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133-144 of 510 products

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    Emotional Support Peacock by Nada Gordon

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    In spirit closer to the wild geese than the peacock, Nada Gordon brings together a panoply of voices, including the squawk, the screech, the whisper, the whistle, all of which come together—finally, ultimately—and in language both harsh and exciting, to announce our place in the family of things. One cannot but feel uplifted into the Rapture.—Diana Fisher
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    Endless Spectator, The Screens Suite by Jesse Damiani

    In an ironic twist, there are no spectators in Endless Spectator. The mere act of looking involves you, and just like on the internet, the act of looking can be transgressive, if not towards the content, but towards yourself. Through its visual bewilderment, Endless Spectator makes you realize that the cacophony of the internet is alive and pulsing, and you’ve already been consumed by it.
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    Epigramititis : 118 Living American Poets by Kent Johnson

    "Thanks for sending me the epigrams.* Superb. It's about time for something of the sort, I'd say, what with the ass licking that rules the day. Especially the ass-licking that some ass-lickers want to pass off as "avant-garde confrontation." My salute... And as to your question, well, yeah, absolutely: Olson, if he'd lived to see what has happened, would have loved these." — Ed Dorn
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    Eros & (Fill in the Blank) by Charles Freeland

    Charles Freeland’s poetic voice is that rarity of philosophical posits intertwined with a language of emotional accord.  Eros & (Fill in the Blank) contains poetry of invention, reinvention, musical decency drawing the reader into Freeland’s specialized poetic language. — Felino A. Soriano
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    Evening Train by Tom Clark

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    In Evening Train we witness people on a bus, a window in the night, greenery, a bird on its perch—and then at the center of this world, something nameless seems to open. It’s hard to say just what happens, other than the words of each poem itself. But that isn’t quite right. It’s as if the words are a way for the poet to inscribe silence. You turn the page, wondering, and it arrives again—something quite beyond what is told. Tom Clark is a master. —Aram Saroyan
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    Every Strange Meridian by Todd Romanowski

    Intensely lyric, often surreal, the poems in Every Strange Meridian cast a spell that is at once dangerous and beautiful. —Joan Houlihan
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    Everything Seems Significant by Jan Bottiglieri

    “Everything Seems Significant sails and embraces... such a deep, kaleidoscopic dive it takes. This is brilliant, inspired work. So much has been written about Blade Runner, but none of it penetrates like this. The spell of it all is distilled and caught in the sly, prescient grip of Bottiglieri's poems.” —Hampton Fancher
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    Everything Turns On A Delicate Measure by Maureen Owen

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    What is the restless energized measure for an expanding universe? Maureen Owen is one of our most exploratory poet inventors whose sound and sense insure what’s hidden from view gets more mysterious. ... This book is a reason to celebrate and continue. —Anne Waldman
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    face blindness by Megan A. Volpert

    Megan A. Volpert's full-length debut startles and spirits us through the invisible and daring detritus of dialogue and story, NYC and Normal, Illinois, "name pong poetry" and "copyright infringement," letters laced with love for John Yau and Roland Barthes, phantasmagoria and prosopagnosia, fecund cullings from the minds of Jacques Derrida and Friedrich Nietzsche, ambling pathos and anxious heart, and everything in between.—Amy King
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    Faceless Names – Two Books of Letters by Anna Elena Eyre

    Read this book in the dark, with a flashlight. Read this book when you are open, really open to the world, to your world, to language and rain. Anna Elena Eyre writes magnificent poems, poems that breathe and sing and imagine and paint. I am very grateful to her. —Joseph Lease
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    Failure Lyric by Kristina Marie Darling

    Kristina Marie Darling gives us a narrative in images both surreal and everyday that recur and accrete to evoke a sense of deep and irrevocable loss. It's impossible to read without feeling similarly moved. —Janet Holmes
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    FAKE NEWS POEMS by Martin Ott

    “Martin Ott collects clickbait headlines and transmutes them into lyric truths.” —Jesse Walker
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