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409-432 of 594 products

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    Sleeping with Sappho by Stephen Vincent

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    Stephen Vincent's "Sleeping with Sappho" is a fascinating investigation of how a writer envisions a way back into history and simultaneously contemporizes it. — Maxine Chernoff
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    Small Crimes by Tom Carey

    Small Crimes is a heartbreaking and beautiful valentine between historical moments. Mexico’s early twentieth century art world, its Hollywood moment, is sweetly subverted in Tom Carey’s twitching hands. Reading it I’m grateful for his insouciant homoeroticsm and popping dialogue because they make this novel more memory than simulacrum. Meaning it really feels true. —Eileen Myles
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    SMEAR by Andrew Brenza

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    Rachel Blau Duplessis, author of Poetic Realism: Working with strong page-making skills in modes of visual and procedural poetry, Andrew Brenza’s serious work comments on the tearing up and uneasy reconfiguring of languages in our historical moment. He creatively transforms inaugural addresses of all U.S. Presidents: imploded, exploded, spun to whirlpool, in a “jagged maw” or “transforming into a broken vapor.”
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    Smoke by Chuck Richardson

    Chuck Richardson's Smoke probes human existence by pursuing truth and meaning in an unknowable, inexpressible universe, much like the author-ities.   What makes Smoke fascinating is the imaginary catastrophe lurking behind it, which leaves us to invent and imagine the world anew.  —Raymond Federman
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    So It Seams by Chuck Richardson

    Chuck Richardson is a necessary American writer: Kafka’s disturbed humor; postmodern esemplastic axes and paradoxes; Taoist humility of Hindu-Buddhist warfare mentality; Black Elk’s quest for his siblings; Castaneda’s sexual appeal; the grotesque Thomism of Flannery O’Connor; Marquez; Grace Paley; A.P.E.S. and quantum physics and a healthy dose of gastronomic preference; a nuclear-sonar-tech-turned-journalist-bracketing Buffalo and Greenpeace, the range of Chuck Richardson astounds me. —Jared Schickling

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    So Long, Napoleon Solo by Patrick Chapman

    Dublin, 1999. Jerome Williams is a man in denial. When his childhood friend Tom shoots himself dead, Jerome enters a world shaped by the spy games of their youth, as their secret identities re-emerge in unexpected ways. He encounters Tom’s pregnant girlfriend Ro, who might just carry out the death pact she had with her lover—but should Jerome even try to save her? And can he convince Clea, his new oldest friend, to leave her potentially dangerous partner?
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    Soldatesque / Soldiering | Poetry by Anne Waldman, Art by Noah Saterstrom

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    “Here on the home front Anne and Noah’s word-and-image frieze blossoms like an immensely considerate device improvised for those Gentle Reader hands remaining.” — Bill Berkson
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    some deer left the yard moving day by Andrew K Peterson

    "To: “quincify.” To: “decolonize.” Andy's Peterson's some deer is dedicated to “Naropa,” the university he attended for two years. There, he drew rancid, ebullient comics and amazed us all – his “blood company” – with stand-up, improvised accounts and physical examples of a contemporary hybrid poetics. ... The experiment is to stay alive. – Bhanu Kapil
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    Some Odd Afternoon by Sally Ashton

    “This is about what turns up,” writes Sally Ashton in Some Odd Afternoon . What turns up may be the “dangedy-dang twang” of a banjo, a laptop hiding under a hoop skirt, or a living room that becomes a forest of grandfathers, one “a log, another stone, one a river.” —Nils Peterson,
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    Something to Exchange by Celia Gilbert

    “I can't see with an angel's sight,” Celia Gilbert writes, but she can see with the clear vision of a poet who knows both love and loss and continues to make—to embrace—that costly exchange. These poems give us the natural world in stunning beauty and history in all its inconsolable grief. — Betsy Sholl
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    Somewhere Over the Pachyderm Rainbow by Jennifer C. Wolfe

    Once again Jennifer C. Wolfe takes aim at American politics in her  newest collection of poetry, from Buffalo’s BlazeVOX books.  In them, Wolfe goes beyond the current political climate to explore the role of the media and pundit-ainers who “report” with seemingly unprecedented partisan bias, and do so shamelessly.  She is critical, and she doesn’t pretend otherwise.  Wolfe seeks out this dynamic, shining the light, by looking both at the actors and issues themselves, and how partisan politics often plays out in the media coverage of issues and current events.  —Lynn Alexander
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    SongBu®st by Stephen Bett

