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    #1 – #46 by Jukka-Pekka Kervinen

    This work is important because it skews all preconceptions of what poetry is thought to be. It uniquely shows us the indoctrinated perceptions that we, consciously or unconsciously carry within us. It opens up to us a world with the potential of difference, and that by knowing this difference we can hopefully perceive a knowledge and beauty in forms and contents we heretofore did not think existed. So it is with open eyes and mind one must approach this work, leaving behind any constricted views of form or content, and more importantly interring the dusty corpse of an ancient poetic epistemology. —Ric Carfagna
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    … and Beefheart Saved Craig by Jefferson Hansen

    This book comes at readers from all angles, literally, with its energetic mix of innovative narrative, informed cultural criticism, and good old-fashioned character development about life among the drinking classes. Hansen's absolutely contemporary questioning of individual identity spins out through a story about some ordinary and ornery people whose mundane lives are paradoxically compelling and often shocking. —Mark Wallace
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    26 Tears by George Tysh / Chris Tysh

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    What an abracadabra of abecedarian magic is 26 Tears! Evoking the Aramaic avra kehdabra, "I will create as I speak," this collaborative incantation weaves a magical spell of language. Two poets riff in alphabetical measure with illuminating literary texts, an epidemic, and a quotidian of political angst. — Maureen Owen
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    2X2 by Martine Bellen

    Smart, funny, at once spare and lyrically lush, this mythic tale of a lost girl stalking her lost double will pull you delightedly along with its swift narrative—pull you up short when it makes you stop and think. Martine Bellen is an astonishing writer. —Rilla Askew
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    3 by Doris Shapiro

    These striking stories portray cycles of the human condition recognizable to us all.  Here we look at the ending of life in the ending of a life.   In another we see the brilliant self-deception we employ to avoid unwanted change.   The third celebrates the possibilities and satisfactions of friendship.   The stories, powerful on their own, together offer emotional pleasures that linger.
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    3rd & 7th by Nicolas Mansito III

    Reading Nicolás Mansito's first book I am reminded that the Latin verb "to read," legere, means to choose, to select, and that reading, and in fact all writing, is an act of bricolage. This book of poems reminds that every free act, of both making and being, arises from a bondage to what simply /is/. And from there we fiddle and tinker our way to wisdoms. A book you'll be grateful to own. —Gabriel Gudding,
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    A Dictionary In The Subjunctive by Damian Weber

    In his new book, Damian Weber, one of Buffalo’s best-loved poet, publisher, singer and songwriter offers a magnificent display of minimalism. Fully illustrated, these short poems start as dictionary definitions that evolve into love poems, which in turn develop into poems detailing the pain of miscommunication that harbors within a relationship between two people.
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    A Field Guide to the Rehearsal by Dennis Barone

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    Dennis Barone’s A Field Guide to the Rehearsal is a most unique book, an open-form, subtly off-beat narrative, a mixture of poetry and prose, of memory and concrete, image-filled metaphysics. —David Cappella
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    A Lyrebird, Selected Poems of Michael Farrell by Michael Farrell; Editor Jared Schickling

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    Enter A Lyrebird and you open onto a polyphony of slang and nuance. Expect a humorous disorientation and deep travel through undersides of all that can be said and borrowed. Just in time, since mono-culture cannot know itself, Michael Farrell’s deft bravery transmutes English and gives us journeys out. —Sarah Riggs
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    A Mountain Of Past Lives & Things I’ve Learned by Skyler Jaye

    "Each of the Past-lives, each written into a Mountain its own, also seems to fit into an open hand. I found myself snapping and ooo-ing and mmm-ing along because even black on white paper, the words take a stage." —Ashley Wylde
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    A Pure Bowl of Nothing by Mary Kasimor

    This book is part of our moblis in mobli series, a free ebook with a printed books that is for sale from us as well as Amazon.com.
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    A Shopping Mall on Mars By Patrick Chapman

    Many of the poems in A Shopping Mall on Mars, Patrick Chapman's fourth collection, take a wry and satirical look at the dangerous new world in which we find ourselves, looking back with a certain nostalgia at the relative innocence of the nuclear age. Others offer compassionate yet unsparing insights into death, madness and childhood. A few speculate with science-fictional clarity on the kind of future we might be heading towards. This is work of the finest order from one of the most original Irish poets of the last two decades.
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    A Testament To Love & Other Losses by Wade Stevenson

    The suspicion that writing will be the last utopia is wonderfully fulfilled by the extraordinary promise and quivering present of Wade Stevenson’s lyrical, deep and lustrous oeuvre. —Geoffrey Gatza
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    A Thousand Words and Others by George Tysh

    George Tysh's two-part take on presence and absence is rooted in jazz and painting, French and Mandarin, memory and longing, in a recto-verso approach to structure. Its first bareboned section, "A Thousand Words," is 100 pages, ten words per page, set in columns that give a nod to classical stanza form. Part Two, "and Others," a coda of sparse lyrics, fills out the tone of what is barely implied in Part One. In a mixture of vernacular and stark poetics, he produces a book-length series that experimental novelist Lynn Crawford calls, "Lush. Rhythmic. Disturbing. Gorgeous."
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    a womb-shaped wormhole by j/j hastain

    j/j hastain is a seer. Writing from the liminal space between the ethereal and the corporeal, filled with bestiaries of the soul and spine-broken books, hastain has composed ""an activist-narrative of place"", where the body is but ""a fretted tangle"" to be worried apart, and then knotted again. Stitched in the language of sinew and fiber, a womb-shaped wormhole is transcendent, stretching past our mere genders, our temporal selves. —Benjamin Winkler
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    Ad Hoc by Hayden Bergman

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    Spectacular poems from a strong new voice—Bergman’s language is energetic and surprising, beautiful and seductive; his poems are both funny and not funny, regional and universal; his voice is so strong, his thought the same, that I’ll be going back to this book  to enjoy its company again and again—and I'll be passing copies of this smart, engrossing book on to others. —Renée Ashley

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    After Language / Letters to Jack Spicer by Steven Vincent

    The test of a true poem, Stephen Vincent writes, is how not to die for it. How can a book that chills you to the bone — As Jack Spicer’s Language surely does — become a structuring, challenging, politicizing and even comforting recurring presence through forty years of a life lived under its spell? With a hard-won, contrarian patience, Vincent applies the test, and the hope he finds at the end is all the more convincing for the precarious-ness of the path it takes through the silent gap between No and One listens to poetry. —Peter Manson
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    Against Misanthropy: A Life In Poetry (2015-1998) by Eileen Tabios

    AGAINST MISANTHROPY presents her life as a self-educated poet—from, as a newbie poet, reading through all of the poetry books of her local Barnes and Noble as she scratched her head over what poetry is supposed to be … to more recently creating a poetry generator capable of making poems without additional authorial intervention. Along her journey, she also released about 30 poetry collections, two fiction books and four prose collections with the help of publishers in eight countries.
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    Alburnum of the Green and Living Tree by Lara Candland

    Lara Candland is the artist of a living word. Alone among us, she seems best to know the inward texture of a basket and the hastening green of April branches. Hers is an intimate universal, and in Alburnum of the Green and Living Tree this intimacy becomes the vivid pretext of many truths. Donald Revell
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    Alice Ages and Ages by Sarah White

    Sarah White’s variations inspired by Lewis Carroll’s Alice Through the Looking Glass manage to be at once serio-comic meditations on vanity and aging and joyful celebrations of language and the human imagination. —Stephen O’Connor
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    Alice Through the Working Class by Steve McCaffery, illustrations by Clelia Scala

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    McCaffery, with his customary linguistic wit, now takes [Alice] through the working-class, into the industrial revolution, where Mary Wollestonecraft is the Red Queen, and the Soviet workers’ paradise, where Lenin is the Lion and the Unicorn is Trotsky. And, horribile dictu, it works. Don’t miss the Bolshevik Jabberwocky.—Jean-Jacques Lecercle,
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    All Beautiful & Useless by C. Kubasta

    "I have long admired Kubasta's exploratory combination of citation, history, and autobiography in her texts. Her work is always exciting, sometimes even alarming. In her poems using the metaphor of the box, I'm reminded of Joseph Cornell, of course, but also of the great Serbian poet Vasko Popa. — John Matthias
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    All My Eggs Are Broken by Michael Basinski

    We have choosen to have no blurbs on this book. This supreme gift of the artist should draw you in, like the noose around the neck.
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    all the jawing jackdaw by Nava Fader

    Written as wovens by Nava Fader the elementals, magic, earth, air, fire and water are here collaborators in constellation with the elements of Adrienne Rich and Rimbaud. Her pure lines are a strong heart's beat and each instant in the writing is a cocktail of the sensual and the spell, that realm where poetry embraces this place as the poem in nuptials. I am so embraced and I enter the estate of love. —Michael Basinski
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    Alphaville by Peter Jay Shippy

    This book is part of our moblis in mobli series, a free ebook with a printed books that is for sale from us as well as Amazon.com.
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    American Field Couches by Bill Freind

    Bill Freind is the author of An Anthology (housepress, 2000). His poems have appeared in journals such as 88, Aught, Can we have our ball back, Combo, Jacket, and Spaltung.   He lives near an abandoned golf course in South Jersey.
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    An Anatomy Of The Night by Clayton Eshleman

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    An Anatomy Of The Night by Clayton Eshleman is a magnificent new work by one of America’s foremost poets. In thirty-one parts written between December 2010 and February 2011, Eshleman’s long poem creates a choral effect that masterfully evokes fragments of candid observation shimmering in rhythmic intensity. In bold simplicities, illustrative sensibilities and lyrical integrity this work is imaginative, intimate and beautifully controlled. Hauntingly, these poems rip open the space of the long form poem and create something new and brilliant.
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    An Apparently Impossible Adventure by Laura Madeline Wiseman

    Laura Madeline Wiseman’s prose is razor-sharp, cutting through all the falsities we cling to, exposing us all hiding beneath the masks we wear, exposing our wounds, our wandering frailties, all that we sidestep, and most deeply, exposing the ‘mists that divide.’ An Apparently Impossible Adventure is a stunning read. —Karen Stefano
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    AN ARCHITECTURE a poem in 56 sections by Chad Sweeney

    In "AN ARCHITECTURE," Chad Sweeney reveals himself to be a Frank Gehry of language: making an overwhelming but coherent form in precise words that measure "the violet gleam of girders." where "art is/the ghost between us." The world swells with meaning before things "smolder," "collapse," "drown". . . .   And within the violent changes that he so precisely records, there are moments of rest and deep regard for what is passing.   The poem is an elegy for the world in all its beauty and disturbing variety. --Maxine Chernoff
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    An Argument of Roots by Cornelia Veenendaal

