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    #1 – #46 by Jukka-Pekka Kervinen

    This work is important because it skews all preconceptions of what poetry is thought to be. It uniquely shows us the indoctrinated perceptions that we, consciously or unconsciously carry within us. It opens up to us a world with the potential of difference, and that by knowing this difference we can hopefully perceive a knowledge and beauty in forms and contents we heretofore did not think existed. So it is with open eyes and mind one must approach this work, leaving behind any constricted views of form or content, and more importantly interring the dusty corpse of an ancient poetic epistemology. —Ric Carfagna
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    … and Beefheart Saved Craig by Jefferson Hansen

    This book comes at readers from all angles, literally, with its energetic mix of innovative narrative, informed cultural criticism, and good old-fashioned character development about life among the drinking classes. Hansen's absolutely contemporary questioning of individual identity spins out through a story about some ordinary and ornery people whose mundane lives are paradoxically compelling and often shocking. —Mark Wallace
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    26 Tears by George Tysh / Chris Tysh

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    What an abracadabra of abecedarian magic is 26 Tears! Evoking the Aramaic avra kehdabra, "I will create as I speak," this collaborative incantation weaves a magical spell of language. Two poets riff in alphabetical measure with illuminating literary texts, an epidemic, and a quotidian of political angst. — Maureen Owen
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    2X2 by Martine Bellen

    Smart, funny, at once spare and lyrically lush, this mythic tale of a lost girl stalking her lost double will pull you delightedly along with its swift narrative—pull you up short when it makes you stop and think. Martine Bellen is an astonishing writer. —Rilla Askew
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    3 by Doris Shapiro

    These striking stories portray cycles of the human condition recognizable to us all.  Here we look at the ending of life in the ending of a life.   In another we see the brilliant self-deception we employ to avoid unwanted change.   The third celebrates the possibilities and satisfactions of friendship.   The stories, powerful on their own, together offer emotional pleasures that linger.
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    3rd & 7th by Nicolas Mansito III

    Reading Nicolás Mansito's first book I am reminded that the Latin verb "to read," legere, means to choose, to select, and that reading, and in fact all writing, is an act of bricolage. This book of poems reminds that every free act, of both making and being, arises from a bondage to what simply /is/. And from there we fiddle and tinker our way to wisdoms. A book you'll be grateful to own. —Gabriel Gudding,
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    A Dictionary In The Subjunctive by Damian Weber

    In his new book, Damian Weber, one of Buffalo’s best-loved poet, publisher, singer and songwriter offers a magnificent display of minimalism. Fully illustrated, these short poems start as dictionary definitions that evolve into love poems, which in turn develop into poems detailing the pain of miscommunication that harbors within a relationship between two people.
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    A Field Guide to the Rehearsal by Dennis Barone

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    Dennis Barone’s A Field Guide to the Rehearsal is a most unique book, an open-form, subtly off-beat narrative, a mixture of poetry and prose, of memory and concrete, image-filled metaphysics. —David Cappella
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    A Lyrebird, Selected Poems of Michael Farrell by Michael Farrell; Editor Jared Schickling

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    Enter A Lyrebird and you open onto a polyphony of slang and nuance. Expect a humorous disorientation and deep travel through undersides of all that can be said and borrowed. Just in time, since mono-culture cannot know itself, Michael Farrell’s deft bravery transmutes English and gives us journeys out. —Sarah Riggs
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    A Mountain Of Past Lives & Things I’ve Learned by Skyler Jaye

    "Each of the Past-lives, each written into a Mountain its own, also seems to fit into an open hand. I found myself snapping and ooo-ing and mmm-ing along because even black on white paper, the words take a stage." —Ashley Wylde
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    A Pure Bowl of Nothing by Mary Kasimor

    This book is part of our moblis in mobli series, a free ebook with a printed books that is for sale from us as well as Amazon.com.
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    A Shopping Mall on Mars By Patrick Chapman

    Many of the poems in A Shopping Mall on Mars, Patrick Chapman's fourth collection, take a wry and satirical look at the dangerous new world in which we find ourselves, looking back with a certain nostalgia at the relative innocence of the nuclear age. Others offer compassionate yet unsparing insights into death, madness and childhood. A few speculate with science-fictional clarity on the kind of future we might be heading towards. This is work of the finest order from one of the most original Irish poets of the last two decades.
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    A Testament To Love & Other Losses by Wade Stevenson

