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457-480 of 594 products

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    The Built World by George Albon

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    In The Built World connection is understood as the spaces between things and scenes that move continuously, resonating underneath with all represented surfaces and experiences. This is a tough, beautiful, provocative, companionable book of poems. —Anselm Berrigan
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    The Camel’s Pedestal, Poems 2009–2017 by Anne Tardos

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    Free-ranging, intelligent, a poetry of wit and survival—to be “crazy not to go crazy” and not going crazy and making art in the face of that: “finally taking a stand” . . . “there is no shortage of things to do on the path to a better life” and “letting things be,” “tip-toeing around the good and the terrible”—Maurice Scully
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    THE CARCASSES: A FABLE by Raymond Federman

    — no need to say more about the pathetic failure of this revolution — what will happen in the zone of the carcasses will be told in a subsequent chapter — but as it is now said and repeated in every corner of the zone since the miscarriage of this revolt — the more things change the more they’re the same —
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    The Color Symphonies by Wade Stevenson

    This is a visionary work. It’s a torrent, a whirlwind, a symphony of colors. It’s a blazing apocalypse of rainbows, a dazzling setting sun of the material world. Surely it was written in some god-inspired, intoxicated state reflected through the rational mind of a star-struck color scientist. —Aloysius Werner
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    The Complete Collection: Of People Places and Things by John Dermot Woods

    “John Woods' The Complete Collection brings the small-town America of Sherwood Anderson's Winesburg, Ohio into conversation with Italo Calvino's fake travelogue, Invisible Cities, and that book's dreamish vision of Imperial China. — Johannes Göransson
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    The Demotion of Pluto by Deborah Meadows

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    In Deborah Meadows’ The Demotion of Pluto runs of poetry bleed into plays. The title play recasts Sophocles’ Philoctetes; Obstacle Plays riffs on Michael Fried’s Art and Objecthood that considers minimalist sculpture as both theatrical and an obstacle; and Nothing to Do works intensive differences between brilliant and crumbling minds situated in the aftermath of street struggle.
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    The Desense of Nonfense by Megan A. Volpert

    Not since the Nature Theater of Oklahoma has such a cast of characters been recruited in the name of narrative theory and good clean fun.   Starring icons of culture high and low, from Slavoj Zizek to Simon Cowell, from Akira Kurosawa to Will Ferrell, Volpert's essay on nonsense is a Technicolor triumph. —Jena Osman
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    The Distancing Effect by Maryam Monalisa Gharavi

    A beautifully tangled collection of poems that reveal an intense focus on the world, not as a singular philosophical phenomenon but a series of sensual encounters that always seem to be on the verge of revelation. Like all great writers, Maryam Monalisa Gharavi leads us to the precipice of some greater understanding of our circumstances and ourselves, then withdraws and encourages us to take the final step into the wondrous ether on our own. —Michael Thomsen
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    The Ecstasy of Capitulation By Daniel Borzutzky

    "Lucretius and Epictetus; Franz Kafka and Daniil Kharms; Lucretia Mott and William James; William Bronk and Bernadette Mayer: Daniel Borzutzky is their heir and equal. He is a world class author. - Gabriel Gudding
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    The Edge of the Underworld by Michael Ruby

    “Call it immersion”: take Michael Ruby’s sibilant heterographic tour of the underworld’s underwords and rediscover in these homophonic burrows that sonic intersection is ear + imagination.  —Judith Goldman
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    The Electric Affinities by Wade Stevenson

    The Electric Affinities examines the interior lives and motives of six affluent, artistic friends as they struggle to find love and meaning in the summer of 1969, “the year that changed everything.” Set in the Hamptons and New York City, the novel brilliantly captures the decadent, freedom-loving lifestyles of characters trapped in a “prison of opulence.”
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    The Empress of Frozen Custard & Ninety-Nine Other Poems by Jorge Guitart

    Jorge Guitart’s poetry is not for the masses but it is for everyone. The Empress of Frozen Custard is awash in marvels. Guitart is a master of language, a tongue trickster, a feller of fashion.  In this, his second volume of English poetry, he has done it again, producing a collection that sings and laughs and cries all at once.  In the words of Yankee fans praising one of their most beloved players, “Hip, hip, Jor-gé!” —Pablo Medina
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    The Epic of Hell Freeze by Richard K. Ostrander