    This extra-ordinary poet is at once companionable with the natural world and wonderfully awake to the daily surprises of the city; a poet who is almost painfully attuned to the beauty that sustains us and mindful of the terrors that threaten to fell us. Over and over, Veenendaal's poems cause us to stumble upon the quotidian the way we might catch a toe on a forest snag or trip on a loose brick in the sidewalk or lurch with the sudden braking of a T car. —Marie Harris
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    An Internet of Containment by Anne-Adele Wight

    These poems break containment into speculation about a future where timeliness and timelessness fly hand in hand into the infinite. This is a chronicle of the exodus of souls. This is the scintillating moment when we all become homeless. “from here the aurora has changed color. ––Travis Cebula
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    Analects by Michael Gessner

    Selected from more than four decades of journal keeping, and with additional excerpts from published essays, Analects speaks to the general reader, and specifically to those who have interests in poetry and poetics. The reader will not come away without encountering helpful insights and disclosures about writing and literature in this collection. Gessner's prose has been described as “Structurally ingenious,” (Jonathan Galassi, Farrar, Straus & Giroux,” and “A great talent,” (Ray Powers, Scott & Field).
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    And Others, Vaguer Presences by David Dodd Lee

    In a note that accompanies And Others, Vaguer Presences, the most recent collection of erasures by David Dodd Lee, he uses the phrase, “the poem wanting what the poem wants.” This statement curiously corroborates my impression that these poems were actually written by the poems themselves, which had definite ideas about what they wanted and didn’t want. It’s a strange feeling, being twice removed from one’s poems, strange and refreshing. I highly recommend Lee’s version of the poems’ poems. —John Ashbery
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    Angles of Disorder by Zachary C. Bush

    “Zachary C. Bush’s ANGLES OF DISORDER is like a fairy tale devoured by science, language re-constructed into formulas and translated back into bold prose / poetry.” --J. A. Tyler
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    Anhedonia by Patrick Chapman

    These nine stories of love and its opposite, blend darkness, humor and a refreshing emotional openness. Briskly written and told with a winning humanity, Anhedonia is a fine collection from one of Ireland’s most exciting writers.
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    Animated Landscape by Robert Gibbons

    Robert Gibbons’s new collection of poems lays bare the vast expanse of human history as a widening landscape of the most august imagination. Gibbons, a born maximalist, carries Charles Olson’s excavations into the present tense, but does so in his own measure of music, personal and specific, yet universal and inclusive. Animated Landscape never forgets history is not a then, but always now, always all around us. —Richard Deming
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    Anon By Chris Pusateri

    Anon records "soft static falling as forecast" and an ostensible caress that materializes as "an unpleasant repetition eroding his arm." Against the bleak banalities of this "experience in syndication," Chris Pusateri strikes back with a bracing admixture of silliness and patient intelligence. —Elizabeth Robinson
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    Answer by Mark DuCharme

    Enter a shimmering, wavering, vacillating, crinkly reality, the mysterious acrobatic disjointing of what you thought you knew. Enter Mark DuCharme’s Answer, where the self-evident succumbs to the agnostic as a wizardly lyric unpins certainty. Brilliantly unpredictable, these poems divine by assemblage of a familiar quotidian and set us wondering. —Maureen Owen
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    Ante-Animots: Idioms and Tales by Nicholas Alexander Hayes

    These idioms and tales use language as a tool to lift a hazy film away from our perception and replace it with another. Is it surgery or a theater of cruelty, a catastrophe or a joke? It’s an intervention into both the real and the imaginary—not to show us that one lies beneath the other or hidden inside like a nested doll, but to remind us that animals are composed of wounds and words and that all of us are dying. It isn’t pretty, and it is. It isn’t imaginary, and none of it is real. It’s a vicious and lyrical, lucid and fantastical, vast little book. – Stephen Beachy
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    ANTHROPOCENOMA by Chuck Richardson

    A mapping of word and thought metastases to co-here (in now of us all) the crazed pathological death-life energies of our age – Richardson takes the notes inside my own head, at least, and probably taps a collective despair, why everyone can’t rouse out of diseased, disfiguring, disaster consciousness. “Sleep requires optimism. We dream of sleeping.” Planetary accord? No hope, but it is something, this general re-cognition of or against humans’ dominion over earth as a totalizing, cancerous, growth. —Magus Magnus
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    Antibodies in the Alphabet by Linda King

    King holds us to the mark, offering no easy way out. Perhaps her poems haunt us because they’re not so much about us as our relationship to the words we use to stand in for us. Her critical lyric examines its own modus operandi and although armed with impeccable word choices peppered with wry wit, she often threatens to throw it all away and let danger take the high road. —Charles Borkhuis
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    Apollo: A Conceptual Poem by Geoffrey Gatza : Based upon the ballet by Igor Stravinsky

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    At its heart, this book is about Marcel Duchamp but it is also about chess. It was thought for a long while that Marcel Duchamp gave up art to play professional chess. However, this was found to be not true with the revelation of his last major artwork, Étant donnés.
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    Apparition Poems by Adam Fieled

    Adam Fieled is a poet based in Philadelphia.
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    archipelago counterpoint by Marcia Arrieta

    Marcia Arrieta’s archipelago counterpoint points to language associated with delicate inventiveness—a brand of language providing whispering emblems, musical identities, and clarity of affirmed environment….Precise, reliable appreciation engages the reader and provides context toward a thoughtful devotion to expanding understanding. —Felino A. Soriano
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    Armored Elevator By Ryan Daley

    Ryan Daley is a dedicated dodgem of syntax. He is a multi kulti Mayan in Newark whose wit’s as Pan-American as any Jose O’Shay’s. He knows dystopias no longer wash unless in global neo-glot soup spracht. Armored Elevator is one of the best—certainly the edgiest—first books I’ve read in quite awhile. –Michael Gizzi
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    Around the day in 80 worlds By Rachel Blau DuPlessis

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    Around each day, she flies her rounds— tempestuous. DuPlessis revels in travel and records what unravels in one’s habits of attention when all the elsewheres return us to a home we are about to lose. “What is the true story of any time? / any itinerary?/ and of its traveling sorrows?” I encounter so many moments of startling honesty— each poem is a face as pert as day and as wild as night, looking up, from a labyrinth of drafts. —Divya Victor
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    Art Fraud by Jeffrey Schrader

    One could say of Art Fraud that it is typing, not writing. And one would miss the point. Jeffrey Schrader, typist extraordinaire, delves into the all too frequent absurdity that results when art meets commerce. The result is pure slapstick. — Juliana Spahr
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    ARTIFICIAL LIFE by Michael Gessner

    Artificial Life is brilliantly wrought and blindingly brilliant.  Gessner is second to none. Count him, along with Ashbery and Ammons, among the most stunning intellectual poets of the twentieth century—and into the twenty-first.” —John Dolis

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    As They Say by Robert Manery

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    These poems invent a poetic diction, mixing heady with quaint in Land-of-Cockaigne stylistic abundance. Words current, rare, archaic, and obsolete are found in As They Say syntactically pasted together in humorous tonal blends of near and far. —Louis Cabri
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    Astrometry Orgonon by Mark Lamoureux

    The map of the heavens has long been the place where humanity has immortalized those narratives that are instructive to its understanding of the universe.   The named celestial bodies represent a repository of information from diverse cultures, both ancient and modern.   Each poem in this volume bears the name of the brightest named star of every visible constellation from both hemispheres.
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    asymptotic lover//thermodynamic vents by Julia Hastain aka j/j hastain

    This book, which is unlike anything that has ever been seen before, brings something with it from the under-parts of sensation. This is the definition of vibration, of a book as the only possible membrane, the only future for a body so new it's still forming: j/j hastain gives us this. —Bhanu Kapil
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    At the Fair by Tom Clark

    Remembering his first glimmers of vocation as a boy in power-charged mid-century Chicago, Tom Clark has given us some of the most beautiful American Poems that I know. At the Fair is the work of a living master. —Aram Saroyan
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    atboalgfpopasasbifl: Irritations, Excrement & Wipes by Jared Schickling

    Jared Schickling’s latest collection—comprised of hybrid genre prose, footnotes, erasures, and struck-through lines of verse—engages compelling questions about the relationship between literary criticism and artistic practice: Is it possible for creative and critical discourses to coexist within the same rhetorical space? Can the literary arts facilitate unique—and even revolutionary—contributions to theoretical conversations? To what extent is every poem an act of deconstruction, a revision of the writing that came before one’s own? —Kristina Marie Darling
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    Atom Parlor by Joseph Bienvenu

    Exuberant as a blizzard, individual as a snowflake, Joseph Bienvenu gives us this book with the generosity of yahoo and wail.  In Atom Parlor's hooting forest is a beating heart, crying out for connection, vulnerable, human, demonstrative of an extraordinary associational speed, the imagination always in triumph, in celebration as well as sorrow, dire and slapstick, and, dare I say, fun. —Dean Young
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    Aurora by Jared Schickling

    This book is part of our moblis in mobli series, a free ebook with a printed books that is for sale from us as well as Amazon.com.
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    Autobiography of a Stutterer by Joseph Cooper

    Joseph S. Cooper writes where the body does not exactly say yes but where it wants something else. By this I mean the bodies he is making are profoundly wild: propelled by phonetic imperatives and breaks in the deep structure that could be described as aberrant, but which I prefer to think of as delicious. -Bhanu Kapil
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    Automatic Zygote by Jonathan Huey

    “Jonathan Huey has a terrific eye for detail.  The tender mercies of urban wildlife, the sweeping implications of history – and he does not miss that trash in the creek or those cops in the alley –amid it all the rangy, slightly bemused song of the poet.” Andrew Schelling
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    A’S VISUALITY by Anne Gorrick

    This is the work of a highly-engaged intelligence, and Gorrick has made her own system by moving through the world with the given that this, too, is poetry. Here, it is color— not darkness— that surrounds us. What a beautiful place she has made. —Carolyn Guinzio
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    Babies by Emily Toder

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    A wonderfully thoughtful book written with the poignancy and wispy light touch of Lewis Carroll and Roz Chast. Emily Toder is very funny, but her paradoxes are deceptively simple and, if we let ourselves laugh, it’s because we don’t want to know that without babies there is no meaning on Planet Earth. —André Aciman
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    Bachelor Holiday by William Huhn

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    William Huhn’s Bachelor Holiday is a bittersweet, multi-dimensional recollection—of past loves, historical mysteries, moments of weather, of philosophical obsession—whose subject range and command of language dazzles. —Rachel Abramowitz
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    Back Pages, Selected Poems by A.L. Nielsen

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    'Artful, musical, and deceptively gentle, these poems reveal an uncompromising moral purpose. A. L. Nielsen is indeed a “stepping razor,” honed, witty and dangerous all at once. Pay attention.' —Beth Joselow
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    Back Principles: a book of spiritual fatigue by Stephen Bett

