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    Songs of the Sun Amor by Wade Stevenson

    Be to be Not to become You can’t think joy What you seek or sought The mind can never catch So live lightly Love wildly Go sweetly Love tenderly Die softly Run the race from within Ride the mare of the moon Eat the golden apples of the sun
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    sound of wave in channel, Books I and II by Stephen Ratcliffe

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    In Stephen Ratcliffe’s sound of wave in channel, constant difference meets constant sameness. The result is a sublime evanescence, where the daily practice of poetry becomes a means of making palpable the immanent transcendence that Dickinson called “Finite infinity.” —Charles Bernstein
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    specimens by Mark Cunningham

    My introduction to Mark Cunningham came when a small swarm of [beetles]  arrived in my inbox at Otoliths. Delightful things, that I was instantly enamored of. Something of a paradox, though. So detailed they could only have been examined at length whilst pinned to a plush velvet tray; & yet so full of life. —Mark Young
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    Spleen Elegy by Jason Labbe

    Let’s twin and twine together two primary aspects of how America can see herself—the good atoms of Whitman’s leaves of grass, and the engines humming their freedom on the highways that cut across those 19th century fields. Now, Jason Labbe well knows, as Whitman’s atoms become pixels, we find ourselves at a crossroads, learning again and again the consequences of “the indescribable way you shape / a past of little use.” —Dan Beachy-Quick
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    Starlight: 150 poems by John Tranter

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    Certainly John Tranter, who has been an international phenomenon for some time, is not one to deny the influences from outside, or to slow down the discussion of whether it all (Beats, Black Mountain, New York School) may be a hoax itself. This open question is, after all, what gives them their plangency and liveliness. Welcome to Tranter’s medicinal coruscating world. You’ll like it. It’ll do you good. — John Ashbery
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    Starlight’s Genesis: An Anthology of the Starlight Gallery

    Each of these works opens connections to people who often feel disconnected; they offer chances to see ourselves within those who often seem different from us. In that sense, for those who created these, and you who absorb them, they can be the genesis of a newly shared joy.” —Paul T. Hogan
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    Stone by Naomi Buck Palagi

    In Buck Palagi’s Stone, the words are pulled from the ground, vivid and durable—poetic stones of memory and contemplation. Her poetry shows a connection to the earthen, the bodily, while engaging in contemporary and playful poetic practice. The words in this first book signal a fully formed poet we surely need to follow. —William Allegrezza
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    Storm Crop by Stacie Leatherman

    More and more, I see those who want to figure out and document the puzzling emotions that come with an awareness of one’s involvement in global events turn to poetry. Stacie Leatherman’s Storm Crop is part of this. It is a psychogeographical accounting of contemporary experience. She turns to her subconscious in order to attempt an honest accounting of these emotions and then she organizes these with an alphabetical inclusiveness. It is a book of empathy and of longing.  —Juliana Spahr
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    Stormy Mondays by Skip Fox

    There are gems here: it’s Skip Fox’s Monday. Push through and get into the smoke. Whatever happened before Monday, Monday also means a beginning. Read to feel the future lives offered by these fascinating word-doors. —Eileen R. Tabios
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    Stratification By Meghan Punschke

    All the wondrous stratifications of water, atmosphere, myth, history, society and (of course) the chills and fevers of colloquial lives are rigorously plotted in this dense, layered, disconcerting book. I know of few poems as insistently scrutinizing but empathetic, or as simultaneously devastating and resplendent. ~Robert Polito
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    String Parade by Jordan Stempleman

    With a voice that speaks of the simultaneous desolation and burgeoning hopefulness of our time, Stempleman's String Parade begs us to listen again to an American landscape long forgotten, yet still around.   It is a landscape full of children and families, of old Hollywood glamour, of worn out streets, of gardens, of domestic scenes full of ache, of heavy rain clouds, of dedication.   As the title suggests, images and people float at us in endless sequences, strung together in a language of the everyday.  —Dorothea Lasky
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    Submissions by Jared Schickling

