Briton) isn’t of an “epiphany” variety, but rather is borne of a sabre-ready constructivist process, whereby the jettisoning of American Capitalist values is at a premium. —Rodrigo Toscano
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    Pieces by Hank Lazer

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    These apt, reductive verses keep a locus of faith with skill and moving commitment. —Robert Creeley
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    Please Do Not Feed the Ghost By Peter Ramos

    These poems by Peter Ramos stage incidents of arrested breath. Diegetic scenes---a mid-century interior, a cocktail party, a clinic, an airport, and everywhere the glow of television---so embroil a psychological subject as to mirror the difficult weather that divides labor from leisure life in the caesuras of time and space.Roberto Tejada
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    POEM FOR THE UNBORN| NOTES TO THE GREATEST GENERATION by Chuck Richardson

    The hip thing these days is to be a poet and write fiction. It is not the hip thing these days to be a fiction writer and write poetry. The former brings possible public reward and greater numbers of readers; the latter brings no public reward and notice but by a few. That is the surface reason this book of poetry--a single dark, weird, shattering poem, really--by the singular fiction writer Chuck Richardson might trigger curiosity and attention. —Kent Johnson
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    Poems by Richard Owens

    From Delaware Memoranda (2008) through Dead in the House of Pound (2018), this volume brings together a broad constellation of poetic work, much of which first appeared through presses on both sides of the Atlantic in editions either out-of-print or distantly circulated.
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    POEMS: now and then by Edric Mesmer

    These poems fall all too neatly into two sections, the eponymous “now” and “then.” I feel the “now” poems, all from the early months of 2020, share a returning-to with the “then” poems, some of which were written as long as 20 years ago. That they have come together so squarely—so circularly—(at least to me), speaks to a sympathy between then and now. I hope that the reader will also find this to be true. — Edric Mesmer, May 2020
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    Poetic Realism by Rachel Blau DuPlessis

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    Poetic Realism by Rachel Blau DuPlessis is the fourth episode of the on-going work Traces, with Days. It is both a committed poetry looking out at the world in witness, resistance, and with a fervent vow to find “incantatory information” in an account of what is seen, felt, and thought.
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    Polaroids of Turbulence by Henry Sussman

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    Polaroids of Turbulence is a chronicle of culture trouble, a verse report of the unfathomable depths of our times: “barbarism’s eternal return.” Sussman’s sharp observations and linguistic play mark a “jagged trajectory” through “the outerbanks of / introspection.” —Nancy Kuhl
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