    Like all Stephen Bett’s recent books, his 22nd, Back Principles: a book of spiritual fatigue, is a serial poem, “minimalist” in its poetics, and subtle enough to sustain repeated readings. The title is self-explanatory: poems journeying between poles, searching out the buddha and the christ. There are no (cheap) instant gratification I found its here. There never could be of course; it’s all journey, all the time.
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    Biennial: Poems by Michael Joyce

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    these poems split the seconds of daily life into splinters that, with time, catch the light —Charles Bernstein  
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    Big Bad Asterisk* by Carlo Matos

    Big Bad Asterisk* is a sequence of prose poems that entangles the reader in a narrative of human oddity and originality. Welcome to the family where the father uses a machete on the hedges, the great uncle is lost hunting trolls, the only way to talk to the grandfather is through the grandmother and the baby’s spoon is a bone. —Susan Yount
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    Big Bright Sun by Nate Pritts

    His poems quietly say disquieting things, carefully, patiently, for the love of poetry.  —Dara Wier
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    BIG ENERGY POETS: ECOPOETRY THINKS CLIMATE CHANGE

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    Big Energy Poets: Ecopoetry Thinks Climate Change, is more than another book on climate change, these disparate authors are collectively voices in the same struggle: How to ensure the planet’s survival, where planet and body (human or otherwise) are not separate but synonymous, are inextricably tied. There is a necessary insistence in this anthology on the body politic being the earth’s politic.
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    Birds Of Tifft by Jonathan Skinner

    At once rigorous and casual, conceptual and hilarious, Birds of Tifft offers us a tour through a nature preserve reclaimed from industry. Sometimes our guide reads Tifft like an old-school naturalist, identifying flora and fauna and noting the weather; sometimes he reads it like a contemporary poet, delighting in the visual beauties and ethical ironies of a post-industrial landscape. Ultimately, however, our guide demonstrates that ecopoetics gains its power from inhabiting both positions at once. By neither idealizing nature nor demonizing industry, he shows us our own equal participation in both, and thereby animates a dialectic between “the bittern and the train/the tulip and the dump.” —Brian Teare
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    Black and Yellow Notebooks by Stephen Ratcliffe

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    The wonderful momentum of Ratcliffe’s clipped language echoes the staccato footsteps of his week-long hikes. It’s walking art in the tradition of Richard Long and Hamish Fulton, yet kept in motion through a constantly shifting, ever-piercing attention that keeps the reader acutely present to the changing light, the passing crows, and the meteors streaking through the August night sky. To enter this book is to go uncommonly outside. -- Cole Swensen
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    Black Lines on Terracotta by Terry Van Vliet

    In a voice daring and decorous, Terry Van Vliet celebrates Apollonian beauty and erotic desire. He uses poets and painters who have long fascinated him as guides for exploring these states. Other poems are more autobiographical. Family, friends, and the vivid characters that abound in Los Angeles, London, or Paris become his subjects. —Katharine A. Daly
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    BLAME FAULT MOUNTAIN by Spencer Selby

    These texts exude a para-oulipean vibe of disinterested construction, yet possess an almost cinematic drive wherein plot twist and paranoia dance together wearing the tragicomic masks of ancient theater, but the masks are screens upon which dance the latency and explication of semiotics as romance. —Lanny Quarles
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    Bliss Inc. by Ron Burch

    In a city that is a dream, or a frontier, or a dystopia, Nel Lowry is our pilgrim whose progress is a search for Bliss, which is a company and the promise of a lifetime position in a place that might have appeared in Kafka's Amerika. —Toby Olson
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    Blood Will Tell by Craig Paulenich

    These are shrewd meditations on what remains in the cold shadow of the American rust belt. —Dorothy Barresi
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    Boombox Serenade by Joey Nicoletti

    In the title poem, the speaker lists the songs to be played at his funeral and the friends to whom they’re dedicated; the resulting poem, and the collection as a whole, is a catalog of love and human connection, a “playlist of gratitude.” —Juliana Gray
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    Brains Scream at Night by Paul Sutton

    "Paul Sutton has trudged through the fuggy fen of all that is English, wiped his boots on a sheaf of paper, bound it and titled it *Brains Scream at Night*." —Aaron Belz
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    Brushes With by Kristina Marie Darling

    Some facts: there is ""white residue"" on a windowsill. In a novel on the brink of being written, someone walks out the door then reappears on the edge of a lake. To ""recollect."" To ""glide."" To ""wake up."" In a work that is reminiscent of Jenny Boully's The Body -- a blankness accompanied by footnotes -- Darling's Brushes with performs a narrative of sexual betrayal and peculiar [excruciating] loss with a delicate and pressing hand. —Bhanu Kapil
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    Byron in Baghdad by Mike Smith

    How is it Shelley truly did believe that Byron's Don Juan would be the great poem of its time? How is it that satire and pastiche become the most durable monuments to our romance? to our romance of ourselves and of our aspirations? With Byron in Baghdad, Mike Smith has, against all the odds and against all the currents of our present depravity, written a work of beautiful renunciation. Chaste and chastening, these poems are pure. Their urgency will only increase over time. —Donald Revell
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    BYSTANDER An Irreality by mIEKAL aND

    What would happen if words, disguised as characters Balboa Pettibone and She-singer, could hallucinate and time travel? mIEKAL aND, one of our most intrepid verbal explorers, takes us into the world of genre fiction and sets it spinning into an “irreality” as iridescent as myth clothed in neon language. —Maria Damon
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    CALL THE CATASTROPHISTS by Krystal Languell

    What then is a catastrophist? In the cosmography of this incredible first volume, she is a mobile force that screams: There is plenty to say, say it, say it! In the case where it is the critical reality of the daily life of a person, a thinking person, a person with a sex that is not one, with a class not a cache, who bumps against reality being easily bruised, and doing it again, and saying so. Krystal Languell reinscribes poetry to its rightful spot where we begin, and keep beginning, inside our catastrophe, where it lives. —Rachel Levitsky
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    camera obscura by erica lewis

    erica lewis’s camera obscura is a stunning meditation on the relationship between things in the world and our perception of them. Beginning with a photograph “that made me think about how time and the constant mutability of everything is . . . the underlying story of all the stories we write,” her words show us – indeed literally see – how “the object exists outside us without our taking part in it”; how “to bring the picture into focus”; how “an image sparks another image” ... —Stephen Ratcliffe
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    Canyonesque by Tom Clark

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    [Clark] really flows and gambles and plays it loose. I like his guts... He's the raw gnawing end of the moon. — Charles Bukowski
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    Captain Poetry’s Sucker Punch: A Guide to the Homeric Punkhole, 1980–2012 by Kenneth Warren

    Called by Andrei Codrescu, “one of the few and great readers of American poetry,” Warren presents in this collection of more than one hundred essays an interactive history of poetic aspirations and punk protrusions. With a mytho-poetic, archetypal way of reading community, music, and poetry, Warren is a provocative exegete of humanity's typological inheritance.
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    Celluloid Salutations by Elizabeth Block

    It's all here: love, work, child. And the writing. Mainly the writing. It takes over all these other things and yet it is built out of all these things. This is how Elizabeth Block erases Elizabeth Block, as one poem claims. She does this automatically, animalistically, while wailing forward, gracefully and with improvisation. —Juliana Spahr
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    Changing Tense: Thirty memento mori by Bruce Jackson

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    Bruce Jackson has written thirty memorial essays about his many friends, ranging from famous philosophers like Michel Foucault, to stray dogs like Randolph Scott, with a host of poets in between.
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    Chant by Richard Henry

    Successful formal experiments, especially those relying on Oulipian restraints and combinatorics, might demand a certain degree of skill and patience, but so what?   They remain “beyond aesthetic value,” as Raymond Queneau said – a mere demonstration of intellectual gymnastics. —Matt Short
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    Chaperons of a Lost Poet by John Vick

    This book by John Vick is fearless. —-Valerie Fox
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    Che. by Peter Money

    "epic"— Christian Peet (Tarpaulin Sky, Big American Trip)
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    Cheltenham by Adam Fieled

    O this is fierce writing, dirty & sweaty, rain-drenched& squalid, caught out in the back seats of parked cars, all that mess of actual young lives – Adam Fieled’s poetry moves with & through all this, carefully recording and arranging, natural history notes of the actual ecosystem so many of us live or lived within, savage, implacable and there on its own terms. —Peter Philpott
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    Chimes by Adam Fieled

    At times so painful and lovely and fragile that Chimes made my mind's eyes weep.  My body's eyes, however, refused to cry as they did not want to stop reading-- Chimes paradoxically is a page-turner even as the words compel you to linger on each page.  Chimes is one of the most moving autobiographies I've read--actually, language's beauty makes it irrelevant whether this is fiction or non-fiction; its authenticity is felt to be true. —Eileen Tabios
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    Circles Matter by Brian Lucas

    A triple play. Brian Lucas— painter, poet, musician—eye, heart, mind. Written with a sense of unfolding mystery, his voice on the page is sure in its tone, the ongoing quest and questioning is awake with profound and restless detail. Out of the ballpark. I await more. — David Meltzer
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    CIRCULAR DESCENT by Raymond L. Bianchi

    At the dangerous intersection of Liberty and Empire, Raymond Bianchi breaks the sound barrier. These “multi-colored sequences” are up to date heart-breaking cubistic international songs in “real time,” trafficking in corporate corruption and working people, desire and everyday life. This is wild and honest work. — PETER GIZZI
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    City Bird: Selected Poems (1991 – 2009) by Millie Niss Edited by Martha Deed

    Millie Niss draws from so many different poetic influences and writes in so many different tones – wistful, sneaky, sincere, outraged, outrageous, sweet and funny and snide – that it makes me nearly dizzy. This is a wonderful, whimsical compendium of a mind on fire, devoted to poetry, mad for malarkey. In rants, e-mails, poetic forms, collaborations, school notebooks, mock epics, found text, imitations, concrete poetry and intercepted letters, Millie calls it like it is and we are so lucky for it! —Kazim Ali  
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    CLOUD / RIDGE by Stephen Ratcliffe

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    Stephen Ratcliffe is in his blue or green or yellow or mauve or brick-red or phthalocyanine period. That is, the serene repetitive seriousness of the shapes and colors of his work, like that of the late style of a great painter, who’s painting the same things, day after day, week after week, month after month, year by year (book by book) until what’s depicted, though absolutely precise and completely clear (located in space without exaggeration or attitude), modulates in color, picture by picture and day by day, until it disappears into its own blended shadings, becoming everything at once–and nothing. —Norman Fischer
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    Cloud of Witnesses by Linda Norton

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    Like W. E. B. Du Bois finding solace in his library, Norton moves back and across “the color line,” sits with Shakespeare, Fanny Howe, James Joyce, Toni Morrison, etc., and they wince not, welcoming her into their esteemed company. —Tyrone Williams

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    Color Me White by Kevin Thurston, Illustrations by Mickey Harmon

