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DISTANTS by Gordon Hadfield
PoetryBefore a star signified a brilliant point in infinite expanse, it marked the boundary; it marked the cosmic wall. Galileo knocked that wall over with his eye. But as Gordon Hadfield acutely shows, the bricks from one wall knocked over are recollected, and put to use again, keeping out what isn't allowed in, and keeping in what isn't allowed out. The human world repeats the cosmic one. But no boundary fully holds. —Dan Beachy-Quick$16.00 -
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Does the Moon Ever Shine in Heaven? by Chuck Richardson
FictionExperiencing the heart and mind of a suicided murderer, Does the Moon Ever Shine in Heaven? gives voice to a killer’s disturbing passage through the Bardo Plane . According to the Tibetan Book of the Dead, the Bardo is the existential phase between death and re-birth where the soul confronts itself, trying to stave off its karmic pressure by confronting the active contents of its mind. Here, the narrator must go beyond the rage that would destroy him and everything else it can.$16.00 -
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Doggerel for the Masses: A Post-Scandal BlazeVOX Booke by Kent Johnson
Poetry, SuperstarsHelen Vendler recently referred (letting off not a little pent-up steam) to the “Mickey-Mouse-Ears avant-gardism of U.S. Conceptual Poetry.” Well, here’s a riposte to that, Dame Helen: Because Craig Dworkin’s Doggerel for the Masses (“by” Kent Johnson!) wears the golden helmet of Achilles, whose antennae listening-mechanisms shoot into the heavens beyond Pluto. Hold onto your Hats, Boys and Girls; it’s going to be a wild ride! —Kenneth Goldsmith$16.00 -
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Dolphin Aria/Limited Hours: A Love Song by Luke McMullan
PoetryLuke McMullan is prising the nails out of the lyric and holding it ethically accountable for any passivity that might lurk in its corridors. This is a call to occupy, to resist the feasting and destruction. As 'we all dance the liberty frogmarch', he reprocesses the responsibilities of speculating and creating the spectacle of consumer lives. What stuns in this sequence is the performative quality of the work as it negotiates subtle moments of utterance and gesture. — John Kinsella$12.00 -
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Domestic Uncertainties by Leah Umansky
PoetryThe language slips, shifts, recalibrates and the world, shaken, is quietly remade, again and again before our eyes in this lovely, sorrowing and finally transformative book. Leah Umansky is to be congratulated for her sensitive, nuanced, consoling and deeply honest sojourn on the page. —Carole Maso$16.00 -
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Dominus by Tiffany Troy
New Releases, PoetryDominus is as insistent on justice as it is baffled by its own hope, and its indomitable, distinctive voice has a power unlike that of any debut collection I’ve ever read, or of any book in recent memory. — TIMOTHY DONNELLY$18.00 -
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Down Stranger Roads by Roger Craik
PoetryNo one sounds like Roger Craik. His voice, a beguilingly cosmopolitan mix of British purebred and American mutt, is the well-stamped passport he shows at border crossings from Ashtabula to Auschwitz, from Kent State to Krakow, from Amsterdam to the far-flung outposts of the human heart. This poet is most at home when far from home, prowling the shrapneled boondocks and scrap yards of Cold War history. —George B. Bilger$16.00 -
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Drink by Laura Madeline Wiseman
PoetryI am reminded how poetry can save us, how, in the hands of such a talented writer as Wiseman, it can raise us from the depths to a cove of still water where, perhaps, who knows, the mermaids are. —Alice Friman$16.00 -
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Drink Me by Mary Kasimor
PoetryThese poems are full of “voices coming from small places / an acorn.” The result is a startling reorientation in which language and meaning are embodied and re-imbibed: “wholly is a word/you can get your mouth a/round.” These poems are a brilliant and necessary tonic. —Jonathan Minto$16.00 -
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DRIZZLE POCKET by Tim Roberts
PoetryThere’s an hallucinatory freedom to this tour-de-force of sustained imagination. It’s full of a freshness, an airiness, and at the same time a relentlessness that speaks to Roberts’s careful blending of compassion and determination. This is a book with a social, spiritual, and philosophical plan, and yet they’re handled so subtly that we’re not really aware of them until we put the book down, changed. Tim Roberts is doing something brand-new here—and doing it extremely well. —COLE SWENSEN
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E P I L O G U E by Craig Watson, edited by Ted Pearson
New Releases, PoetryEpilogue is a brilliant collection of Craig Watson’s late-stage poetry. As such, it signals neither harmony nor resolution, but intransigence, difficulty, and unresolved conflict. This dazzling, posthumous work admits the reader into a shimmering, luminous present. —Kit Robinson$18.00 -
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eaQ Oor by Andy Martrich
PoetryMartrich presents an elusive autobiographical postcard of metadata alongside thickly painted and obscured image-alphabet-code, simultaneously and beautifully quotidian, inherited, catalogued, queried, found, and personal. —Mel Nichols