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505-528 of 594 products

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    The Reincarnation of Anna Phylactic (Volume III: The Posthuman Series) by Daniel Y. Harris

    Daniel Y. Harris’ Posthuman Series is an amazing tour de force! —Marjorie Perloff
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    The Resurrection of Maximillian Pissante (Volume V: The Posthuman Series) by Daniel Y. Harris

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    Daniel Y. Harris’ Posthuman Series is an intoxicating brew of quasis: scientific, esoteric, bibliographic, geologic, lettristic. Who knows what poetry lurks in the heart of codes? It’s as if we are privy to the history of knowledge from its other side, before as much as after. These poems are an explosion in a pataquerics factory. —Charles Bernstein
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    The Sensory Cabinet by Mark DuCharme

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    The Slip by George Tysh

    His engagement with the variable foot of William Carlos Williams gives a new spring and all to George Tysh’s remarkable collection The Slip. For much of the book, especially the haunting title poem, an isolated phrase appears, then the next descends, and then another, each open space miming the way breath appears in human speech, as an aid to understanding and an absolute electric charge—at times one of volcanic intensity. —Kevin Killian
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    The Solace of Islands by Ansie Baird

    The poet is master of her craft and poetic magic manifests in each poem. The magic is all the music of the poetry. Without question, the theme of this poetry is solemn, but there are sparks of humor and tenderness that light the way through the musical landscape. An island is, of course, an enclosed space, a protected place, for poet Ansie Baird the place of the very human heart. —Michael Basinski
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    The Speed of Our Lives by Grace C. Ocasio

    These bracing poems celebrate everything from nature to history, to the family, to the famous – and in each, she discovers the music and meaning that lets them bloom in all their strangeness and surprise. —Elaine Equi
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    The Spider Sermons by Robert Krut

    With a winning mixture of verve and tenderness, the poems in The Spider Sermons confront the extreme significance of our daily lives. It's the most passionate of come-ons, but with the kindest of intentions. —Kazim Ali
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    The Strikeout Artist by Joseph Bates

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    You don’t have to know anything about baseball to fall in love with this astonishing novel in which Franz Kafka performs as an unlikely star pitcher. Delighted by Bates’s kinetic, daring plot, you’ll have to stop often to laugh, then in the next moment you’ll be drawn up short in wonder by the surprisingly tender heart of this novel. —Lee Upton
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    The Sun & The Moon by Kristina Marie Darling

    In poems lit by an incendiary marriage, Kristina Marie Darling traces a story that begins, as stories often do, “as a small mark on the horizon.” Brave and haunted, these poems burn down to ash and winter, daring to unlock the spell of memory’s silver flashings. The small remains, like distant stars, make a moving portrait. —Mary Ann Samyn
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    The Sun Shows How it’s Done by Sandy Olson Hill

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    Sandy Olson Hill writes hard-hitting poetic short stories. This book is dark and moving, and it never flinches from the really tough stuff. —Jeff Parker
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    The Thirteenth Studebaker by Robert Wexelblatt

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    Wexelblatt’s book is laden with wit, with wry observations, gentle sarcasm, and wicked ironies. It always has just enough laughter to keep its characters (and the reader) from spinning off into the abysses. —Fred Marchant,
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    The Trapeze of Your Flesh by Charles Rammelkamp

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    Charles Rammelkamp’s exposition of the “flesh trapeze” that swings through American entertainment and culture, via the voices of some of its most prominent acrobats, is vital to an understanding of our culture. —Roman Gladstone
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    The Trees of Surprise edited by Marjorie Norris

    Trees of Surprise has been published by Buffalo’s BlazeVox Books. It is and edited anthology which responds to the loss of trees during the October 2006 storm.
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    The Tryst of Thetica Zorg Volume II: The Posthuman Series Daniel Y. Harris