    The suspicion that writing will be the last utopia is wonderfully fulfilled by the extraordinary promise and quivering present of Wade Stevenson’s lyrical, deep and lustrous oeuvre. —Geoffrey Gatza
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    A Thousand Words and Others by George Tysh

    George Tysh's two-part take on presence and absence is rooted in jazz and painting, French and Mandarin, memory and longing, in a recto-verso approach to structure. Its first bareboned section, "A Thousand Words," is 100 pages, ten words per page, set in columns that give a nod to classical stanza form. Part Two, "and Others," a coda of sparse lyrics, fills out the tone of what is barely implied in Part One. In a mixture of vernacular and stark poetics, he produces a book-length series that experimental novelist Lynn Crawford calls, "Lush. Rhythmic. Disturbing. Gorgeous."
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    a womb-shaped wormhole by j/j hastain

    j/j hastain is a seer. Writing from the liminal space between the ethereal and the corporeal, filled with bestiaries of the soul and spine-broken books, hastain has composed ""an activist-narrative of place"", where the body is but ""a fretted tangle"" to be worried apart, and then knotted again. Stitched in the language of sinew and fiber, a womb-shaped wormhole is transcendent, stretching past our mere genders, our temporal selves. —Benjamin Winkler
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    Ad Hoc by Hayden Bergman

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    Spectacular poems from a strong new voice—Bergman’s language is energetic and surprising, beautiful and seductive; his poems are both funny and not funny, regional and universal; his voice is so strong, his thought the same, that I’ll be going back to this book  to enjoy its company again and again—and I'll be passing copies of this smart, engrossing book on to others. —Renée Ashley

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    After Language / Letters to Jack Spicer by Steven Vincent

    The test of a true poem, Stephen Vincent writes, is how not to die for it. How can a book that chills you to the bone — As Jack Spicer’s Language surely does — become a structuring, challenging, politicizing and even comforting recurring presence through forty years of a life lived under its spell? With a hard-won, contrarian patience, Vincent applies the test, and the hope he finds at the end is all the more convincing for the precarious-ness of the path it takes through the silent gap between No and One listens to poetry. —Peter Manson
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    Against Misanthropy: A Life In Poetry (2015-1998) by Eileen Tabios

    AGAINST MISANTHROPY presents her life as a self-educated poet—from, as a newbie poet, reading through all of the poetry books of her local Barnes and Noble as she scratched her head over what poetry is supposed to be … to more recently creating a poetry generator capable of making poems without additional authorial intervention. Along her journey, she also released about 30 poetry collections, two fiction books and four prose collections with the help of publishers in eight countries.
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    Alburnum of the Green and Living Tree by Lara Candland

    Lara Candland is the artist of a living word. Alone among us, she seems best to know the inward texture of a basket and the hastening green of April branches. Hers is an intimate universal, and in Alburnum of the Green and Living Tree this intimacy becomes the vivid pretext of many truths. Donald Revell
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    Alice Ages and Ages by Sarah White

    Sarah White’s variations inspired by Lewis Carroll’s Alice Through the Looking Glass manage to be at once serio-comic meditations on vanity and aging and joyful celebrations of language and the human imagination. —Stephen O’Connor
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    Alice Through the Working Class by Steve McCaffery, illustrations by Clelia Scala

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    McCaffery, with his customary linguistic wit, now takes [Alice] through the working-class, into the industrial revolution, where Mary Wollestonecraft is the Red Queen, and the Soviet workers’ paradise, where Lenin is the Lion and the Unicorn is Trotsky. And, horribile dictu, it works. Don’t miss the Bolshevik Jabberwocky.—Jean-Jacques Lecercle,
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    All Beautiful & Useless by C. Kubasta

    "I have long admired Kubasta's exploratory combination of citation, history, and autobiography in her texts. Her work is always exciting, sometimes even alarming. In her poems using the metaphor of the box, I'm reminded of Joseph Cornell, of course, but also of the great Serbian poet Vasko Popa. — John Matthias
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    All My Eggs Are Broken by Michael Basinski

    We have choosen to have no blurbs on this book. This supreme gift of the artist should draw you in, like the noose around the neck.
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