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    prairie)d by Garin Cycholl

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    Mostly, Cycholl proceeds in dismay for the beggaring of his world. prairie)d is the song of a grieving poet. It tells of the water which dribbles muddily through a once-garden and into lives malformed by manias of profit. —Dennis Cooley
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    Prefab Eulogies, Volume 1 by David Wolach

    Is it possible to out-Flarf Flarf? Prefab Eulogies encourages multi-channel collectivity that demands we read—and act—with a finger on the trigger of forgiveness, with an eye trailing reclamation. —Jules Boykoff
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    Prior by James Berger

    There is an ever-present intensity to James Berger’s Prior through which the reader plummets. Full of complex and particular insight, by turns darkly comic and comically dark, these poems are as unafraid of regret and anger as they are of quick surprise and happiness. — Richard Deming
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    Projection Machine by Debrah Morkun

    In the land of All Language, replete with spoken gold, Debrah Morkun spins poems, then weaves this Projection Machine. This original or pre-. And when reflection mazes and you are inside and civilization itself a book read in all directions, she will take your eyes by the hand and lead you on. I am waiting for you there. —Bob Holman
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    Province of Numb Errs by Jared Schickling

    Jared Schickling’s Province of Numb Errs is a quirky, sincere and often funny homage to the long arms of his Catholic upbringing. Less dour than Stephen Daedalus and the other cohorts of Joyce’s imagination, the narrators in these poems gleefully yoke together Biblical clichés and homespun homilies, xenophobic injunctions and commonsense imperatives, and, per rhetoric, the highfalutin’ and colloquial. —Tyrone Williams
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    Puddles of An Open by Paige Melin

    Through her provocative syntactic ruptures and stream-of-consciousess narrative style, Melin subtly and gracefully interrogates the boundaries between interior and exterior, subject and object, self and world. Puddles of an Open is a stunning debut, as innovative in its technique as it is in its philosophical assertions. —Kristina Marie Darling
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    Rain Check Poems by Aaron Simon

    Aaron Simon's lines feel like strokes of a pre-CBS Jazzmaster. Not plastic. More like rosewood with at least a Gibson tuneOmatic bridge. A brrruummm alliteration where each word-note contains the artful play of improv and composition colliding. Aaron Simon is a good band whose record is killing it on the deck these days. —Thurston Moore
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    Rambo Goes to Idaho by Scott Abels

    In Rambo Goes to Idaho, Scott Abels has blurred the lines between pop culture and personal struggle, the east and the west, God and Gene Simmons. At once heroic and elegiac, these poems balance on a knife edge not unlike Rambo’s, and what’s most beautiful here is that they sometimes get cut. —Clay Matthews
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    Rearview Mirror by Charles Borkhuis

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    The rapidity & delight of Charles Borkhuis’s poetry, set against the serious matters of truth & lies, of light & darkness, is difficult to capture & impossible to escape. And all of this he delivers with a master’s sure sense of humor & grief, the badge of a poet at the top of his powers, which I read now with ever-growing delight, & still can’t stop reading. —Jerome Rothenberg
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    Reflections Of Hostile Revelries by Jennifer C. Wolfe

    Jennifer C. Wolfe’s new collection Reflections of Hostile Revelries is the voice in our heads that needs to be spoken. In this progressive work, Wolfe targets our richest and most powerful enemies addressing their essential flaws and epic mistakes while reminding the reader these are the exact people running our countries. Reflections of Hostile Revelries is direct and honest oral poetics and will leave you tired, but eager to read on. —Jordan Antonucci
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    Refugee: Six Rooms With Marc Chagall by Travis Cebula

    Both art and poetry hit the heart with pure, undiluted impact, and Travis Cebula’s latest collection “Refugee: Six Rooms With Marc Chagall” is a beautiful and stirring example of this immediacy. —Jill Koenigsdorf
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    Requited by Kristina Marie Darling

    The prose poems that open Kristina Marie Darling’s Requited gradually recede, through erasure, into the quieter fragments of the “Epilogue.” The closing section deftly reframes the juxtapositions and silences that come before, making one question whether the collection’s title suggests love or retaliation. —Sandra Lim
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    Responsibilities of the Obsessed by Goro Takano

