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    The Absence Of The Loved by Wade Stevenson

    Left. There is the absence There is the wound the shock, the rage, the disbelief and the grief and more for the sinking, suffering heart. In these poems, Wade Stevenson realistically surrounds the departed love with his private raw emotions and with the most wonderful metaphors, fantastic in fact, and with them the poet in his craft knits his hurt into poetry. — Michael Basinski
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    The Age of Greenhouses by Anne-Adele Wight

    It is exciting watching a new Anne-Adele Wight poetry fan holding her latest book, their faces beaming until they look up with Wow! Her poetry is a hidden American treasure no longer as more and more poets are sharing her books. It is a privilege to read a poet who has dedicated years to her craft, giving the world some of the best poems we will ever read. The Age of Greenhouses made me say Wow over and over! Let the celebration begin! ––CA Conrad
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    The American Godwar Complex by Patrick Herron

    Patrick Herron is the author of the chapbooks Man Eating Rice (Blaze VOX) and Three Poems (Gateway Songbooks). His poems and essays have recently appeared in Exquisite Corpse, Jacket, Fulcrum, in the Tokyo Metropolitan Art Museum, and in the anthology 100 Days (Barque Press).
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    The Arctic Circle by Kristina Marie Darling

    The symmetrical aspects of this narrative make for a pristine evocation of crisis and overcoming. Kristina Darling’s fable resists disintegration, challenging instead a forceful awareness. The dynamics here do not permit abjection to pulverize presence. —Brenda Iijima
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    The Best Word for the Job of Mourning by Jessica Baron

    Jessica Baron realizes mourning’s best words refuse their own elegiac nature. In her long sequence death is present not as a shadowy realm from which the loved one will be recalled by the poet’s words; in this poetry death is a place of honest witness.—Dan Beachy-Quick,
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    The Bird Hoverer By Aaron Belz

    Just what American poetry needs: lots of fresh poems that are weirdly conventional one minute, satisfyingly strange the next. On the surface this violent assault on complacency is playfully serious, but deep down, you notice that the surfaces of these gentle poems glint and catch the light as they turn over and over, patiently waiting for your attention.  —John Tranter
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    The Blooming Void by Peter C. Fernbach

    In The Blooming Void he enacts this. From a “sea of maroon”; from the “sludge” of a polluted world; from the genesis of a “Fruit Fly in Pile of Dirty Laundry”: from these and more emerges “a contrivance of mind” that may result in “A[n] [imperfect] human attempt/At control and understanding,” but, [imperfect] or not, what else have we?  —Dr. David Landrey
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    The Breath by Cindy Savett

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    Cindy Savett’s The Breath accesses and occupies the territory, real and true, where the living can dwell with the dead. The speaker’s beloved daughter lives on, in spirit and lyric, as she “steps into the stable of vanished gods.” Savett’s skillful elegies hold the daughter’s hand and reader’s attention across the threshold.  — Jason Labbe, author of Spleen Elegy
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    The Built World by George Albon

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    In The Built World connection is understood as the spaces between things and scenes that move continuously, resonating underneath with all represented surfaces and experiences. This is a tough, beautiful, provocative, companionable book of poems. —Anselm Berrigan
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    The Camel’s Pedestal, Poems 2009–2017 by Anne Tardos

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    Free-ranging, intelligent, a poetry of wit and survival—to be “crazy not to go crazy” and not going crazy and making art in the face of that: “finally taking a stand” . . . “there is no shortage of things to do on the path to a better life” and “letting things be,” “tip-toeing around the good and the terrible”—Maurice Scully
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    The Color Symphonies by Wade Stevenson

    This is a visionary work. It’s a torrent, a whirlwind, a symphony of colors. It’s a blazing apocalypse of rainbows, a dazzling setting sun of the material world. Surely it was written in some god-inspired, intoxicated state reflected through the rational mind of a star-struck color scientist. —Aloysius Werner
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    The Demotion of Pluto by Deborah Meadows

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    In Deborah Meadows’ The Demotion of Pluto runs of poetry bleed into plays. The title play recasts Sophocles’ Philoctetes; Obstacle Plays riffs on Michael Fried’s Art and Objecthood that considers minimalist sculpture as both theatrical and an obstacle; and Nothing to Do works intensive differences between brilliant and crumbling minds situated in the aftermath of street struggle.
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    The Desense of Nonfense by Megan A. Volpert

