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    Pickles & Jams by Cris Cheek

    In Pickles & Jams, cris cheek exposes the very membranes that lie between the sensed-real of the culturally dominant and the barely-sensed hyper-real of the culturally emergent. His poetics (initially spawned and tested in Briton) isn’t of an “epiphany” variety, but rather is borne of a sabre-ready constructivist process, whereby the jettisoning of American Capitalist values is at a premium. —Rodrigo Toscano
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    Pieces by Hank Lazer

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    These apt, reductive verses keep a locus of faith with skill and moving commitment. —Robert Creeley
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    Please Do Not Feed the Ghost By Peter Ramos

    These poems by Peter Ramos stage incidents of arrested breath. Diegetic scenes---a mid-century interior, a cocktail party, a clinic, an airport, and everywhere the glow of television---so embroil a psychological subject as to mirror the difficult weather that divides labor from leisure life in the caesuras of time and space.Roberto Tejada
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    POEM FOR THE UNBORN| NOTES TO THE GREATEST GENERATION by Chuck Richardson

    The hip thing these days is to be a poet and write fiction. It is not the hip thing these days to be a fiction writer and write poetry. The former brings possible public reward and greater numbers of readers; the latter brings no public reward and notice but by a few. That is the surface reason this book of poetry--a single dark, weird, shattering poem, really--by the singular fiction writer Chuck Richardson might trigger curiosity and attention. —Kent Johnson
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    Poems by Richard Owens

    From Delaware Memoranda (2008) through Dead in the House of Pound (2018), this volume brings together a broad constellation of poetic work, much of which first appeared through presses on both sides of the Atlantic in editions either out-of-print or distantly circulated.
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    POEMS: now and then by Edric Mesmer

    These poems fall all too neatly into two sections, the eponymous “now” and “then.” I feel the “now” poems, all from the early months of 2020, share a returning-to with the “then” poems, some of which were written as long as 20 years ago. That they have come together so squarely—so circularly—(at least to me), speaks to a sympathy between then and now. I hope that the reader will also find this to be true. — Edric Mesmer, May 2020
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    Poetic Architecture by Kent Johnson

    ...In other words, and at the risk of sounding extreme, I strongly encourage readers to ignore this ridiculous piece of attention-seeking dilettantish drivel. Now, let's get on with the real work. —Kenneth Goldsmith
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    Poetic Realism by Rachel Blau DuPlessis

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    Poetic Realism by Rachel Blau DuPlessis is the fourth episode of the on-going work Traces, with Days. It is both a committed poetry looking out at the world in witness, resistance, and with a fervent vow to find “incantatory information” in an account of what is seen, felt, and thought.
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    Polaroids of Turbulence by Henry Sussman

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    Polaroids of Turbulence is a chronicle of culture trouble, a verse report of the unfathomable depths of our times: “barbarism’s eternal return.” Sussman’s sharp observations and linguistic play mark a “jagged trajectory” through “the outerbanks of / introspection.” —Nancy Kuhl
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    prairie)d by Garin Cycholl

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    Mostly, Cycholl proceeds in dismay for the beggaring of his world. prairie)d is the song of a grieving poet. It tells of the water which dribbles muddily through a once-garden and into lives malformed by manias of profit. —Dennis Cooley
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    Prefab Eulogies, Volume 1 by David Wolach

    Is it possible to out-Flarf Flarf? Prefab Eulogies encourages multi-channel collectivity that demands we read—and act—with a finger on the trigger of forgiveness, with an eye trailing reclamation. —Jules Boykoff
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    Prior by James Berger

    There is an ever-present intensity to James Berger’s Prior through which the reader plummets. Full of complex and particular insight, by turns darkly comic and comically dark, these poems are as unafraid of regret and anger as they are of quick surprise and happiness. — Richard Deming
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