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217-240 of 594 products

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    Holyrit by Irene Koronas

    Between gilgul and galgal, logos and gematria, Irene Koronos’ fourth volume of the Grammaton Series, holyrit delivers a spectacular juxtapoiesis of textual and sonic probes— fragrant ellipses, fragments and eclipse, where all that is sacred, secular, savage and ex-static explode as sparks of light reminding us how the letters themselves are the building blocks of creation. —Adeena Karasick
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    homemade traps for new world Brians by Evan Willner

    Evan Willner reinvisions fifty states as fifty poems that each have the flinty, hard logic and formal density of stone slabs—stele or gravestones—or of teeth. A must read for all Brians. —Brian Evenson,
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    Hostile Witness by Garin Cycholl

    Cycholl’s descent in Hostile Witness into America leads us through baseball parks and boxing arenas, along the banks of rivers and back alleys to smoke-filled room political deals as only a poet of Cycholl’s power could manage.  The collection is masterful and epic--and ultimately essential.  —Bill Allegrezza,
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    House of Forgetting by Geoffrey Gatza

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    House of Forgetting comprises two long poems by Geoffrey Gatza. The Twelve Hour Transformation of Clare tells of the disappearance of a woman who slowly transforms over the period of twelve hours into words. Recipe for Water is a double-plus, surreal telling of the life of an artist who gave up writing for painting, and the moments of memory at various stages in that life.
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    How Proust Ruined My Life and Other Essays by Gloria Frym

    In this wonderful assemblage of essays, Gloria Frym liberates the act of reading from the confines of the page. She leads us into the open air where the personal and the public intersect and create a new avenue of possibilities: the book in the hand, the world outside your window. Especially memorable are the probing essays on Jean Toomer and Lorine Niedecker, and her homage to David Meltzer. How Proust Ruined My Life is a timeless book and deserves a wide audience. --Lewis Warsh
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    Human Scale by Michael Kelleher

    It would be difficult for me to overstate my admiration for Michael Kelleher's new poems. They vibrate to a music rarely heard before, combining passion and intelligence with such mastery that one is left stunned by the pleasure they afford. With few words, an entire world is born. -- Paul Auster
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    Human-Carrying Flight Technology by Christopher Shipman

    Christopher Shipman’s debut collection of poetry is edgy, quirky, sharply observed, and evocative. With language simultaneously plain and artful, poem after poem draws us into a landscape familiar but odd, a world that pleasures and troubles. Shipman’s is one of the most exciting voices I’ve heard in ages. —Rick Lott
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    Hurled Into Gettysburg by Theresa Wyatt

    At one point, Theresa Wyatt reminds us that “…history picks off the scabs of arrogance.” This work illustrates also that poetry can penetrate the icy data of history and find its feelings. Each poem in this remarkable anthology of responses to this most crucial Civil War battle has a life of its own, a language of its own, a tone of its own. —Peter Siedlecki
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    Hybrid Hierophanies by Clayton Eshleman

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    Adrienne Rich has stated: “As a poet and translator, Clayton Eshleman has gone more deeply into his art, its processes and demands, than any modern American poet since Robert Duncan and Muriel Rukeyser.” And Robert Kelly has written: “Nobody is like him in his struggle. At times he makes the wildness of most poetry seem merely effete. I know of no poet who has fed so richly from the thingliness of the world beneath his feet, none who so resists the glamour of beliefs. He is a shaman without a single superstition.”
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    I AM YOU by Anne Tardos

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    "I Am You reminds us of something we know but often forget: that identity is formed in relation to others. These poems are couched within the contexts of process-based, art-making practice and clear-headed philosophical inquiry. The result is a kind of philosophical investigation into the multiplicity of time." —Kit Robinson, American Book Review
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    I DID THE WEIRD MOTOR DRIVE by Charles Baldwin

    The author of this book is obviously the unnatural love grand child of William *Sewer* Burroughs & Jim *J.G.* Ballard. Makes for a weird motor. Despite Theory Police*s stem warmings, I mean, stern warnings, I*ll buy a pre-owned text from this guy any day, though I know it to be habit forming. - Pierre Joris
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    I Named the Dragon for You by Nikki Ketteringham