    Not since the Nature Theater of Oklahoma has such a cast of characters been recruited in the name of narrative theory and good clean fun.   Starring icons of culture high and low, from Slavoj Zizek to Simon Cowell, from Akira Kurosawa to Will Ferrell, Volpert's essay on nonsense is a Technicolor triumph. —Jena Osman
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    The Distancing Effect by Maryam Monalisa Gharavi

    A beautifully tangled collection of poems that reveal an intense focus on the world, not as a singular philosophical phenomenon but a series of sensual encounters that always seem to be on the verge of revelation. Like all great writers, Maryam Monalisa Gharavi leads us to the precipice of some greater understanding of our circumstances and ourselves, then withdraws and encourages us to take the final step into the wondrous ether on our own. —Michael Thomsen
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    The Ecstasy of Capitulation By Daniel Borzutzky

    "Lucretius and Epictetus; Franz Kafka and Daniil Kharms; Lucretia Mott and William James; William Bronk and Bernadette Mayer: Daniel Borzutzky is their heir and equal. He is a world class author. - Gabriel Gudding
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    The Edge of the Underworld by Michael Ruby

    “Call it immersion”: take Michael Ruby’s sibilant heterographic tour of the underworld’s underwords and rediscover in these homophonic burrows that sonic intersection is ear + imagination.  —Judith Goldman
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    The Empress of Frozen Custard & Ninety-Nine Other Poems by Jorge Guitart

    Jorge Guitart’s poetry is not for the masses but it is for everyone. The Empress of Frozen Custard is awash in marvels. Guitart is a master of language, a tongue trickster, a feller of fashion.  In this, his second volume of English poetry, he has done it again, producing a collection that sings and laughs and cries all at once.  In the words of Yankee fans praising one of their most beloved players, “Hip, hip, Jor-gé!” —Pablo Medina
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    The Epic of Hell Freeze by Richard K. Ostrander

    The poems in Richard K. Ostrander's The Epic of Hell Freeze (What Stays the News) shift from allusion (Andromeda, Abraham, Sisyphus) to illusion: ""He walks through walls/ On the other side of silver."" Ostrander's attention to ""language's legerdemain"" ties seemingly unrelated poems to each other like knotted scarves pulled from a magician's sleeve, using alliteration—""And a single sentence,/ Tautness of telephone lines""—as well as slant rhyme—""Flies, happy in their bottles/ Freer than fish/ that fly/ Melody or malady/ I don't know which""—and clichés twisted into new configurations—""There's a sty in the sky,/ Here's a shoulder to fry on."" —Beth Copeland
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    The Equation That Explains Everything by Andrew Cox

    Poets usually either rhapsodize the world or explain it.  In The Equation that Explains Everything, Andy Cox shows us that he is an explainer, but he explains through a wondrous broken logic where blind men drive under the influence of dogs, rubber snakes entice the world with plastic apples, and two plus two equals five but all the tiny sighs in the hours before quitting time add up to nothing.  —Richard Newman
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    The Exploding Nothingness of Never Define by Anne Tardos

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    Anne Tardos, whose poetry & performances have delighted us for several decades now, emerges in her new book as the innovator of a work that incorporates, like the best of our poetry, a full range of thoughts & experiences & makes them stick in mind & memory. —Jerome Rothenberg
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    The History of My World Tonight by Daniel Nester

    In The History of My World Tonight, Daniel Nester re-envisions The Beach Boys, The Brady Bunch, and the Bible. He takes on the Munchkins, Montale, Monet, and masturbation. But that’s just the beginning. In these intimate confessional and experimental poems, Nester delivers a complex psyche along with deadpan social commentary. This is an engagingly funny and tender book. —Denise Duhamel
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    The Homesick Mortician by Peter Mladinic

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    Mladinic gives us a world where “a man with a wooden leg/ and a boy in a white shirt/ talk weather/ and look like an argument.” The strange and the mundane combine into sharp mystery. This is exquisite poetry and worthy of your time. —Jeff Weddle

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    The Hunger in Our Eyes by Jared Demick

    Jared Demick's The Hunger in Our Eyes is a little bit country and a whole lot of cross-country(ies). The shape-shifting Americana here scores a playfully re-visionist choreography that brings into focus what imperial eyes typically miss: the accidents of landscape, the histories of food, the body's crossings. —Urayoán Noel
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