    Cutting ruthless swathes into the dense thickets of history and culture, Jared Schickling's submissions is the linguistic detritus of his singular explorations. Hard to classify, impossible to pin down, this poem demands attentive reading and re-reading. Its unforgiving energy and relentless tension make it seem as if Herman Melville and Susan Howe got together and, during an awkward pause in the conversation, conjured Jared Schickling from a dark corner of the room. —Daniel Bouchard
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    Sunday Double Suicide by Goro Takano

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    In my poetry, orderly chaos reigns. You will keep feeling countless lessons in love and solitude loom up through the mad torrent of myriad images in this book. I hope reading this book will somehow help you navigate your own way through everyday realities. —Goro Takano
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    Sung: Ink in love & lust by Mick Raubenheimer

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    Raubenheimer’s voice is a unique one – a solitary one – one that is rarely heard in South Africa, or even rarely heard this side of consciousness. Some of these poems are like snapshots – short-lined, frequently employing eye-popping wordplay, but always with precision and economy of measure. They can be light-hearted and humourous, yet still cast a pebble into the depths of profundity or even blackness, fear, dark rituals – ‘the violence of magic’. —Gary Cummiskey
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    Sure Thing by Robin Brox

    Like the images in this thoughtful debut, Brox's poems chart our attraction to surfaces, textures, and weathers with a calm hand intent on recording the ""tenderest ambivalences"" of our desires and senses. —Jennifer Moxley
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    Surface Tension by David Peak

    Amputation of person, amputation of limb, amputation of smaller and smaller shapes of cells. Into his sentences David Peak fits deleted frames from wonderful films we saw once half-asleep, that time asleep on the sofa in that room we would have paid more attention to if we'd known we weren't going to be back there these years later. — Blake Butler
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    Suspended Imagination by Florine Melnyk

    "Suspended Imagination is a wild read. Risky, provocative, cheerfully over-the-edge, at their best these poems are filled with music, humor, and imagination. Always alert for new ways to give form to the wild and strange, Florine Melnyk offers two of the most high-spirited sestinas you'll ever come across and throws in a fine nonce-sestina that engages the reader in a sort of mad treasure hunt for fun and meaning." — Theodore Deppe
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    Sweet Boy by Matthew Petit

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    At once steely and intimate, these poems invite us to sit with the world in all its beauty and terror —Christine Kitano

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    t&u& lash your nipples to a post history is gorgeous by Jared Schickling

    “Forgetfulness of everything but bliss,” —John Keats
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    Taste: Gastronomic Poems by Francis Raven

    The indomitable spirit of cuisine is brought to a boil in this new collection of poems by Francis Raven. Taste revels in the seasons of the senses, as if summer and spring were actions of eating or of smell, asking us in to dinner and savor all that can be experienced in a day. From shopping lists, conversations, recipes to meditative contemplations on tea, these poems are thoughtful as they are a delight. —Aloysius Werner
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    Ten by Jennifer Firestone

    Using her recovering body as a constraint for poetic inspiration, Jennifer Firestone has written poems that are limpid, elemental, tranquil, and full of light. —Cathy Park Hong
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    Tender by Travis Cebula

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    In Tender Travis Cebula transforms raw, emotional experiences into preserved moments of artful reflection. —Janaka Stucky

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    Test Camp by Randy Prunty

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    In these pages an absorbent and meditative mind faces a world of unrelenting transit. Randy Prunty's ability to take inventory under circumstances where "speed covers loss" is remarkable and sustaining. He would reclaim the accelerated present's "chains of subsequency" and make them meaningful once again. —George Albon
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    That Woman Could Be You by Vi Khi Nao + Jessica Alexander

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    Like Anne Charlotte Robertson's Five Year Diary seen through a fervid haze, its Super 8 frames fractaling in and out of memory's forlorn theatrics, the pieces in this book invite the reader on a jaunt of vanishingly small, gigantic, public, and intimate dimensions. Accept the invitation. Reel with all the ways That Woman Could be You.  –– ALI RAZ
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