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    Ketteringham has composed a striking composition featuring an ingenious plot twist and etched with what it feels like to say, “I like belonging to something not someone,” but stay. —Tiffany Troy,

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    I Thought I was New Here by Gregory Lawless

    Gregory Lawless is a visionary of fallen satelites, making revelations of scrap and stray: exiles, astronauts, scarecrows, a gnome, a daughter who will not speak, a pet gryphon and pet rock that "gets dizzy on the plains."  —Dean Young
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    I Want to Take You Everywhere by Cassandra Manzolillo

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    "Eros, like Lear, must sometimes wander unhoused across a cruel landscape. How wonderful, then, to read the poetry of Cassandra Manzolillo, there to find desire sheltered in its brightest insouciance and in the full flourish of actual yearning. There is a tireless, guileless presence in these poems that I find both admirable and original." —Donald Revell
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    i wear a figleaf over my penis by Geoffrey Gatza

    This book is part of our moblis in mobli series, a free ebook with a printed books that is for sale from us as well as Amazon.com.
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    I Went Looking For You by Ruth Lepson

    Pure and graceful and deep: it takes much time to come to those three. Here they are. Fragile and objective, the view of the world from here. It is how a person sees when looking. Very clear. —Fanny Howe
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    I, THE WORST OF ALL by Estela Lamat Translated by Michael Leong

    I, the Worst of All is a complex and heterogeneous book that combines Lamat's intense, almost manic lyricism with her prodigious mythopoeic imagination. The result is a challenging and ambitious project that invites multiple readings and rewards extended lingerings within its dense, linguistic thicket…This book quite literally takes your breath away–because of the demanding pace of Lamat's language
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    IDIOGEST by Ed Taylor

    Like gems in their deer parks and their bus scenes, the broadways and jurassics, the Edens and Manhattans, Ed Taylor's Idiogest is a work of poems that do more than just delight; his book is a new bright star, a refreshing awe of intelligence. —Kim Chinquee
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  • Imported Poems by Diana Adams
    Imported Poems by Diana Adams
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    Imported Poems by Diana Adams

    Diana Adams offers up moments of a life dressed in understated, quasi-surreal clothing. She calls upon deep pools of the imagination to render poems that proceed not chronologically or logically, from cause to effect, but rather, by enigmatic and startling images that unwrap the pleasures of discovered connections, as when we look at a surrealist painting, with its congealed dreamscapes. —Jeffrey Levine
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    Imposture Notebooks By Lance Phillips

    Traversed the grass... ” begins Lance Phillips' Imposture Notebook and aptly so.   This book enacts traversal (and   trans versality) in so many ways, it's difficult to keep count.   Add another entry to the heroic, folded tradition of post-autobiography scrolling from Hejinian-Whitman to Howe-Dickinson and back.   At once comprising intensely personal concretions, sweeping, almost hierophantic abstractions, and meditations on the places where such ends of the language spectrum must meet, Phillips' Notebook is a welcome record of many names writ in aether.”  —Aaron McCollough
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    In Other Days by Roger Craik

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    “Every moment of Roger Craik's In Other Days is an event of inviolable music, golden, as the best of music always is, with both finitude and duration. And I use the word “golden” most particularly here, as these poems--whether urban or pastoral, whether fond or furious--impart a radiance to their idiom identical to that burnished radiance we find in the paintings of Samuel Palmer or the enigmas of Elgar. Craik adventures far beyond pathos and nostalgia, into something like a prospect of eternity. I am both thrilled and consoled by this poetry.” —Donald Revell
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    In Paran by Larissa Shmailo

    “From under the El in Williamsburg, Brooklyn, to her window seat on the Harlem Line, Shmailo is right on track with poetry that dances with love, death and desire. The proverbial urban poet, Shmailo masterfully mixes the beauty and the gritty, in New York City.” — Doug Holde
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    In Perfect Silence at the Stars: Walt Whitman and the Meaning of Poems by Nick Courtright

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    With In Perfect Silence at the Stars, the art of close-reading becomes an experience without limits. This is an exhilarating book. ~ Donald Revell

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    In the Country of the Peregrine by Wade Stevenson

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    It is wonderful to discover in these poems a companionship that is also in itself a kind of odyssey, replete with enchantments. This is a most welcoming book. —Donald Revell
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