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    Stephen Bett’s new book SongBu®st sounds like a ship-wrecked wit (“We are coast people”) riffing at the end of the world. Here you’ll find snippets of old American pop songs morphed into takes on gun carnage and quotes from tech bros, each separated from the other by an “infrathin delay.” —Rae Armantrout
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    Songs of the Sun Amor by Wade Stevenson

    Be to be Not to become You can’t think joy What you seek or sought The mind can never catch So live lightly Love wildly Go sweetly Love tenderly Die softly Run the race from within Ride the mare of the moon Eat the golden apples of the sun
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    sound of wave in channel, Books I and II by Stephen Ratcliffe

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    In Stephen Ratcliffe’s sound of wave in channel, constant difference meets constant sameness. The result is a sublime evanescence, where the daily practice of poetry becomes a means of making palpable the immanent transcendence that Dickinson called “Finite infinity.” —Charles Bernstein
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    specimens by Mark Cunningham

    My introduction to Mark Cunningham came when a small swarm of [beetles]  arrived in my inbox at Otoliths. Delightful things, that I was instantly enamored of. Something of a paradox, though. So detailed they could only have been examined at length whilst pinned to a plush velvet tray; & yet so full of life. —Mark Young
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    Spleen Elegy by Jason Labbe

    Let’s twin and twine together two primary aspects of how America can see herself—the good atoms of Whitman’s leaves of grass, and the engines humming their freedom on the highways that cut across those 19th century fields. Now, Jason Labbe well knows, as Whitman’s atoms become pixels, we find ourselves at a crossroads, learning again and again the consequences of “the indescribable way you shape / a past of little use.” —Dan Beachy-Quick
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    Starlight: 150 poems by John Tranter

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    Certainly John Tranter, who has been an international phenomenon for some time, is not one to deny the influences from outside, or to slow down the discussion of whether it all (Beats, Black Mountain, New York School) may be a hoax itself. This open question is, after all, what gives them their plangency and liveliness. Welcome to Tranter’s medicinal coruscating world. You’ll like it. It’ll do you good. — John Ashbery
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    Starlight’s Genesis: An Anthology of the Starlight Gallery

    Each of these works opens connections to people who often feel disconnected; they offer chances to see ourselves within those who often seem different from us. In that sense, for those who created these, and you who absorb them, they can be the genesis of a newly shared joy.” —Paul T. Hogan
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    Stirring Within Poems and Tales from Mount Carmel by G Emil Reutter

    G. Emil Reutters poems are carved down like a sculpture from a block of ice, into thin, striking lines like the blade of a stiletto. His wit is razor-sharp. In the best sense of the word, his poems are masculine: powerful words tempered by testosterone and tenderness, words full of strength and sensuality, with a keen eye toward internal reflection and self-discovery. —Eileen M. D'Angelo -- Editor of Mad Poets Review
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    Stone by Naomi Buck Palagi

    In Buck Palagi’s Stone, the words are pulled from the ground, vivid and durable—poetic stones of memory and contemplation. Her poetry shows a connection to the earthen, the bodily, while engaging in contemporary and playful poetic practice. The words in this first book signal a fully formed poet we surely need to follow. —William Allegrezza
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    Storm Crop by Stacie Leatherman

    More and more, I see those who want to figure out and document the puzzling emotions that come with an awareness of one’s involvement in global events turn to poetry. Stacie Leatherman’s Storm Crop is part of this. It is a psychogeographical accounting of contemporary experience. She turns to her subconscious in order to attempt an honest accounting of these emotions and then she organizes these with an alphabetical inclusiveness. It is a book of empathy and of longing.  —Juliana Spahr
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    Stormy Mondays by Skip Fox

    There are gems here: it’s Skip Fox’s Monday. Push through and get into the smoke. Whatever happened before Monday, Monday also means a beginning. Read to feel the future lives offered by these fascinating word-doors. —Eileen R. Tabios
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    Stratification By Meghan Punschke

    All the wondrous stratifications of water, atmosphere, myth, history, society and (of course) the chills and fevers of colloquial lives are rigorously plotted in this dense, layered, disconcerting book. I know of few poems as insistently scrutinizing but empathetic, or as simultaneously devastating and resplendent. ~Robert Polito
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    String Parade by Jordan Stempleman

    With a voice that speaks of the simultaneous desolation and burgeoning hopefulness of our time, Stempleman's String Parade begs us to listen again to an American landscape long forgotten, yet still around.   It is a landscape full of children and families, of old Hollywood glamour, of worn out streets, of gardens, of domestic scenes full of ache, of heavy rain clouds, of dedication.   As the title suggests, images and people float at us in endless sequences, strung together in a language of the everyday.  —Dorothea Lasky
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