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145-168 of 594 products

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    Echo Park by Christine Hamm

    From ""pink-spangled bikinis"" to ""your mother's stolen perfume,"" Christine Hamm's Echo Park is littered with the strange, sexy detritus of life, gorgeous life. —Kate Durbin
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    Ekstasis by Peter Valente and Kevin Killian

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    Kevin Killian and Peter Valente’s haunting collaboration Ekstasis comes on like one of those dark dreams you can’t seem to shake – it’s memory and sensations still lingering long after you’ve awoken. —Michael Salerno, artist, filmmaker, and publisher.
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    Elemental Perceptions: A Panorama by Sophie Sills

    Its epigraph from Oppen (“The flaw, the gap which is the aware of being, tho it is within it.  The flaw on which being presses”) suggests the epistemological concern at the center of Sophie Sills’ Elemental Perceptions:  A Panorama:  seeing/hearing things and events in the world, how can we know what’s really ‘there’ – that being “with a pulse . . . without a heartbeat . . . [which] is unknown,” yet which seems to be “aware” of us, seems to “press” against us. —Stephen Ratcliffe

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    Embankments | Outtakes | Uppercuts by Richard Owens

    Embankments | Outtakes | Uppercuts brings together three discrete constellations of divers lyric constructions that testify with alacritas to the bullbaiting, cockfighting and bear beating of the present moment.
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    Emotional Support Peacock by Nada Gordon

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    In spirit closer to the wild geese than the peacock, Nada Gordon brings together a panoply of voices, including the squawk, the screech, the whisper, the whistle, all of which come together—finally, ultimately—and in language both harsh and exciting, to announce our place in the family of things. One cannot but feel uplifted into the Rapture.—Diana Fisher
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    Endless Spectator, The Screens Suite by Jesse Damiani

    In an ironic twist, there are no spectators in Endless Spectator. The mere act of looking involves you, and just like on the internet, the act of looking can be transgressive, if not towards the content, but towards yourself. Through its visual bewilderment, Endless Spectator makes you realize that the cacophony of the internet is alive and pulsing, and you’ve already been consumed by it.
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    Ephemera 1995-2022: On people, politics, art, justice, torture, and war by Bruce Jackson

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    Bruce Jackson’s Ephemera finishes his recent triplicate of essay collections. This one, which starts with an almost breezy account of his own near heart-attack, feels as undeniable as his Places and Changing Tense.—Benj DeMott
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    Epigonesia by Kane X. Faucher and Tom Bradley

    Kane X. Faucher and Tom Bradley bullwhip some of literature's most vibrant luminaries, including Louis-Ferdinand Celine, Charles Bukowski, Henry Miller, Antonin Artaud and Hunter S. Thompson. Through occult means, "Ebeneezer" Pound has reanimated his favorite dead authors as part of a villainous master plan. The re-embodied writers suffer through their tragicomic limitations as epigones of themselves. Faucher's puppeteering of Pound is matched by Bradley, who hurls into the text an annotated revelation of diabolic intrigue involving a dead author and a commandeered laptop.
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    Epigramititis : 118 Living American Poets by Kent Johnson

    "Thanks for sending me the epigrams.* Superb. It's about time for something of the sort, I'd say, what with the ass licking that rules the day. Especially the ass-licking that some ass-lickers want to pass off as "avant-garde confrontation." My salute... And as to your question, well, yeah, absolutely: Olson, if he'd lived to see what has happened, would have loved these." — Ed Dorn
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    Eros & (Fill in the Blank) by Charles Freeland

    Charles Freeland’s poetic voice is that rarity of philosophical posits intertwined with a language of emotional accord.  Eros & (Fill in the Blank) contains poetry of invention, reinvention, musical decency drawing the reader into Freeland’s specialized poetic language. — Felino A. Soriano
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    Evening Train by Tom Clark

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    In Evening Train we witness people on a bus, a window in the night, greenery, a bird on its perch—and then at the center of this world, something nameless seems to open. It’s hard to say just what happens, other than the words of each poem itself. But that isn’t quite right. It’s as if the words are a way for the poet to inscribe silence. You turn the page, wondering, and it arrives again—something quite beyond what is told. Tom Clark is a master. —Aram Saroyan
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    Every Strange Meridian by Todd Romanowski

