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    KATA by James Maughn

    Robert Creeley wrote about poems that make rites of passage actual, poems that speak a primary language. In Kata, James Maughn speaks a primary language. He is inventing a world—and this beautiful book enacts a wry and patient intelligence, embodies physical grace. In these lines you will hear fullness of representation, and a luminous consciousness.  — Joseph Lease
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    Kewalo Blues and Echoes by Gary Pak

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    Gary Pak’s Kewalo Blues and Echoes reflects his profound, joyous, and critical grasp of Hawai’i as entangled site of local pidgin, Native Hawaiian, oceanic, and ethnic mores of world-dwelling and culture-making. —Rob Sean Wilson
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    Ladders In July by William Allegrezza

    This book is part of our moblis in mobli series, a free ebook with a printed books that is for sale from us as well as Amazon.com.
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    LAST by E.J. McAdams

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    I recommend reading E.J. McAdam's LAST out loud, singing/shouting each line in city parks, the subway, the office. Let it echo off the walls "amidst skyscrapers" in an elegy for our ecology/our planet/our lives that is devastating, but joyous still in its love for what was and what might still be possible —Marcella Durand
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    Le Trouvère Prétendu by Peter Siedlecki

    Congratulations, Peter Siedlecki, on a fascinating, dare I say 'heartwarming', book! His muse takes him in such unexpected directions, like writing a love song to his dog – that poem 'Heike' will always be one of my favorites. —Edward Field
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    Lecture Notes- A Duration Poem in Twelve Parts by Deborah Meadows

    Lecture Notes: A duration poem in twelve parts makes that subtle shift from seemingly raw appropriation to an act of art history right before our eyes so that the safe empiricism of "seeing is believing" is turned upside down, and believing (or culturally-driven perception) creates the scene.
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    Letters To An Albatross by Anita Mohan

    'No ideas but in things.' In lieu of abstraction and sentimentality, Anita Mohan presents 'real gardens' with real apperceptions in them. More inlooker than onlooker, she enlivens the flora and fauna of this volume with her being-in-the-landscape.  —Steven Felicell
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    Lexicartographies by Nicholas Alexander Hayes

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    Nicholas Alexander Hayes's Lexicartographies feels like a microscopic look at an ever-shifting organism, with language serving as a tool for mapping out its evolution and tiniest particles, both fragile and brutal in their raw, naked reality. —Dominik Miles
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    LIFT OFF: a journey of future tense by Stephen Bett

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    Canadian poet Stephen Bett has been called a legend internationally. His 24th book, Lift Off: a journey of future tense, like his recent ones, is a serial poem―minimalist in its poetics, and subtle enough to sustain repeated readings. The book concerns painful, but edgy, movement out of chaos and disrepair and into new beginning, into a ‘lifting off’.
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    Light at the End of the Word by Cheryl Pallant

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    Pallant’s poetry seeks connection transducing passed the tympanic membrane whilst continually registering the energy emitting materiality of one’s own body, the wounded other, and the conditions that quicken cosmic connect/to feral superfluity in full throttled resonance. —Kimberly Lyons

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    Light Reading by Stephan Delbos

    Light Reading ranges from micro-minimalist poems to all-encompassing lyric declarations and metatextual litanies. The book’s first section, “Light Reading,” begins with an aubade and ends with a lullaby. In between, these short poems grapple with the marks words make on existence, exploring themes of language and memory, and confronting the work of great poets and thinkers.
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    LIGHT-HEADED by Matt Hart

    In Matt Hart’s poetry, crackling diction and soulful exuberance take the wheel for a happily bent ride through waking and dreaming spaces. Hart works the contours of his chosen forms with precision and humor, and emphasizes reoccurrence as poetic value and material dynamic through which to channel further depths of possibility for the imagination. —Anselm Berrigan
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