    Color Me White focuses on straight white males, and what is often called toxic masculinity—a topic only aggravated by the current political climate.
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    COMMA FORK / MOVING PARTS by Ted Greenwald

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    Thrilled to be writing this blurb because I love Ted Greenwald's poetry. It is extraordinary lifelike in its interlocking pattern and surprise. I mean like life, if life were a made thing, a homemade pinwheel blown askew and ridden to the front-stoop carnival where your friends work and you can talk about how your mouth feels when you fill pronouns from the dictionary. And how you don't need the dictionary. Rearrange. The world's so modular! Set free for a minute. — Cathy Wagner
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    Complete Dark Shadows [of My Childhood] by Tony Trigilio

    Barnabas Collins, kitsch vampire but source of poet Tony Trigilio’s childhood nightmares, rises from his casket in the first sentence of this intrepid fever chart of a poem. Trigilio manages to create a riveting two-fold narrative—personal and TV-screen ekphrastic—out of piecemeal sentences (one per episode) that honor the most unlikely of poetic subjects: a cheaply produced, blooper-ridden, gothic-horror soap opera. —David Trinidad
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    COMPOS(T) MENTIS by Aaron Apps

    Knuckles digging in the knee and not knowing it, while reading! To be disturbed and to be reminded of something you never quite knew. To be reminded and made to know that memory a new way, this is the way Aaron Apps gives it. Morphine drip as the scalpel tears open the new machine. —CA Conrad
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    Compulsive Words by Michael Ruby

    Reading the poems in Compulsive Words is like taking a hard drug. —Aaron Kiely  
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    Continental Drifts by Cheryl Pallant

    Continental Drifts is Pallant’s most unwieldy, sprawling, cosmic, and best book yet. It is far more tightly woven than Uncommon Grammar Cloth, and stiller than Into Stillness. What really separates this book, though, is how engaged it is (though tacitly and subtly) with the current historical/ecological moment. Basically it continues Pallant’s signature hermetic style but, just under a language that sparks with reference, resides a deeply cutting commentary on postmodern human existence in the world.
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    Contingencies of the Bourgeoisie by Grant Matthew Jenkins

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    Grant Jenkins’s Contingencies of the Bourgeoisie active as a lone imaginative probity. Within its pages, poetic medicinal ranges transpire. This script unseals itself as a form of slow motion burning alive with insistent tenacity not unlike a gem of wildfires that illuminate themselves as suns within a percussive proto-season. —Will Alexander
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    Counting Sheep Till Doomsday by Carlo Matos

    Carlo Matos offers us original, honest, highly charged poetry with mature, hard-won insights and a gift for language. I recommend Counting Sheep Till Doomsday to anyone interested in modern poetry. —Simon Perchik
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    Cracked Altimeter by Joe Milford

    Here are multitudes. In Joe Milford’s hell-bent Cracked Altimeter, “All the names of Heaven/become a universal phonetic.” I’m grateful for his effusiveness; these hexed poems dispense grace enough to make even the warped and wayward begin to see again, and to believe. —Steve Langan
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    Cruelty by Jefferson Hansen

    In Jefferson Hansen’s collection of short stories, Cruelty, his assorted strange and confused characters are much like the people who pass through my life any day, only with a more pronounced and interesting strangeness. —Mary Kasimor
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    Crying Shame by Jeffrey Morgan

    Morgan’s gaze is always up-tunnel, if you know what I mean; the power’s in Morgan’s ability to look and look and look.  No one—neither rescuer nor castaway, not commuter, not gentle or base reader—walks away whole from Crying Shame. —C. S. Giscombe  
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    CUNTIONARY/ Repent at Your Leisure (or The Folklore of Hell) by Benjamin L. Perez

    From its title onward, Ben Perez’s fast, fresh fore(word)play aims to say “what oft was thought but ne’er so [politically uncorrectly] expressed.” This book is bound to ruffle some feathers—not for the faint of heart, denizens of “official verse culture” are hereby advised to enter at your own risk. — Stephen Ratcliffe
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    Dangerous Things to Please a Girl by Travis Cebula

    A man wanders through Paris. A man wanders through Eliot. Eliot wanders through Paris. Paris wanders through the man. And, not surprisingly, it all comes out as a love letter. Though addressed to a missing person, these poems have no absence about them at all. Instead, built of the fine detail of daily life, they exude a vivid presence that coalesces into a richly nuanced sense of place, of place-as-lived. And it’s a good life. And an utterly delightful book. —Cole Swensen
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    DATA by Seth Abramson

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    BROWN-EYED POLISH 5’8.602” MASSHOLE FLATFOOTED HAIRY SKIN-TAGGED RUSSIAN 227 POUNDS BADGER FAN DARTMOUTH ’98 BROWN-HAIRED NEAR-SIGHTED JEWISH DANIEL BOOK REVIEWER AGNOSTIC LITHUANIAN ATTORNEY DEMOCRAT GAG REFLEX BEARDED CUP-EARRED COWLICK BALDING FACIAL DEFORMITY PALE 5.6” LONG BARITONE POET BULB-NOSED CIRCUMCISED SLOPE-SHOULDERED IOWA WRITERS WORKSHOP ’09
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    Day by Kent Johnson

    If the 836-pp. Day established Kenny Goldsmith as without a doubt the leading conceptual poet of his time, the 836-pp. Day by Kent Johnson may well be remembered for nudging the politics of Conceptual Poetry out of blithely affirmative, institutional framings, and into truly negational, critical spaces. —Juliana Spahr
    $30.00
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    Dead Letters by Alan May

    Part Seuss, part Stein, part Brothers (very) Grimm, Dead Letters arrives in a lively blaze of highly accomplished play marking Alan May's own arrival into the quirky exactitude of his peculiarly fine poetry. —Hank Lazer

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    Dead Ringer by Charles Borkhuis

    There are no illusions in the world of Charles Borkhuis. This is life without eyelids, and what we see is too disquieting for our own good, yet we can't look away. It's like film noir, whose frisson is a bad dream. Borkhuis’ work, though, is the zero hour. —Burt Kimmelman
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    DEAR BEAST LOVELINESS by Timothy J. Myers

    These meditations on the blessed carcass move us from bed nest to city street, from cellular self to divine sensation. How do we humans recognize who we are in Vietnam, in Rwanda, on a back porch where rain softly falls? Through the body, says Myers, through the body. —Rebekah Bloyd
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    Dear Darwish by Morani Kornberg-Weiss

    The attempt at any kind of dialogue in a world in which people try to protect themselves with silence or/and blasts of self-righteousness is in itself a painful task. With the possibilities of actual communication remote yet imperative, anaphora is a last-ditch tactic. Listen to me and I will be able to understand myself, declares Morani Kornberg-Weiss. —Karen Alkalay-Gut
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    Dear You: A Memoir with Poems by Wade Stevenson

    I enjoyed reading DEAR YOU. I admire how the poems pop off the page with a stinging emotional power. HER BREATH IS NOT MINE is a great way to begin this book. —Geoffrey Gatza
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    declivities by Irene Koronas

    Siphoning from a trajectory of experimental literature and poetics from Dadaism to Algorithmics and beyond, the Koronas grammaton is fashioned from a panerotism reconciling the disequilibrium encoded within the hyperlinks of a retromanic pleroma and a feminine clinamen. By excavating the figurations of Rimbaud, Dickinson, de Sade, Bataille and many au courant experimentalists, declivities relegates identity and gender to funerary antiques in a reliquary. —Daniel Y. Harris
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    Deco by J.J. Colagrande

    Decò begins his journey in South Beach. He's a writer armed with "multiple graduate degrees" living a glorified condo-life off of "$400,000 in student loan debt." Life is great with his "super-hot model girlfriend" until the real estate market crashes and he quickly loses it all. Forced to move to the art haven of Wynwood, Decò seeks the success he has always felt he was owed.
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    Delaware Memoranda by Richard Owens

    Delaware Memoranda is a lush crosscurrent marked by history's flicker and memory's flame. In these buoyant illuminations, language's intricate shadows and solids reveal and carve at transformations in etymology to create a dialogic swerve that is the person, that is the conversation, that can neither be nor step in the same river twice. This book is tougher than any blurb. —Kyle Schlesinger
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    Departed Quantities: (A) Quantum Epic by John Dolis

    In Departed Quantities: (A) Quantum Epic, John Dolis leads us by candlelight down into the rough basement of language, where a “painter in the painting paints / a painting of a painting in the dark.” Dolis’s richly allusive, multivocal language for vision collapses the distance between self and other “such that human being might be more / than we deserve, though infinitely less / than we can dream.” —Tony Trigilio
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    Derrida’s In/Voice by Chris Tysh

    There is immense talent here — Chris Tysh just gets better and better. With multiple registers and citational energy, the archive is exploded and transformed: we find references to poetry, film, revolution, politics, and philosophy, all effortlessly braided and made dynamic as they speak to one another. With perfectly pitched music, and impeccable form, Derrida’s In/Voice discloses and complicates the knotted conversation between hard and soft power. It’s an awesome book. — Peter Gizzi
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    Descent of the Dolls Part I by Jeffery Conway, Gillian McCain, and David Trinidad

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    Dante’s Inferno meets the 1967 movie Valley of the Dolls in this collaborative descent into a Hollywood camp classic. Over ten years in the writing, the first installment of this epic poetic conversation sees poets Jeffery Conway, Gillian McCain, and David Trinidad pair up with their respective Virgil-esque guides: Frank O’Hara, Sharon Tate, and Anne Sexton. Our three poets follow the film’s heroines—Anne, Neely, and Jennifer—backstage into the murky circles of Showbiz and PoBiz. Down, down, down they go. Anything can happen: Allen Ginsberg kicks a talented poet out of the show, Joan Crawford makes a drunken visitation, the heads of ambitious M.F.A. poetry students roll!
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    Devil-Fictions by Lance Phillips

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    Lance Phillips is an exacting, brilliant, graceful poet. His Blakean vision of contraries (opening the self, seeing in an oppositional mode) and the sources of the human is nothing short of stunning ("What the sleep garners // Ghost in // Certain insignia:"). ...This is a stunning, necessary book. —Joseph Lease
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    Die Die Dinosaur by Michael Sikkema

    Candy and rust abound in Michael Sikkema's new collection of poems. Die Die Dinosaur is a series of short psychobilly stanzas that run from humorous to poignant and across the growth and decay of both the natural and man-made worlds. This book looks to the future and its possibilities even if that possibility is probably our own extinction. —Kenyataa JP Garcia
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    Directed by Lilly Obscure by Dana Curtis

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    This book is full of visionary poetics, of poems which stare into various sorts of suns and films and pseudo-biographies; it is full of lenses, like scattered raindrops on windshields. But essentially it is a mad dance with imagination and fear and eros and error. —Bin Ramke,
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    Disapparitions by Joseph Harrington

