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241-264 of 594 products

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    In Your Dreams by Ted Greenwald

    Ted Greenwald's 30th book consists of 79 72-line poems, each with his trademark recombinatory drop-stitch weave. As a basic pattern, which is varied, each poem's 26 demotic lines is repeated in 9 interlinked free triolets (ABCACDAB-DEFDFGDE). In Your Dreams is almost, then is, hard to say, In Your Dreams is almost, hard to say, autopoiesis, In Your Dreams is almost, then is, autopoiesis, flickering fugal strobe of the everyday, or sublime sonic moir , autopoiesis, or sublime sonic moir, spoken and shimmering, autopoiesis, flickering fugal strobe of the everyday. — Charles Bernstein
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    Inbox by Noah Eli Gordon

    Can we, as poets, create texts about how we think and feel by using the language of how others think and feel? Can we compose with the new streams of language flowing in and around us (e.g. the ephemera and minutia of everyday email) to express our own place in the world? In a well-informed gesture beyond Baudrillard’s null set, Noah Eli Gordon’s booklength conceptual poem, INBOX, opens a new chapter of intimacy—his, yours, mine, ours. Welcome to a new subjectivity; welcome to a new way to say from the heart—Robert Fitterman
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    incidental music by Jane Joritz-Nakagawa

    incidental music is attentive to the deep formal traditions of poetry in the western tradition: the sonnet, the pantoum, the cinquain, the rondeau, the triolet, the ghazal. And yet, as Jane Joritz-Nakagawa well knows, these traditions get their strength in how they intertwine with the contemporary. Incidental music is both innovative and inclusive of all that poetry can do. —JULIANA SPAHR
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    Inconsequentia by Dereks Henderson & Pollard

    In this sequence, the collaboration between word and reader, writer and responder, life and death, Derek and Derek, is an invitation, a dance card in which the dancer and the danced become not a duet but a crowd of possibility—“the shining market of us." —Eleni Sikelianos
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    Inside Narratives by Ethan Saul Bull

    There is a way of seeing expressed in Ethan Bull's poems—complex mimetic waves drifting from modernity, rippling through memory as a person or a state or flora. Proper nouns exploded, rent and mended—sometimes on the very same page. — Joseph Mains  
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    Inside The Walls of My Own House: The Complete Dark Shadows [of My Childhood] Book 2 by Tony Trigilio

    “The Complete Dark Shadows (of My Childhood) feels meditative, organic, and weighty far beyond what one would anticipate from a poem about a blooper-ridden ’60s TV show” (Rain Taxi).
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    Interstellar Theme Park by Jack Skelley

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    “Despite my dislike of seeing my own name, you’re really a good writer – never what’s expected.” —Kathy Acker
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    Interstitial by Sean Patrick Hill

    In Interstitial, Sean Patrick Hill lovingly renders the mundane into a world that is (quite literally) on fire. His poems are taut, perverse, and terrifying. As with all good poems, these leave the page to hound and haunt the reader. — Alan May,
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    Inventories by Paul Hogan

    A forceful, unapologetic exploration of the masculinity of creative impulse. Hogan looks at nature, life, disparate moments, mysticism, and fatherhood not with rose-colored glasses but with the obsidian eyes of a realist unafraid to be caught submitting to his poetic instincts. Inventories is a work of great relevance, power, and importance. —Gary Earl Ross
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    Iona by Andy Martrich

    Quince Eastwood: proud Iona alum, a man still drawn to that small Catholic college in New Rochelle. He's looking for love in all the wrong places, and tracking info down via the absolute worst subforum. And how could he not? Iona's a place where no one's safe from transmutation, from instantly viral dipshittery.
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    Iterations of Lilith and Adam: An Alien’s Memoir by Chuck Richardson

    Chuck Richardson writes like he’s the conductor of a chorus of demons. Hallucinatory and searing, Iterations of Lilith and Adam pounds away at your equilibrium until your only choice is to let go, accept your fate, and let Richardson be your guide. —Dave Megenhardt
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    Ithaca: A Life In Four Fragments by Travis Cebula

    Ithaca points profoundly to the past as it creates a future with hope and precision. The story of a birth, it is also the story of her coming of age, her maturity, and her death. Ithaca is everyone, no one, word-filled and silent, as we humans are. Travis Cebula in his beautiful fragments captures the essence of being in life and its conversations with itself, others, and even God. —Maxine Chernoff
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    January Found by Michael Sikkema