    The poems in Richard K. Ostrander's The Epic of Hell Freeze (What Stays the News) shift from allusion (Andromeda, Abraham, Sisyphus) to illusion: ""He walks through walls/ On the other side of silver."" Ostrander's attention to ""language's legerdemain"" ties seemingly unrelated poems to each other like knotted scarves pulled from a magician's sleeve, using alliteration—""And a single sentence,/ Tautness of telephone lines""—as well as slant rhyme—""Flies, happy in their bottles/ Freer than fish/ that fly/ Melody or malady/ I don't know which""—and clichés twisted into new configurations—""There's a sty in the sky,/ Here's a shoulder to fry on."" —Beth Copeland
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    The Equation That Explains Everything by Andrew Cox

    Poets usually either rhapsodize the world or explain it.  In The Equation that Explains Everything, Andy Cox shows us that he is an explainer, but he explains through a wondrous broken logic where blind men drive under the influence of dogs, rubber snakes entice the world with plastic apples, and two plus two equals five but all the tiny sighs in the hours before quitting time add up to nothing.  —Richard Newman
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    The Exploding Nothingness of Never Define by Anne Tardos

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    Anne Tardos, whose poetry & performances have delighted us for several decades now, emerges in her new book as the innovator of a work that incorporates, like the best of our poetry, a full range of thoughts & experiences & makes them stick in mind & memory. —Jerome Rothenberg
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    The History of My World Tonight by Daniel Nester

    In The History of My World Tonight, Daniel Nester re-envisions The Beach Boys, The Brady Bunch, and the Bible. He takes on the Munchkins, Montale, Monet, and masturbation. But that’s just the beginning. In these intimate confessional and experimental poems, Nester delivers a complex psyche along with deadpan social commentary. This is an engagingly funny and tender book. —Denise Duhamel
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    The Hole in the Den by Michael Martrich

    When Tory Spry’s hallucinations become more frequent - what start out as a “pinpoint,” extend into an “arc,” and eventually become the blunted but flashing “Fingerprint” - he reluctantly but necessarily retreats inward into the well of himself. Swimming through the blackholed remnants of his outside world - high school, church, diners, home, in the car with his friends - Spry can only find comfort in sleep, the cold, the woods, and in his best friend John, who has a deep internal secret himself. And within our haunting and untouchable loneliness, we are separate but not alone.
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    The Homesick Mortician by Peter Mladinic

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    Mladinic gives us a world where “a man with a wooden leg/ and a boy in a white shirt/ talk weather/ and look like an argument.” The strange and the mundane combine into sharp mystery. This is exquisite poetry and worthy of your time. —Jeff Weddle

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    The Hunger in Our Eyes by Jared Demick

    Jared Demick's The Hunger in Our Eyes is a little bit country and a whole lot of cross-country(ies). The shape-shifting Americana here scores a playfully re-visionist choreography that brings into focus what imperial eyes typically miss: the accidents of landscape, the histories of food, the body's crossings. —Urayoán Noel
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    The Ida Pingala by Debrah Morkun

    Debrah Morkun's words compose dynamic fields. Her efforts push poetry onto the page to energize language by reaching toward its limits. Between the ""janus-lipped morning"" and ""miserable neighborhoods"" a resistance forms according to what can be said and what actually gets said. Morkun confronts opposing forms and possibilities (like the ida and pingala of the title). Here poetry is electrified by the tensions of sound and meaning. ~ Hoa Nguyen
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    The Impossible Picnic by Mark Tursi

    Mark Tursi’s Impossible Picnic sets up camp not on grassy Romantic heights but on the astroturf of our mental backyards and interiors. In its wild juxtapositions and deadpan humor, one hears unsettling echoes emanating from the “vapory camaraderie” of modernism. Here “the world is all this, plus the world,” as the title propels us toward a super-abundance that only initially seems “impossible.” —Elizabeth Willis
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    The Jointure by Clayton Eshleman

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    “What does it mean to see with the eyes of the soul?” In The Jointure, Clayton Eshleman offers an answer to this question in language of visionary symbolic consciousness. Intimate and expansive, psychological and anthropological data germinates this fecundating exploration and extrapolation of inner wilderness and the essence of imagination. In The Jointure, “memory is fracture” – the depths of horror enshroud the horror of depths – but imagination is revealed as the “keelson of paradise.” —Stuart Kendall
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    The Landfill Dancers by Mary Kasimor

    In this memorable collection, Mary Kasimor enacts an ""image drama"" and ""performance burlesque"" across every poetic line, surprising the reader with a new ""species of FORM."" Watch your step because The Landfill Dancers will take you where the wild is always open. —Craig Santos Perez
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