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    Joseph Harrington is a maestro of hybrid form. His latest book, Disapparitions, collages politically urgent poetry and prose with an array of sampled and remixed voices that speak from the ghost-margins of our historical moment. —Tony Trigilio
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    Disappearing Address by Simone Muench and Philip Jenks

    here’s wit here — “Dear Nothing” begins “why’d you have to cut out & make everything come back,” “Dear Obtuse” begins “Be straight with me” — but the best of the poems revel in novel images and a diction for which the only possible term is “hothouse gorgeous.” —Robert Archambeau

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    Disparate Magnets by Nico Vassilakis

    Disparate Magnets presents the scintillating variables of time and its complex philosophical relationship with experiential space. Your guide is the inimitable Nico Vassilakis who cajoles, beckons and posits. The coordinates are pulsations of music, staccato intensities—syntax is unraveled in each set. Morton Feldman floats through this work as the simultaneities build. I feel the glee of ontological recognition reading his book. —Brenda Iijima
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    Disparity by Steven Timm

    This book is part of our moblis in mobli series, a free ebook with a printed books that is for sale from us as well as Amazon.com.
    $5.00
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    Distance by Tom Clark

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    "One of the reasons why language is so sick right now and cliché-ridden and lame and boring and laid-out, and about to go to sleep, is because there aren't a thousand Tom Clarks. If I were writing a prescription right now, you know, if I had my shiny thing here, a stethoscope around my neck, that's the prescription I'd write. Take one thousand Tom Clarks before going to bed.” —Edward Dorn
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    DISTANTS by Gordon Hadfield

    Before a star signified a brilliant point in infinite expanse, it marked the boundary; it marked the cosmic wall. Galileo knocked that wall over with his eye. But as Gordon Hadfield acutely shows, the bricks from one wall knocked over are recollected, and put to use again, keeping out what isn't allowed in, and keeping in what isn't allowed out. The human world repeats the cosmic one. But no boundary fully holds. —Dan Beachy-Quick
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    Does the Moon Ever Shine in Heaven? by Chuck Richardson

    Experiencing the heart and mind of a suicided murderer, Does the Moon Ever Shine in Heaven?  gives voice to a killer’s disturbing passage through the Bardo Plane . According to the Tibetan Book of the Dead, the Bardo is the existential phase between death and re-birth where the soul confronts itself, trying to stave off its karmic pressure by confronting the active contents of its mind. Here, the narrator must go beyond the rage that would destroy him and everything else it can.
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    Doggerel for the Masses: A Post-Scandal BlazeVOX Booke by Kent Johnson

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    Helen Vendler recently referred (letting off not a little pent-up steam) to the “Mickey-Mouse-Ears avant-gardism of U.S. Conceptual Poetry.” Well, here’s a riposte to that, Dame Helen: Because Craig Dworkin’s Doggerel for the Masses (“by” Kent Johnson!) wears the golden helmet of Achilles, whose antennae listening-mechanisms shoot into the heavens beyond Pluto. Hold onto your Hats, Boys and Girls; it’s going to be a wild ride! —Kenneth Goldsmith
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    Dolphin Aria/Limited Hours: A Love Song by Luke McMullan

    Luke McMullan is prising the nails out of the lyric and holding it ethically accountable for any passivity that might lurk in its corridors. This is a call to occupy, to resist the feasting and destruction. As 'we all dance the liberty frogmarch', he reprocesses the responsibilities of speculating and creating the spectacle of consumer lives. What stuns in this sequence is the performative quality of the work as it negotiates subtle moments of utterance and gesture. — John Kinsella
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    Domestic Uncertainties by Leah Umansky

    The language slips, shifts, recalibrates and the world, shaken, is quietly remade, again and again before our eyes in this lovely, sorrowing and finally transformative book. Leah Umansky is to be congratulated for her sensitive, nuanced, consoling and deeply honest sojourn on the page. —Carole Maso
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    Dominus by Tiffany Troy

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    Dominus is as insistent on justice as it is baffled by its own hope, and its indomitable, distinctive voice has a power unlike that of any debut collection I’ve ever read, or of any book in recent memory. — TIMOTHY DONNELLY
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    Down Stranger Roads by Roger Craik

    No one sounds like Roger Craik. His voice, a beguilingly cosmopolitan mix of British purebred and American mutt, is the well-stamped passport he shows at border crossings from Ashtabula to Auschwitz, from Kent State to Krakow, from Amsterdam to the far-flung outposts of the human heart. This poet is most at home when far from home, prowling the shrapneled boondocks and scrap yards of Cold War history. —George B. Bilger
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    Drink by Laura Madeline Wiseman

    I am reminded how poetry can save us, how, in the hands of such a talented writer as Wiseman, it can raise us from the depths to a cove of still water where, perhaps, who knows, the mermaids are. —Alice Friman
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    Drink Me by Mary Kasimor

    These poems are full of “voices coming from small places / an acorn.” The result is a startling reorientation in which language and meaning are embodied and re-imbibed: “wholly is a word/you can get your mouth a/round.” These poems are a brilliant and necessary tonic. —Jonathan Minto
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    DRIZZLE POCKET by Tim Roberts

    There’s an hallucinatory freedom to this tour-de-force of sustained imagination. It’s full of a freshness, an airiness, and at the same time a relentlessness that speaks to Roberts’s careful blending of compassion and determination. This is a book with a social, spiritual, and philosophical plan, and yet they’re handled so subtly that we’re not really aware of them until we put the book down, changed. Tim Roberts is doing something brand-new here—and doing it extremely well. —COLE SWENSEN

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    E P I L O G U E by Craig Watson, edited by Ted Pearson

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    Epilogue is a brilliant collection of Craig Watson’s late-stage poetry. As such, it signals neither harmony nor resolution, but intransigence, difficulty, and unresolved conflict. This dazzling, posthumous work admits the reader into a shimmering, luminous present. —Kit Robinson
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    eaQ Oor by Andy Martrich

    Martrich presents an elusive autobiographical postcard of metadata alongside thickly painted and obscured image-alphabet-code, simultaneously and beautifully quotidian, inherited, catalogued, queried, found, and personal. —Mel Nichols

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    Echo Park by Christine Hamm

    From ""pink-spangled bikinis"" to ""your mother's stolen perfume,"" Christine Hamm's Echo Park is littered with the strange, sexy detritus of life, gorgeous life. —Kate Durbin
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    Ekstasis by Peter Valente and Kevin Killian

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    Kevin Killian and Peter Valente’s haunting collaboration Ekstasis comes on like one of those dark dreams you can’t seem to shake – it’s memory and sensations still lingering long after you’ve awoken. —Michael Salerno, artist, filmmaker, and publisher.
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    Elemental Perceptions: A Panorama by Sophie Sills

    Its epigraph from Oppen (“The flaw, the gap which is the aware of being, tho it is within it.  The flaw on which being presses”) suggests the epistemological concern at the center of Sophie Sills’ Elemental Perceptions:  A Panorama:  seeing/hearing things and events in the world, how can we know what’s really ‘there’ – that being “with a pulse . . . without a heartbeat . . . [which] is unknown,” yet which seems to be “aware” of us, seems to “press” against us. —Stephen Ratcliffe

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    Embankments | Outtakes | Uppercuts by Richard Owens

    Embankments | Outtakes | Uppercuts brings together three discrete constellations of divers lyric constructions that testify with alacritas to the bullbaiting, cockfighting and bear beating of the present moment.
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    Emotional Support Peacock by Nada Gordon

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    In spirit closer to the wild geese than the peacock, Nada Gordon brings together a panoply of voices, including the squawk, the screech, the whisper, the whistle, all of which come together—finally, ultimately—and in language both harsh and exciting, to announce our place in the family of things. One cannot but feel uplifted into the Rapture.—Diana Fisher
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    Endless Spectator, The Screens Suite by Jesse Damiani

    In an ironic twist, there are no spectators in Endless Spectator. The mere act of looking involves you, and just like on the internet, the act of looking can be transgressive, if not towards the content, but towards yourself. Through its visual bewilderment, Endless Spectator makes you realize that the cacophony of the internet is alive and pulsing, and you’ve already been consumed by it.
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    Ephemera 1995-2022: On people, politics, art, justice, torture, and war by Bruce Jackson

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    Bruce Jackson’s Ephemera finishes his recent triplicate of essay collections. This one, which starts with an almost breezy account of his own near heart-attack, feels as undeniable as his Places and Changing Tense.—Benj DeMott
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    Epigonesia by Kane X. Faucher and Tom Bradley

    Kane X. Faucher and Tom Bradley bullwhip some of literature's most vibrant luminaries, including Louis-Ferdinand Celine, Charles Bukowski, Henry Miller, Antonin Artaud and Hunter S. Thompson. Through occult means, "Ebeneezer" Pound has reanimated his favorite dead authors as part of a villainous master plan. The re-embodied writers suffer through their tragicomic limitations as epigones of themselves. Faucher's puppeteering of Pound is matched by Bradley, who hurls into the text an annotated revelation of diabolic intrigue involving a dead author and a commandeered laptop.
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    Epigramititis : 118 Living American Poets by Kent Johnson

    "Thanks for sending me the epigrams.* Superb. It's about time for something of the sort, I'd say, what with the ass licking that rules the day. Especially the ass-licking that some ass-lickers want to pass off as "avant-garde confrontation." My salute... And as to your question, well, yeah, absolutely: Olson, if he'd lived to see what has happened, would have loved these." — Ed Dorn
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    Eros & (Fill in the Blank) by Charles Freeland

    Charles Freeland’s poetic voice is that rarity of philosophical posits intertwined with a language of emotional accord.  Eros & (Fill in the Blank) contains poetry of invention, reinvention, musical decency drawing the reader into Freeland’s specialized poetic language. — Felino A. Soriano
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    Evening Train by Tom Clark

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    In Evening Train we witness people on a bus, a window in the night, greenery, a bird on its perch—and then at the center of this world, something nameless seems to open. It’s hard to say just what happens, other than the words of each poem itself. But that isn’t quite right. It’s as if the words are a way for the poet to inscribe silence. You turn the page, wondering, and it arrives again—something quite beyond what is told. Tom Clark is a master. —Aram Saroyan
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    Every Strange Meridian by Todd Romanowski

    Intensely lyric, often surreal, the poems in Every Strange Meridian cast a spell that is at once dangerous and beautiful. —Joan Houlihan
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    Everything Seems Significant by Jan Bottiglieri

    “Everything Seems Significant sails and embraces... such a deep, kaleidoscopic dive it takes. This is brilliant, inspired work. So much has been written about Blade Runner, but none of it penetrates like this. The spell of it all is distilled and caught in the sly, prescient grip of Bottiglieri's poems.” —Hampton Fancher
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    Everything Turns On A Delicate Measure by Maureen Owen

