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    VOLUME ONE (Selected Anonymous Marginalia) by Liam Agrani

    VOLUME ONE represents a decade of research into found language by the poet/editor Liam Agrani. The work is composed solely of direct transcriptions of marginalia from libraries, used bookstores, and various other places. Removed from the context of the books they came from, these works become intimate abstract accidental poems, occupying the space where private literary "criticism" and found poetry meet.
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    Vow by Kristina Marie Darling

    In Kristina Marie Darling’s Vow, both text and subtext paint the fraught institution of marriage, particularly the subjectivities of the bride’s several selves. Written in candle, tale, and glass, the book “reveals, harbors, conceals” in an exciting new collection. —Carmen Gimenez Smith
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    Waste by Emily Toder

    Through these honest, prismatic poems, Emily Toder explores what is cast off, what is extra, and what we deem unsalvageable. This book reveals that our garbage can be a lesson in our humanity and, sometimes, that lessons in our humanity are garbage. Either way, both ways, I love this revelatory book. —Sommer Browning
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    Wave Particle Duality by Dana Curtis

    In Wave Particle Duality, Dana Curtis takes us into her nocturnal sphere, the film noir where fission splits the soul, and dark energy is all we have to go on. These are poems full of twisted desire and visionary clarity, pure need and thin hope. Throughout her language is as sharp as a pinprick. She cites Hogarth, which is apt, because Dana Curtis is a moralist, with gallows humor and a sense of the perverse. "Will you be my infidel," she asks? Oh, yes, we think. Just keep on talking. —David Lazar
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    What A Bicycle Can Carry by Laura Madeline Wiseman

    In a moment when our nation feels divided and strange, Wiseman’s authoritative, sensitive guide provides a bicycle-eye view of a beautiful, complicated country. —Nancy Reddy
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    What She Knows by Marcia Roberts

    By assembling these fragments into a whole, the poet Marcia Roberts has saved telling moments from a lifetime's experience; and having done so with care, now generously shares them. —Tom Clark
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    Whatever Speaks on Behalf of Hashish by Anis Shivani

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    “Both arresting and inventive, Anis Shivani’s new poems reveal a rich sense of wonder at this complex thing we call humanity. Smart, unflinching, and relevant—this book demands rereading.” — Ryan G. Van Cleave
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    When I Said Goodbye By Didi Menendez

    "Sexy, involved, intense, hilarious, hip, weird, intelligent, witchy wild in a way one thinks of female owls, maybe with embers of fire under their wings, such wide eyesight: This Is A Damn Good Book!" —ron androla
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    Where a road had been by Matthew Shears

    Writing in the dark, in the desert of the real, Matt Shears explores profound and necessary possibilities.  Shears moves with extraordinary grace through critique and meditation.  Few poets these days are writing poetry this brave.  This is a wonderful book.  This is a brilliant poet. —Joseph Lease

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    Window On The City by Michael Ruby

    “Unreal City,” intones Mr. Eliot in his “The Waste Land,” bracketed by “One must be so careful these days” and “Under the brown fog of a winter dawn…. ” Ruby writes “velocity,” athwart “toodle to tabasco” and “orange sunshine.” What’s cold and taut in Eliot—strained—is hot and loose in Window on the City. —Sam Truitt
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    within sky by Marcia Arrieta

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    There is a great sense of serenity and peace in Marcia Arrieta’s poems, although we can feel, sense, and absorb the rough and disquieting textures of the world she offers. —Andrea Moorhead
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