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Celluloid Salutations by Elizabeth Block
PoetryIt's all here: love, work, child. And the writing. Mainly the writing. It takes over all these other things and yet it is built out of all these things. This is how Elizabeth Block erases Elizabeth Block, as one poem claims. She does this automatically, animalistically, while wailing forward, gracefully and with improvisation. —Juliana Spahr$16.00 -
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Chaperons of a Lost Poet by John Vick
PoetryThis book by John Vick is fearless. —-Valerie Fox$16.00 -
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Cheltenham by Adam Fieled
PoetryO this is fierce writing, dirty & sweaty, rain-drenched& squalid, caught out in the back seats of parked cars, all that mess of actual young lives – Adam Fieled’s poetry moves with & through all this, carefully recording and arranging, natural history notes of the actual ecosystem so many of us live or lived within, savage, implacable and there on its own terms. —Peter Philpott$16.00 -
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Chimes by Adam Fieled
PoetryAt times so painful and lovely and fragile that Chimes made my mind's eyes weep. My body's eyes, however, refused to cry as they did not want to stop reading-- Chimes paradoxically is a page-turner even as the words compel you to linger on each page. Chimes is one of the most moving autobiographies I've read--actually, language's beauty makes it irrelevant whether this is fiction or non-fiction; its authenticity is felt to be true. —Eileen Tabios$16.00 -
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Circles Matter by Brian Lucas
PoetryA triple play. Brian Lucas— painter, poet, musician—eye, heart, mind. Written with a sense of unfolding mystery, his voice on the page is sure in its tone, the ongoing quest and questioning is awake with profound and restless detail. Out of the ballpark. I await more. — David Meltzer$16.00 -
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CIRCULAR DESCENT by Raymond L. Bianchi
PoetryAt the dangerous intersection of Liberty and Empire, Raymond Bianchi breaks the sound barrier. These “multi-colored sequences” are up to date heart-breaking cubistic international songs in “real time,” trafficking in corporate corruption and working people, desire and everyday life. This is wild and honest work. — PETER GIZZI$16.00 -
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City Bird: Selected Poems (1991 – 2009) by Millie Niss Edited by Martha Deed
PoetryMillie Niss draws from so many different poetic influences and writes in so many different tones – wistful, sneaky, sincere, outraged, outrageous, sweet and funny and snide – that it makes me nearly dizzy. This is a wonderful, whimsical compendium of a mind on fire, devoted to poetry, mad for malarkey. In rants, e-mails, poetic forms, collaborations, school notebooks, mock epics, found text, imitations, concrete poetry and intercepted letters, Millie calls it like it is and we are so lucky for it! —Kazim Ali$18.00 -
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CLOUD / RIDGE by Stephen Ratcliffe
Poetry, SuperstarsStephen Ratcliffe is in his blue or green or yellow or mauve or brick-red or phthalocyanine period. That is, the serene repetitive seriousness of the shapes and colors of his work, like that of the late style of a great painter, who’s painting the same things, day after day, week after week, month after month, year by year (book by book) until what’s depicted, though absolutely precise and completely clear (located in space without exaggeration or attitude), modulates in color, picture by picture and day by day, until it disappears into its own blended shadings, becoming everything at once–and nothing. —Norman Fischer$22.00 -
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Cloud of Witnesses by Linda Norton
Critical Thinking, New Releases, PoetryLike W. E. B. Du Bois finding solace in his library, Norton moves back and across “the color line,” sits with Shakespeare, Fanny Howe, James Joyce, Toni Morrison, etc., and they wince not, welcoming her into their esteemed company. —Tyrone Williams
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Color Me White by Kevin Thurston, Illustrations by Mickey Harmon
PoetryColor Me White focuses on straight white males, and what is often called toxic masculinity—a topic only aggravated by the current political climate.$20.00 -
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COMMA FORK / MOVING PARTS by Ted Greenwald
Poetry, SuperstarsThrilled to be writing this blurb because I love Ted Greenwald's poetry. It is extraordinary lifelike in its interlocking pattern and surprise. I mean like life, if life were a made thing, a homemade pinwheel blown askew and ridden to the front-stoop carnival where your friends work and you can talk about how your mouth feels when you fill pronouns from the dictionary. And how you don't need the dictionary. Rearrange. The world's so modular! Set free for a minute. — Cathy Wagner$18.00 -