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    What is the restless energized measure for an expanding universe? Maureen Owen is one of our most exploratory poet inventors whose sound and sense insure what’s hidden from view gets more mysterious. ... This book is a reason to celebrate and continue. —Anne Waldman
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    Excentrica: Notes on the Text by Steven C Reese

    It’s a rare poet who can look the muse in the eye and speak through or with her as Reese has done in this fragmentary and insightful collection, which reads both as a form of exegesis, literary criticism and dialogue, as well as a love poem to literature. It is at once a beautiful composition in its own right, and an illumination of the magic and mystery of composing verse, addressing the poets’ many sources of influence and inspiration. —Nin Andrews
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    face blindness by Megan A. Volpert

    Megan A. Volpert's full-length debut startles and spirits us through the invisible and daring detritus of dialogue and story, NYC and Normal, Illinois, "name pong poetry" and "copyright infringement," letters laced with love for John Yau and Roland Barthes, phantasmagoria and prosopagnosia, fecund cullings from the minds of Jacques Derrida and Friedrich Nietzsche, ambling pathos and anxious heart, and everything in between.—Amy King
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    Faceless Names – Two Books of Letters by Anna Elena Eyre

    Read this book in the dark, with a flashlight. Read this book when you are open, really open to the world, to your world, to language and rain. Anna Elena Eyre writes magnificent poems, poems that breathe and sing and imagine and paint. I am very grateful to her. —Joseph Lease
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    Failure Lyric by Kristina Marie Darling

    Kristina Marie Darling gives us a narrative in images both surreal and everyday that recur and accrete to evoke a sense of deep and irrevocable loss. It's impossible to read without feeling similarly moved. —Janet Holmes
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    FAKE NEWS POEMS by Martin Ott

    “Martin Ott collects clickbait headlines and transmutes them into lyric truths.” —Jesse Walker
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    Fantastic Caryatids, by Anne Waldman and Vincent Katz

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    Fantastic Caryatids, by Anne Waldman & Vincent Katz, is a lush, vivid and spectacular reading/album/book of poetry, conversation and photographs. Note that the subtitle is A Conversation with Art. The "with" has the particularities of city, specificities of the senses, of memories, of an ethos whose upper limit is friendship, companionship. It is a model, a remarkable “alternative version of how to be alive.” (Anne Waldman) Dynamic, urbane, intimate, “the occasion of these ruses” (Frank O’Hara) is synergy from chronos to kairos. —Norma Cole
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    Feeling for the Ground by Tom Clark

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    "Pretty much exactly like Tom Thumb's Blues, Mr. Clark goes on as ever letting his sensibility seep like rain through all the great American vernacular sites — film noir, baseball, the shore, dreams — and the result is a sequence of utterances that feel both timeless and inexhaustibly resonant." —Jonathan Lethem
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    Field of Wanting By Wanda Phipps

    Field of Wanting is a charged, radically honest book of poems by a writer/performer who intervenes on many fields of desire with zest and panache. She tells it like it is, with wit and a touch of irony.  –Anne Waldman
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    field recordings of mind in morning | poems: hank lazer music: holland hopson

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    In Lazer, we find a poetic soul patient as a rice counter, vigilant as a firefighter, and visionary as a prophet. —Yunte Huang on COVID19 SUTRAS
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    Field Work Notes, Songs, Poems 1997-2010 by David Hadbawnik

    In San Francisco,. Austin and Buffalo a chiel’s among ye taking notes. David Hadbawnik like James Boswell has a knack for capturing all the things we wish we had said, as well as the street talk which shows up our culture as indescribably banal and fertile. —Kevin Killian
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    Finger ExOrcised by Joe Amato

    Amato gives us irrepressible ruminations, flash narratives, verbal collages. At times they seem to be struggling to rise off the printed page into our simulated 3D, stereo, holograph world, but then they recoil from it with speedy wit and righteous indignation, in a weave of rhetorics designed to ward off the 21st century's demons. —Anselm Hollo
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    Fire For Thought by Reed Bye

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    Reed Bye's meditations on meditation open out into lovely Hopkinsesque melodies. There's a clarity here spawned from questions about inside and outside, mind and body, and who we are as humans in our landscapes. —Lisa Jarnot
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    First Baby Poems by Anne Waldman with Collages by George Schneeman

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    With her warm subtle fleshy FIRST BABY POEMS Waldman creates an infant power that did not exist before in her words. These poems are complex joyful bioalchemy. —Michael McClure
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    Five Sequences For The Country At Night by Mike Perrow

    Mike Perrow’s highly-anticipated book of poems is rich in its evocations of landscape and skyscape. His meditative voice is inflected with southern accents that linger and resonate. —Forrest Gander
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    Flay, a book of mu by Caty Sporleder

    With the visceral precision of an anatomical textbook, Caty Sporleder peels back “dead stringencies”—Sylvia Plath's term, from “Ariel”—of language, desire, and narrative expectation.  —Dodie Bellamy
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    FLUTES AND TOMATOES A MEMOIR WITH POEMS by Wade Stevenson

    “Flutes and Tomatoes” by Wade Stevenson is a compelling story of survival, love and resilience in the face of loss. Filled with a crackling energy these poems describe self-discovery, worldly discovery, and the discovery of the mutability of time that shapes the world through the ever-distancing, ever expanding waves of disorder and randomness that are left behind after the death of a loved one.
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    FLUX by Jane Joritz-Nakagawa

    Give moving a chance! Perhaps part Acker, perhaps part Ono, FLUX features language agent Joritz-Nakagawa as she writes her way out of a self-torn, flower-torn, money-torn zone . . . —MICHAEL FARRELL
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    Footnotes To Algebra Uncollected Poems 1995-2009 by Eileen Tabios

    Jack Kerouac wrote, “Vision is deception.” Eileen Tabios’ version goes like this: “Go forth and prettily miscalculate.” —Jeffrey Cyphers Wright
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    For Days by Adam Strauss

    Of For Days Adam Strauss writes that these poems record “what happens when ongoingness, dailiness, is mixed with highly wrought/overdetermining elements, and hence the use (abuse?) of the pantoum, sonnets, and terza rima.” That’s a fair description, but what’s missing in that little modus operandi but present in the work itself is the music of alliteration, assonance and rhyme schemes falling apart under the pressure of faux pedestrianism. —Tyrone Williams
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    for Holding Silence by Nura Yingling

    Girl, adolescent, lover, wife, teacher, and grandmother turn into one another everywhere in these marvelous narratives. “To have your back against the horizon where darkness meets / its opposite in glory or grief,” Yingling posits in “Triangulum,” “ is this earthly life.” Hers is a poetry of becoming and of being. “The woman who you could be,” she writes, “is.” — Lisa Russ Spaar
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    For Love by Jared Schickling

    Jared Schickling makes no bones about his intent. Cribbing the title of one of the more famous books of poetry in the late twentieth century, Robert Creeley’s For Love, Schickling reorients it with the subtitle, (the order of the echoes), and sets out to rewrite love in a context where the lover becomes “the grape of my obscene lip.” —Michael Boughn
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    For the Ordinary Artist Short Reviews, Occasional Pieces and More by Bill Berkson

    "Opinions are not literature" Gertrude Stein famously admonished Ernest Hemingway. It's a maxim that puts most art critics behind the Eight-Ball. Not Bill Berkson.  His criticism doesn't just deliver an opinion, it embodies an experience, matching the texture and plasticity of visual forms with a vividness and suppleness of language that gives the reader something shapely and immediate to respond to thereby opening path ways in the mind to the image or object being evoked and judged.  His subject is art; his essays and critical prose poems are uncommonly graceful literary artifacts. —Robert Storr
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    For To by Skip Fox

    Spleen is a bulwark against pessismism , says Walter Benjamin in an essay on Baudelaire. Baudelaire was no pessimist. Neither is Fox. For To is catastrophe set in stone, the rock from which the language springs. Yet, as Benjamin goes further to suggest, [t]he devaluation of the world of things in allegory (Fox's prime land) is surpassed within the world of things itself by the commodity — Stephen Ellis

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    Frame Narrative by Dennis Barone

    Frame Narrative by Dennis Barone is an exquisite book whose poems spin out of a surreal universe into wisps of narrative and back again. Beautifully imagistic, these poems give voice to the unknown and unknowable. —Maria Mazziotti Gillan
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    Frances the Mute / The Bright Continent (A Diptych) by Kristina Marie Darling

    Frances the Mute / The Bright Continent is a love story shaped by the language of absence—and haunted by the absence of language. In Kristina Marie Darling’s hands, the “small ornaments” of the quotidian are invested with a radiant significance rustling beneath the surface of words. —Tony Trigilio
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    From Delancey West by Brian Jackson

    Here the lover, the vet, the tenement dweller, pedestrian and poet comingle in half-light, in phantasmagoria and lush musicality alive and singing the names of the gone world. Brian Jackson has taken the time to give us his first book, a loving book born of magic and gem-like attention. ~Peter Gizzi
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    From the Lost Land (I-XII) by André Spears

    But André Spears does not clean up or apologize; in From the Lost Land (I–XII), he blows the genre out of its wine-dark sea. Equal parts Star Wars, On the Road, Deleuzean war machine, and surrealist delirium, this poem-ever-in-progress is literature on steroids, philosophy on acid. It is scandalous, funny, erudite, and endlessly generative. It is an epic without organs. — Miriam Nichols
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    Futuring by Mike Sikkema

    Michael Sikkema's Futuring rings as it arrives.  With a careful eye for details, Sikkema takes it all in. From the violence of a television commercial to tender moments in a relationship, Sikkema recreates a world where "the concealed isn't." —Gina Myers
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    Gargantua by Jennie Cole

    GARGANTUA is a poem to read and put aside to read again. an encounter with overlapping narratives at once broken and recurring. exuberant use of language enhances the stride of disrupted syntax with turns of humour, worry, mistake. addresses are to the second person and the first, incomplete or get mislaid, encourage amusement and breath-catch. humanity trapped in a cyber-vice, embedded in rich and confident qualm. this is a rare new book. —Allen Fisher
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    Gerald Locklin: A Critical Introduction

    I am most happy to say that this book celebrates the poet Gerald Locklin. It is an homage to Gerald Locklin, a poet whose neck of the woods is the literary underground, which is the publishing stratum that has delivered Howl and The Maximus Poems and Ulysses and The Making of Americans and Flower Fist and Bestial Wail.  Not a bad list. His is a forceful, absolutely clear and democratic voice that constantly reminds all of us in the realm of the poem that our poetry is all of us who make all of our poetry. —Michael Basinski
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    Ghost / Landscape by Kristina Marie Darling & John Gallaher

    GHOST / LANDSCAPE reads like an intimate chat, except not the kind people have over tea. Maybe it's whiskey causing these emotional flare-ups ("They warned me about you"), these bouts of nostalgia ("You wake wondering where the antique chickens are"), these lamentations about lost love (count the number of missed phone calls throughout), these discomfiting confessions ("...I had always thought unhappiness would be easy"). The chemistry between these poets is electric; it lights up the page. —Diana Spechler
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    Ghosts of the Upper Floor: The Complete Dark Shadows (of My Childhood), Book 3 by Tony Trigilio