    Intensely lyric, often surreal, the poems in Every Strange Meridian cast a spell that is at once dangerous and beautiful. —Joan Houlihan
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    Everything Seems Significant by Jan Bottiglieri

    “Everything Seems Significant sails and embraces... such a deep, kaleidoscopic dive it takes. This is brilliant, inspired work. So much has been written about Blade Runner, but none of it penetrates like this. The spell of it all is distilled and caught in the sly, prescient grip of Bottiglieri's poems.” —Hampton Fancher
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    Everything Turns On A Delicate Measure by Maureen Owen

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    What is the restless energized measure for an expanding universe? Maureen Owen is one of our most exploratory poet inventors whose sound and sense insure what’s hidden from view gets more mysterious. ... This book is a reason to celebrate and continue. —Anne Waldman
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    Excentrica: Notes on the Text by Steven C Reese

    It’s a rare poet who can look the muse in the eye and speak through or with her as Reese has done in this fragmentary and insightful collection, which reads both as a form of exegesis, literary criticism and dialogue, as well as a love poem to literature. It is at once a beautiful composition in its own right, and an illumination of the magic and mystery of composing verse, addressing the poets’ many sources of influence and inspiration. —Nin Andrews
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    face blindness by Megan A. Volpert

    Megan A. Volpert's full-length debut startles and spirits us through the invisible and daring detritus of dialogue and story, NYC and Normal, Illinois, "name pong poetry" and "copyright infringement," letters laced with love for John Yau and Roland Barthes, phantasmagoria and prosopagnosia, fecund cullings from the minds of Jacques Derrida and Friedrich Nietzsche, ambling pathos and anxious heart, and everything in between.—Amy King
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    Faceless Names – Two Books of Letters by Anna Elena Eyre

    Read this book in the dark, with a flashlight. Read this book when you are open, really open to the world, to your world, to language and rain. Anna Elena Eyre writes magnificent poems, poems that breathe and sing and imagine and paint. I am very grateful to her. —Joseph Lease
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    Failure Lyric by Kristina Marie Darling

    Kristina Marie Darling gives us a narrative in images both surreal and everyday that recur and accrete to evoke a sense of deep and irrevocable loss. It's impossible to read without feeling similarly moved. —Janet Holmes
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    FAKE NEWS POEMS by Martin Ott

    “Martin Ott collects clickbait headlines and transmutes them into lyric truths.” —Jesse Walker
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    Fantastic Caryatids, by Anne Waldman and Vincent Katz

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    Fantastic Caryatids, by Anne Waldman & Vincent Katz, is a lush, vivid and spectacular reading/album/book of poetry, conversation and photographs. Note that the subtitle is A Conversation with Art. The "with" has the particularities of city, specificities of the senses, of memories, of an ethos whose upper limit is friendship, companionship. It is a model, a remarkable “alternative version of how to be alive.” (Anne Waldman) Dynamic, urbane, intimate, “the occasion of these ruses” (Frank O’Hara) is synergy from chronos to kairos. —Norma Cole
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    Feeling for the Ground by Tom Clark

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    "Pretty much exactly like Tom Thumb's Blues, Mr. Clark goes on as ever letting his sensibility seep like rain through all the great American vernacular sites — film noir, baseball, the shore, dreams — and the result is a sequence of utterances that feel both timeless and inexhaustibly resonant." —Jonathan Lethem
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    Field of Wanting By Wanda Phipps

    Field of Wanting is a charged, radically honest book of poems by a writer/performer who intervenes on many fields of desire with zest and panache. She tells it like it is, with wit and a touch of irony.  –Anne Waldman
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    field recordings of mind in morning | poems: hank lazer music: holland hopson

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    In Lazer, we find a poetic soul patient as a rice counter, vigilant as a firefighter, and visionary as a prophet. —Yunte Huang on COVID19 SUTRAS
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    Field Work Notes, Songs, Poems 1997-2010 by David Hadbawnik

    In San Francisco,. Austin and Buffalo a chiel’s among ye taking notes. David Hadbawnik like James Boswell has a knack for capturing all the things we wish we had said, as well as the street talk which shows up our culture as indescribably banal and fertile. —Kevin Killian
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