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Complete Dark Shadows [of My Childhood] by Tony Trigilio
PoetryBarnabas Collins, kitsch vampire but source of poet Tony Trigilio’s childhood nightmares, rises from his casket in the first sentence of this intrepid fever chart of a poem. Trigilio manages to create a riveting two-fold narrative—personal and TV-screen ekphrastic—out of piecemeal sentences (one per episode) that honor the most unlikely of poetic subjects: a cheaply produced, blooper-ridden, gothic-horror soap opera. —David Trinidad$16.00 -
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COMPOS(T) MENTIS by Aaron Apps
PoetryKnuckles digging in the knee and not knowing it, while reading! To be disturbed and to be reminded of something you never quite knew. To be reminded and made to know that memory a new way, this is the way Aaron Apps gives it. Morphine drip as the scalpel tears open the new machine. —CA Conrad$16.00 -
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Compulsive Words by Michael Ruby
PoetryReading the poems in Compulsive Words is like taking a hard drug. —Aaron Kiely$16.00 -
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Continental Drifts by Cheryl Pallant
PoetryContinental Drifts is Pallant’s most unwieldy, sprawling, cosmic, and best book yet. It is far more tightly woven than Uncommon Grammar Cloth, and stiller than Into Stillness. What really separates this book, though, is how engaged it is (though tacitly and subtly) with the current historical/ecological moment. Basically it continues Pallant’s signature hermetic style but, just under a language that sparks with reference, resides a deeply cutting commentary on postmodern human existence in the world.$16.00 -
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Contingencies of the Bourgeoisie by Grant Matthew Jenkins
New Releases, PoetryGrant Jenkins’s Contingencies of the Bourgeoisie active as a lone imaginative probity. Within its pages, poetic medicinal ranges transpire. This script unseals itself as a form of slow motion burning alive with insistent tenacity not unlike a gem of wildfires that illuminate themselves as suns within a percussive proto-season. —Will Alexander$20.00 -
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Counting Sheep Till Doomsday by Carlo Matos
PoetryCarlo Matos offers us original, honest, highly charged poetry with mature, hard-won insights and a gift for language. I recommend Counting Sheep Till Doomsday to anyone interested in modern poetry. —Simon Perchik$16.00 -
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Cracked Altimeter by Joe Milford
PoetryHere are multitudes. In Joe Milford’s hell-bent Cracked Altimeter, “All the names of Heaven/become a universal phonetic.” I’m grateful for his effusiveness; these hexed poems dispense grace enough to make even the warped and wayward begin to see again, and to believe. —Steve Langan$16.00 -
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Crying Shame by Jeffrey Morgan
PoetryMorgan’s gaze is always up-tunnel, if you know what I mean; the power’s in Morgan’s ability to look and look and look. No one—neither rescuer nor castaway, not commuter, not gentle or base reader—walks away whole from Crying Shame. —C. S. Giscombe$16.00 -
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CUNTIONARY/ Repent at Your Leisure (or The Folklore of Hell) by Benjamin L. Perez
PoetryFrom its title onward, Ben Perez’s fast, fresh fore(word)play aims to say “what oft was thought but ne’er so [politically uncorrectly] expressed.” This book is bound to ruffle some feathers—not for the faint of heart, denizens of “official verse culture” are hereby advised to enter at your own risk. — Stephen Ratcliffe$16.00 -
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Dangerous Things to Please a Girl by Travis Cebula
PoetryA man wanders through Paris. A man wanders through Eliot. Eliot wanders through Paris. Paris wanders through the man. And, not surprisingly, it all comes out as a love letter. Though addressed to a missing person, these poems have no absence about them at all. Instead, built of the fine detail of daily life, they exude a vivid presence that coalesces into a richly nuanced sense of place, of place-as-lived. And it’s a good life. And an utterly delightful book. —Cole Swensen$16.00 -
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DATA by Seth Abramson
Poetry, SuperstarsBROWN-EYED POLISH 5’8.602” MASSHOLE FLATFOOTED HAIRY SKIN-TAGGED RUSSIAN 227 POUNDS BADGER FAN DARTMOUTH ’98 BROWN-HAIRED NEAR-SIGHTED JEWISH DANIEL BOOK REVIEWER AGNOSTIC LITHUANIAN ATTORNEY DEMOCRAT GAG REFLEX BEARDED CUP-EARRED COWLICK BALDING FACIAL DEFORMITY PALE 5.6” LONG BARITONE POET BULB-NOSED CIRCUMCISED SLOPE-SHOULDERED IOWA WRITERS WORKSHOP ’09$16.00 -
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Dead Letters by Alan May
PoetryPart Seuss, part Stein, part Brothers (very) Grimm, Dead Letters arrives in a lively blaze of highly accomplished play marking Alan May's own arrival into the quirky exactitude of his peculiarly fine poetry. —Hank Lazer