    There’s so much to admire in Tony Trigilio’s addictive new book (the third in his delicious Dark Shadows poetry soap opera): the obsessive vision, the light and dark of emotion, and the everyday world brushing eerily—sometimes hilariously—against the supernatural. —Aaron Smith
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    Girl in Two Pieces by Elizabeth Hatmaker

    Elizabeth Hatmaker has a quiet way of crunching up our world. She excels in shaking out the dirty little corners of the mind, particularly the mind of misogynist history. In the person of Elizabeth Short, the so-called "Black Dahlia," she has found her heroine, the way Leonard Cohen found Joan of Arc--or perhaps how Raymond Queneau found Zazie in the metro--for in Girl we see Elizabeth Short refracted and perfected through multiple stylistic prisms and processes. —Dodie Bellamy
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    Girls’ Book of Knots by K. D. Harryman

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    With a sharp, tender eye for life’s beauty and brutality, K.D. Harryman’s “Girls’ Book of Knots,” is an instruction manual on how to survive the tightly knotted world of girlhood. Drawing from wisdom and warning, these poems thread together stories of childhood and motherhood with all of its charms, hurts, and triumphs. —Vandana Khanna
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    gnōstos by Irene Koronas (Volume VII, The Grammaton Series)

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    Koronas makes me see words that aren’t there. Her gnōstos is mantic, and her Sophia—the liquid crystal wombed God—inseminates with ink, strumous as an ethotic alley (i.e., a post-bodied diachronic polysemic strangulation). gnōstos is our proleptic apocalypse; “the last Oedipus/licks his gonads.” —Tom Prime
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    GODZENIE by Marcus Slease

    These are not merely some of the most extraordinary lyrics about central European urban realities since the death of the great Polish experimental poet Miron Bialoszewski. They are, simply put, some of the most extraordinary lyrics I have ever read about how to live with disciplined joy in the continual alienation that is urban life. —Gabriel Gudding
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    Going Head To Head by Wade Stevenson

    Going Head to Head is a book-length poem meditating on life through the lens of the head, the senses it captures in the natural world, and the turmoil inside the mind. In this sonorous collection, we have the yoyo head, the shrunken head, the coin head, the disembodied head, and the conjoined head. — Martin Ott
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    Going with the Flow by Peter Siedlecki

    Crystalline would describe the language of Peter Siedlecki's Going with the Flow, an outstanding set of poetic essays chockfull of surprises. —Jorge Guitart
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    Golden Age by Seth Abramson

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    Seth Abramson is author of The Metamodern Trilogy, which includes Golden Age (2017), DATA (2016), and Metamericana (2015), all published by BlazeVOX. He is also the author of The Insider’s Guide to Graduate Creative Writing Degrees (Bloomsbury, forthcoming 2018); Thievery, winner of the Akron Poetry Prize (University of Akron Press, 2013); Northerners, winner of the Green Rose Prize (New Issues/Western Michigan University Press, 2011); and The Suburban Ecstasies (Ghost Road Press, 2009).
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    Goodbye Public and Private by James Sanders

    Goodbye Public and Private is the work of a barbarian Thomas Edison—poems that are not simply wildly inventive but rather the end-result of a perpetual cycle of creation, destruction, and re-creation of poetic convention on every page. “[A]s a series of discarded habits,” Sanders offers us everything from diagram poems—the21 st century equivalent of Charles Peirce's logical graphs—to procedural, conceptual, concrete, hand-written, hand-drawn poems driven as much by sight and sound as sense. We are awash in language and we are grateful. – Lori Emerson
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    Gradually the World: New and Selected Poems, 1982 – 2013 by Burt Kimmelman

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    The specificity of Burt Kimmelman's poems has, for more than thirty years, been a singularly locating force. It situates us in space, in relation to the luminosity of objects, art, and one another. That every shadow of wonder can stand forth in the most familiar words is the gift this poet offers his readers time and again. – Susan Howe
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    grief notes by rob mclennan

    Good grief! mclennan—in elision of subject, omission of object, in suppression of narrative—has rewritten the grammar of love. He jiggers love radically in suspended prepositions. He newly measures it in hesitations and in the innumberable small moments between comma and semi-colon. Those discretions. —Dennis Cooley
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    Guides, Translators, Assistants, Porters a polyvocal American epic minus the details by Jared Schickling

    …nation…limning…common ground…sought…thwarted…sought again… (ES) …imagination expansive…elemental…construction…without end… (MB)
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    Handbook for the Newly Disabled, A Lyric Memoir by Allison Blevins

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    Handbook for the Newly Disabled is a beautiful lyric memoir of disability: of the dailyness of grief, parenting, queerness, and pain in the setting of navigating illness. Allison Blevins writes gorgeously around, inside, and through illness, welcoming and challenging readers on every page, in every lyric turn. —Krys Malcom Belc
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    having been blue for charity kari edwards

    The suspicion that writing will be the last utopia is barkingly fulfilled by the extraordinary promise and quivering present of kari edward's careening, techo, lyrical, horny, deep and lustrous oeuvre. Big thanks to this publisher for giving us more of what she sent. —Eileen Myles
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    Having Broken, ARE by Evelyn Reilly

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    Evelyn Reilly's poetry evokes and identifies the very deepest and complex emotions lurking below the surface angst of our crimes against and love for the Earth. — Lyna Hinkel,
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    Headz by JJ Colagrande

    Headz gets inside the next generation jam band scene and turns it back out. It moves like great music in your brain and keeps you groovin' until the last page. Tune in, turn on, and pick up this book. —Peter Conners

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    Heisenberg’s Salon by Susan Lewis

    Tiny stories, or large poems, Susan Lewis’s writing features exacting, figurative frames, windows in which glimpses of oneself are prismy, apposed by some other real—allegory—sounded in language’s slanted order (ardor?—(yes)). —Dale Smith
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    HELLO HELICOPTER by Kyle Schlesinger

    *Hello Helicopter*. Or hello *helikos*? As Robert Smithson tells us of his Spiral Jetty film, not so distantly from Kyle Schlesinger's poetics: “For my film (a film is a spiral made up of frames) I would have myself filmed from a helicopter (from the Greek helix, helikos meaning spiral) directly overhead in order to get the scale in terms of erratic steps." Much after Clark Coolidge's own “depositions,” and affinities as disparate as Larry Eigner, Larry Fagin, Frank Kuenstler, Bernadette Mayer, Lorine Niedecker, George Oppen, Ron Silliman and Rosemarie Waldrop in Schlesinger's poetry language bifurcates geo-glyphically forming mantles (veils, plates) for a metapolitics of the person determined by intense logics of sense. Joyrides into exteriority, these lapidary (drilled, mined, refined, chiseled) texts find form in an “everyday” (read: actual!) practice made ambivalent by the twin indiscernible points of paramnesia and paronomasia, rushing upon History and the *instant* where “memory survives necessity,” forging “a fold between these folds / / then helicopter”. “It all comes down to this…”--literally. So dig it! “Fossils have terms of their own” and these poems endlessly propose, so carefully degreed. —Thom Donovan
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    Hello Ice by Diana Adams

    A magpie dazzler of a book, Hello Ice is, quite explicitly, a world of refraction, re-layering, and rebirth – this is what happens when Alchemy meets Project, and off they go waltzing into the forest together.  —Ana Božicevic
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    Henri, Sophie, & The Hieratic Head of Ezra Pound: Poems Blasted from the Vortex by Tom Holmes

    Part history, part aesthetic statement, part obsession, Henri, Sophie, & The Hieratic Head of Ezra Pound: Poems Blasted from the Vortex is, most of all, a lyrical exploration of life lived like the sharp cut of a chisel through marble.  – Tod Marshall
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    Her Body Listening by Cheryl Pallant

    In this new poetry collection, Cheryl Pallant plays both with the harsh discordance of language and its soothing homophones “line by line, sharps by flats, horn by heard.” Ornette Coleman’s free jazz comes to mind. —Brigitte Byrd
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    Heretical Materialism: A Pasolini Triptych by George Fragopoulos

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    Heretical Materialism: A Pasolini Triptych, enters into direct colloquy with voices and images of the past that feel even more essential to us now in this rendering. — Ammiel Alcalay
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    Hi-Density Politics by Urayoán Noel

    And marvelously, we feel freedom-potential in Hi-Density Politics. Noel rattles the “big other” symbolic order just long enough for the signs to slink out from under it, unbridled, furiously cute, in maximalist rhythms. —Rodrigo Toscano
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    Historic Diary by Tony Trigilio

    Tony Trigilio’s Historic Diary (named after Lee Harvey Oswald’s account of his time in the Soviet Union) excavates the nightmarish record of the first Kennedy assassination, its auguries and aftermath, with a blue fury and an obsessive zeal that border on the Talmudic. What he finds there goes beyond chilling to a pure-product-of-America craziness that makes me tremble for my country. “I am waiting // for someone to / ride me, the / locomotive of history,” Trigilio writes, and his ticket beyond the grave takes us, willy-nilly, on this scarifying, brilliant, and disturbing ride.—Rachel Loden
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    Hitching Post by Nava Fader

    Nava Fader’s Hitching Post is a collage of wild horses willingly let loose from the domesticity of language. Fader, who pays tribute to Michael Basinski's Trailers vis-à-vis the titles of her poems, breathes life into voiceless scenes and animates the everyday. Cascading amidst incantations, lullabies, and vows, Fader creates a rare syntactical wonderland, while unleashing the sonic layers of life and poïesis. —Morani Kornberg-Weiss
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    Holiday Idylling by Vernon Frazer

    This book is part of our moblis in mobli series, a free ebook with a printed books that is for sale from us as well as Amazon.com.
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    Holyrit by Irene Koronas

    Between gilgul and galgal, logos and gematria, Irene Koronos’ fourth volume of the Grammaton Series, holyrit delivers a spectacular juxtapoiesis of textual and sonic probes— fragrant ellipses, fragments and eclipse, where all that is sacred, secular, savage and ex-static explode as sparks of light reminding us how the letters themselves are the building blocks of creation. —Adeena Karasick
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    homemade traps for new world Brians by Evan Willner

    Evan Willner reinvisions fifty states as fifty poems that each have the flinty, hard logic and formal density of stone slabs—stele or gravestones—or of teeth. A must read for all Brians. —Brian Evenson,
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    Hostile Witness by Garin Cycholl

    Cycholl’s descent in Hostile Witness into America leads us through baseball parks and boxing arenas, along the banks of rivers and back alleys to smoke-filled room political deals as only a poet of Cycholl’s power could manage.  The collection is masterful and epic--and ultimately essential.  —Bill Allegrezza,
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    House of Forgetting by Geoffrey Gatza