    Telephones ring “hollow and blank”; “He has no idea what he’ll become. / All he knows is / that tomorrow will be a sunny day / for everybody else.” Dementia and demolished nuclear plants in an immense desert: the artificial landscapes created by Goro Takano in his second book are chillingly, and humorously, real. —Jane Joritz-Nakagawa
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    Robert Creeley on the Poet’s Work in conversation with & photographs by Bruce Jackson

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    This is an edited transcript of a conversation about the work poets do that Robert Creeley and Bruce Jackson held in Robert Creeley’s home—a converted firehouse in Buffalo’s Black Rock district— the morning of September 6, 2001.
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    ROMANCE WITH SMALL-TIME CROOKS by Alexis Ivy

    Alexis Ivy's jagged, hoarse, and beautiful poems recount a journey through a hell that looks a lot like honky-tonk America: the drugs, the booze, the sex— and the promise of transcendence everywhere just out of reach. There is nothing small-time about Romance With Small-Time Crooks. It is an extraordinary book. —Richard Hoffman
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    Rude Girl by John Sakkis

    In Rude Girl, light "scrime[s]," a girl secretly "places a button under her tongue," and a tide is a "pseudonym" both for not speaking (right then) and for what comes after: the start of seeing "the things [in front of]" (my brackets), which in fact "were always [in front of]."  There's an attention too, in John Sakkis's beautiful book, to the "frequency and occurence" with which these things happened.  Are happening. Like "years or color."  Loved these poems.  Hope you will too.  Bhanu Kapil
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    Ruin by Luke McMullan

    ‘The Ruin’ is the remaining fragment of an eighth-century Anglo-Saxon poem that describes the collapsed arches and rubble-strewn site of the old Roman baths at the city of Bath. Here Luke McMullan offers a translation in two strands that cross—poem and gloss—with the generous gift also of a scaffolding: word-tables that reveal for a reader the possible constellations of meanings of the poem’s key words, situating this gorgeous text within the history of its previous translation. —Lisa Robertson
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    Runes by Tracy Thomas

    Tracy Thomas' poetry takes us to places we've never been even as we feel we've been there before. Sometimes mystical, sometimes comical, sometimes frightening and always overwhelming. His juxtapositions are dizzying, he creates language you can dance to. —Jack Evans
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    Runoff by Clay Matthews

    It’s a major book from a writer who’s already shown himself to be one of our best and most unconventional narrative-lyric poets.  Your head will spin, your eyes will bulge, you’ll think you could’ve done it, but you didn’t (and you couldn’t)!  Put on your goggles and armor; you’re in for a crushing, bewildering, and beautiful ride. — Matt Hart
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    Saccade Patterns by Deborah Meadows

    Saccade Patterns explores vision, the erotic gaze, and social discernment. The book opens with a shuffled text that dismantles melodrama by inscribing primate capacity for abstract thought. There’s even a list of possible names for a pet cricket that follows a mathematic iteration. The poems seem to ask how an ekphrastic poem based on the story of Tristan und Isolde illumines the oldest gaze of love and eros. “Highways out to desert proving grounds” lead to technologically-enhanced vision, failures in our “dynastic speed-up.”
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    Sailing This Nameless Ship by Justin Evans

    Soundly lyrical yet subtly narrative, these poems find a grounded energy in a bittersweet longing for home that is belied by a thrilling apprehension of what’s to come. — Jeff Newberry
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    SALVAGE by Michael Basinski

    SO, he tried and it was endless in his head labyrinth and he tried and tried: When asked about SALVAGE Basinski pondered and battled with his selves. He didn’t know. He was afraid. His impulses were everywhere. The veil of art, which would unveil nothing! The silly, try too hard, musings of an aging being! Alien communication, confrontation, and arrogance and some rampant need and want.
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    Samsara Congeries by mIEKAL aND

    Impossible to characterize in a few sweeping phrases, Samsara Congeries, an epic in many pieces, channels land-ancestors, land-heirs, langue-ancestors, langue-heirs, all the detritus of material and linguistic (t)ex(t)(ins)istence that insists on itself in cycles of embodied living. —Maria Damon
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    Say It Into My Mouth by H. L. Hix

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    What makes H. L. Hix’s book unique is that its set of very personal, indeed autobiographical poems turn out, paradoxically enough, to be composed almost entirely of quoted text. How does a poet perform this feat? ... Every aphorism or question provokes a further question or response, often familiar on its own, but transformed by its context. The resulting lyric conceptualism or conceptualist lyric — take your pick! — is as thought-provoking as it original and charming. — Marjorie Perloff
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