    Michael Sikkema’s poems are both carefully honed and fun to read. Each word seems to be happy where it is, and this can be funny, too. —Aram Saroyan
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    JDP by Ron Burch

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    Ron Burch exposes the offbeat edge of California’s most mythical urban places populated with tourists feeding the quest for memorabilia of dead celebrities—leading to the ultimate prize, JDP. Tough and gritty with equal parts heart and offbeat humor, the novel’s innovative narrative pumps new noir through the veins of Hollywood in an ironic journey with an unlikely XXXL protagonist who runs a celebrity museum and stretches the limits of anti-hero iconography. —Aimee Parkison,
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    Jonkil Dies (A Mesophysical Eulogy) by Kane X. Faucher

    "Holy Kanadada, Bat(aille)man!  Kane X. Faucher's socio-sexio-scalpel of Logos explodes an intoxicated phantasmarrhea of Anguish & Ecstasy unto the Jabberwocky Matrix Éxtrémé!  Run for the Collidosphere of hyper-Deleuzian Magyaria & hold to the Vertigo of the New Philology's Brainbucket Bastardchild!"  — Mark Spitzer
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    Journals From the Time of the Radar Dog By Pat Lawrence

    These are the collected journals of my friend, Vincent Pantaglia, from a period late in his life.   During this time he was furiously documenting his daily activities with the hope of using the material to someday write a novel.   When he was unable to finish the journals or to realize his dream of re-working their stories and characters into a fiction, I took the notebooks into my possession for safekeeping after having received them from his family, and out of nostalgia, I suppose.
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    Joys: a catalogue of disappointments by Christophe Casamassima

    Quietude = qui  etude: the study of the who , and who's studying it motivates this marvelous book, full of sharp moves based on acute attention to language.  At times directly honoring his sources­-- Jabès, Creeley­--and at times indirectly quoting many others from Joyce to Cendrars  to Lezama Lima, Casamassima proves himself a worthy inheritor of the postmodern tradition of writing that inscribes (and in doing so, refuses) its own impossibility. - Cole Swensen
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    KATA by James Maughn

    Robert Creeley wrote about poems that make rites of passage actual, poems that speak a primary language. In Kata, James Maughn speaks a primary language. He is inventing a world—and this beautiful book enacts a wry and patient intelligence, embodies physical grace. In these lines you will hear fullness of representation, and a luminous consciousness.  — Joseph Lease
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    Katzenjammered by Norma Kassirer

    Katzenjammered is a brilliantly compelling illumination of the nature of storytelling. Through the haunting imagery of interwoven narratives, the tale carries the reader through family mythology, tragedy, and beyond. With, in the words of the young protagonist, “each syllable broken into light and shadow”, the language is a joy to read. —Donna Wyszomierski
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    Kewalo Blues and Echoes by Gary Pak

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    Gary Pak’s Kewalo Blues and Echoes reflects his profound, joyous, and critical grasp of Hawai’i as entangled site of local pidgin, Native Hawaiian, oceanic, and ethnic mores of world-dwelling and culture-making. —Rob Sean Wilson
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    Ladders In July by William Allegrezza

    This book is part of our moblis in mobli series, a free ebook with a printed books that is for sale from us as well as Amazon.com.
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    LAST by E.J. McAdams

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    I recommend reading E.J. McAdam's LAST out loud, singing/shouting each line in city parks, the subway, the office. Let it echo off the walls "amidst skyscrapers" in an elegy for our ecology/our planet/our lives that is devastating, but joyous still in its love for what was and what might still be possible —Marcella Durand
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    Le Trouvère Prétendu by Peter Siedlecki

    Congratulations, Peter Siedlecki, on a fascinating, dare I say 'heartwarming', book! His muse takes him in such unexpected directions, like writing a love song to his dog – that poem 'Heike' will always be one of my favorites. —Edward Field
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    Lecture Notes- A Duration Poem in Twelve Parts by Deborah Meadows

    Lecture Notes: A duration poem in twelve parts makes that subtle shift from seemingly raw appropriation to an act of art history right before our eyes so that the safe empiricism of "seeing is believing" is turned upside down, and believing (or culturally-driven perception) creates the scene.
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