    Daring, adventurous, exotic, & necessary, —can this be the exemplary, posthuman poesis? You bet it can if it’s The Tryst of Thetica Zorg. Ushering the reader into the nefarious underworld of computer viruses, Daniel Y. Harris delivers a shimmering dramatic intensity swathed in the rare glow of an Epochal Imagination. —Heller Levinson
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    The Unfinished: Books I-VI by Mark DuCharme

    Mark DuCharme's beautiful poems teach us to read all over again: mystery, the situation of person, the texture of dream and the texture of awareness: The Unfinished is a tough book, a necessary book. —Joseph Lease
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    The Visit by Ana T. Kralj

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    1992. The war rages in Bosnia and Croatia. In Slovenia, which has escaped the war’s horrors on its own soil, a high school graduate finds herself profoundly shattered. Unable to transition from the safe environment of the high school to the loosely structured student life, struggling to come to grips with an unsuccessful relationship and tormented by her helplessness in the face of the war, she embarks on a harrowing search for the meaning of her existence. But the streets of Ljubljana leave her empty-handed. Until something changes. A visitor comes by.
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    The White Visitation by David Brennan

    Not since the Book of Ecclesiastes has such litany been deployed to smack dab us with a wall of words. In The White Visitation, David Brennan pressure treats language, syntax, grammar, content into a layered labyrinthine quilted fabric of strata. One doesn’t so much as read as one peels, strips, skins the text—a sonic archeology, a narrative dig. Nothing new under the sun? Don’t count on it. The White Visitation is the plasma at the sun’s very core. —Michael Martone
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    The Woman with a Million Hearts by Loren Kleinman

    Loren Kleinman brings a poet's sensibility to her captivating memoir that is at once serious and sly, self-deprecating and a powerful declaration of self. Her memoir is less about memory than it is a fine-tuned, near magical consideration of the small details that ultimately make manifest the large passions of her life. Her edgy meditations are a bit like a delicately rendered Lost and Found for the great grab bag of human experience--instantly relatable, brash, intimate and true. —Rita Gabis, author of A Guest At The Shooters' Banquet
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    The Writers’ Circle and Other Stories by Michael Gessner

    In this stunning collection Michael Gessner pays full attention to the marginal and the marginalized –– whether unwashed, rejected, condemned, or simply unusual –– and brilliantly inhabits them, evoking their passions, their yearnings, and also the rare strands of hope that sustain and illuminate. —Grace Dane Mazur
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    Theater of the Tongue by Diana Adams

    Diana Adams book, Theaters of the Tongue , gives the reader a fascinating canvas of words, some words best described as word food. The reader is treated to lines like “salmon are lead by bells inside.” —Mary Kasimor
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    Theoretical Animals by Gary J. Shipley

    Beggars, fortune tellers, barge captains, bloated corpses, and the ominous tolling of church bells hover anachronistically over a bleakly existential world whose once-physically-present signs have been reduced to html code, rss feeds and online ad campaigns. —Michael Kelleher, author of Human Scale and To Be Sung

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    There’s Something Wrong With Sven by Greg Gerke

    Full of twists and turns, Greg Gerke's debut collection is more powerful than fun; each character has flavor, the situations stick, the work is unique. There's Something Wrong with Sven, but this book is right on. —Kim Chinquee
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    Thief by Katrinka Moore

    In a series of interlocking text-image meditations and small narratives, Katrinka Moore’s Thief rewrites the literary impulse to claim. This thievery confesses our visitor status upon body, mind, land, and book and asks, “So, you select your shape purposefully? How to explore this obscure site? How does the world assemble?” The journey is gendered: how does a woman write into a literary and family history that was actually never so sure of its claims, its own thievery? – Jill Magi
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    Thirty Miles To Rosebud by Barbara Henning

    This On the Road story zig zags the America grain, a rebellious woman’s experience, and the consequences of the Vietnam era. Barbara Henning’s clean, stark realism rejoices and laments the left and the lost, what can and can’t be found in time and mind. —Gloria Frym
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