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    House of Forgetting comprises two long poems by Geoffrey Gatza. The Twelve Hour Transformation of Clare tells of the disappearance of a woman who slowly transforms over the period of twelve hours into words. Recipe for Water is a double-plus, surreal telling of the life of an artist who gave up writing for painting, and the moments of memory at various stages in that life.
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    How Proust Ruined My Life and Other Essays by Gloria Frym

    In this wonderful assemblage of essays, Gloria Frym liberates the act of reading from the confines of the page. She leads us into the open air where the personal and the public intersect and create a new avenue of possibilities: the book in the hand, the world outside your window. Especially memorable are the probing essays on Jean Toomer and Lorine Niedecker, and her homage to David Meltzer. How Proust Ruined My Life is a timeless book and deserves a wide audience. --Lewis Warsh
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    Human Scale by Michael Kelleher

    It would be difficult for me to overstate my admiration for Michael Kelleher's new poems. They vibrate to a music rarely heard before, combining passion and intelligence with such mastery that one is left stunned by the pleasure they afford. With few words, an entire world is born. -- Paul Auster
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    Human-Carrying Flight Technology by Christopher Shipman

    Christopher Shipman’s debut collection of poetry is edgy, quirky, sharply observed, and evocative. With language simultaneously plain and artful, poem after poem draws us into a landscape familiar but odd, a world that pleasures and troubles. Shipman’s is one of the most exciting voices I’ve heard in ages. —Rick Lott
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    Hurled Into Gettysburg by Theresa Wyatt

    At one point, Theresa Wyatt reminds us that “…history picks off the scabs of arrogance.” This work illustrates also that poetry can penetrate the icy data of history and find its feelings. Each poem in this remarkable anthology of responses to this most crucial Civil War battle has a life of its own, a language of its own, a tone of its own. —Peter Siedlecki
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    Hybrid Hierophanies by Clayton Eshleman

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    Adrienne Rich has stated: “As a poet and translator, Clayton Eshleman has gone more deeply into his art, its processes and demands, than any modern American poet since Robert Duncan and Muriel Rukeyser.” And Robert Kelly has written: “Nobody is like him in his struggle. At times he makes the wildness of most poetry seem merely effete. I know of no poet who has fed so richly from the thingliness of the world beneath his feet, none who so resists the glamour of beliefs. He is a shaman without a single superstition.”
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    I AM YOU by Anne Tardos

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    "I Am You reminds us of something we know but often forget: that identity is formed in relation to others. These poems are couched within the contexts of process-based, art-making practice and clear-headed philosophical inquiry. The result is a kind of philosophical investigation into the multiplicity of time." —Kit Robinson, American Book Review
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    I DID THE WEIRD MOTOR DRIVE by Charles Baldwin

    The author of this book is obviously the unnatural love grand child of William *Sewer* Burroughs & Jim *J.G.* Ballard. Makes for a weird motor. Despite Theory Police*s stem warmings, I mean, stern warnings, I*ll buy a pre-owned text from this guy any day, though I know it to be habit forming. - Pierre Joris
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    I Named the Dragon for You by Nikki Ketteringham

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    Ketteringham has composed a striking composition featuring an ingenious plot twist and etched with what it feels like to say, “I like belonging to something not someone,” but stay. —Tiffany Troy,

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    I Thought I was New Here by Gregory Lawless

    Gregory Lawless is a visionary of fallen satelites, making revelations of scrap and stray: exiles, astronauts, scarecrows, a gnome, a daughter who will not speak, a pet gryphon and pet rock that "gets dizzy on the plains."  —Dean Young
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    i wear a figleaf over my penis by Geoffrey Gatza

    This book is part of our moblis in mobli series, a free ebook with a printed books that is for sale from us as well as Amazon.com.
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    I Went Looking For You by Ruth Lepson

    Pure and graceful and deep: it takes much time to come to those three. Here they are. Fragile and objective, the view of the world from here. It is how a person sees when looking. Very clear. —Fanny Howe
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    I, THE WORST OF ALL by Estela Lamat Translated by Michael Leong

    I, the Worst of All is a complex and heterogeneous book that combines Lamat's intense, almost manic lyricism with her prodigious mythopoeic imagination. The result is a challenging and ambitious project that invites multiple readings and rewards extended lingerings within its dense, linguistic thicket…This book quite literally takes your breath away–because of the demanding pace of Lamat's language
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    IDIOGEST by Ed Taylor

    Like gems in their deer parks and their bus scenes, the broadways and jurassics, the Edens and Manhattans, Ed Taylor's Idiogest is a work of poems that do more than just delight; his book is a new bright star, a refreshing awe of intelligence. —Kim Chinquee
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  • Imported Poems by Diana Adams
    Imported Poems by Diana Adams
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    Imported Poems by Diana Adams

    Diana Adams offers up moments of a life dressed in understated, quasi-surreal clothing. She calls upon deep pools of the imagination to render poems that proceed not chronologically or logically, from cause to effect, but rather, by enigmatic and startling images that unwrap the pleasures of discovered connections, as when we look at a surrealist painting, with its congealed dreamscapes. —Jeffrey Levine
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    Imposture Notebooks By Lance Phillips

    Traversed the grass... ” begins Lance Phillips' Imposture Notebook and aptly so.   This book enacts traversal (and   trans versality) in so many ways, it's difficult to keep count.   Add another entry to the heroic, folded tradition of post-autobiography scrolling from Hejinian-Whitman to Howe-Dickinson and back.   At once comprising intensely personal concretions, sweeping, almost hierophantic abstractions, and meditations on the places where such ends of the language spectrum must meet, Phillips' Notebook is a welcome record of many names writ in aether.”  —Aaron McCollough
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    In Other Days by Roger Craik

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    “Every moment of Roger Craik's In Other Days is an event of inviolable music, golden, as the best of music always is, with both finitude and duration. And I use the word “golden” most particularly here, as these poems--whether urban or pastoral, whether fond or furious--impart a radiance to their idiom identical to that burnished radiance we find in the paintings of Samuel Palmer or the enigmas of Elgar. Craik adventures far beyond pathos and nostalgia, into something like a prospect of eternity. I am both thrilled and consoled by this poetry.” —Donald Revell
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    In Paran by Larissa Shmailo

    “From under the El in Williamsburg, Brooklyn, to her window seat on the Harlem Line, Shmailo is right on track with poetry that dances with love, death and desire. The proverbial urban poet, Shmailo masterfully mixes the beauty and the gritty, in New York City.” — Doug Holde
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    In Perfect Silence at the Stars: Walt Whitman and the Meaning of Poems by Nick Courtright

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    With In Perfect Silence at the Stars, the art of close-reading becomes an experience without limits. This is an exhilarating book. ~ Donald Revell

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    In the Country of the Peregrine by Wade Stevenson

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    It is wonderful to discover in these poems a companionship that is also in itself a kind of odyssey, replete with enchantments. This is a most welcoming book. —Donald Revell
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    In Your Dreams by Ted Greenwald

    Ted Greenwald's 30th book consists of 79 72-line poems, each with his trademark recombinatory drop-stitch weave. As a basic pattern, which is varied, each poem's 26 demotic lines is repeated in 9 interlinked free triolets (ABCACDAB-DEFDFGDE). In Your Dreams is almost, then is, hard to say, In Your Dreams is almost, hard to say, autopoiesis, In Your Dreams is almost, then is, autopoiesis, flickering fugal strobe of the everyday, or sublime sonic moir , autopoiesis, or sublime sonic moir, spoken and shimmering, autopoiesis, flickering fugal strobe of the everyday. — Charles Bernstein
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    Inbox by Noah Eli Gordon

    Can we, as poets, create texts about how we think and feel by using the language of how others think and feel? Can we compose with the new streams of language flowing in and around us (e.g. the ephemera and minutia of everyday email) to express our own place in the world? In a well-informed gesture beyond Baudrillard’s null set, Noah Eli Gordon’s booklength conceptual poem, INBOX, opens a new chapter of intimacy—his, yours, mine, ours. Welcome to a new subjectivity; welcome to a new way to say from the heart—Robert Fitterman
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    incidental music by Jane Joritz-Nakagawa

    incidental music is attentive to the deep formal traditions of poetry in the western tradition: the sonnet, the pantoum, the cinquain, the rondeau, the triolet, the ghazal. And yet, as Jane Joritz-Nakagawa well knows, these traditions get their strength in how they intertwine with the contemporary. Incidental music is both innovative and inclusive of all that poetry can do. —JULIANA SPAHR
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    Inconsequentia by Dereks Henderson & Pollard

    In this sequence, the collaboration between word and reader, writer and responder, life and death, Derek and Derek, is an invitation, a dance card in which the dancer and the danced become not a duet but a crowd of possibility—“the shining market of us." —Eleni Sikelianos
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    Inside Narratives by Ethan Saul Bull

    There is a way of seeing expressed in Ethan Bull's poems—complex mimetic waves drifting from modernity, rippling through memory as a person or a state or flora. Proper nouns exploded, rent and mended—sometimes on the very same page. — Joseph Mains  
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    Inside The Walls of My Own House: The Complete Dark Shadows [of My Childhood] Book 2 by Tony Trigilio

    “The Complete Dark Shadows (of My Childhood) feels meditative, organic, and weighty far beyond what one would anticipate from a poem about a blooper-ridden ’60s TV show” (Rain Taxi).
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    Interstellar Theme Park by Jack Skelley

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    “Despite my dislike of seeing my own name, you’re really a good writer – never what’s expected.” —Kathy Acker
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    Interstitial by Sean Patrick Hill

    In Interstitial, Sean Patrick Hill lovingly renders the mundane into a world that is (quite literally) on fire. His poems are taut, perverse, and terrifying. As with all good poems, these leave the page to hound and haunt the reader. — Alan May,
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    Inventories by Paul Hogan

    A forceful, unapologetic exploration of the masculinity of creative impulse. Hogan looks at nature, life, disparate moments, mysticism, and fatherhood not with rose-colored glasses but with the obsidian eyes of a realist unafraid to be caught submitting to his poetic instincts. Inventories is a work of great relevance, power, and importance. —Gary Earl Ross
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    Iona by Andy Martrich

    Quince Eastwood: proud Iona alum, a man still drawn to that small Catholic college in New Rochelle. He's looking for love in all the wrong places, and tracking info down via the absolute worst subforum. And how could he not? Iona's a place where no one's safe from transmutation, from instantly viral dipshittery.
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    Iterations of Lilith and Adam: An Alien’s Memoir by Chuck Richardson

    Chuck Richardson writes like he’s the conductor of a chorus of demons. Hallucinatory and searing, Iterations of Lilith and Adam pounds away at your equilibrium until your only choice is to let go, accept your fate, and let Richardson be your guide. —Dave Megenhardt
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    Ithaca: A Life In Four Fragments by Travis Cebula

    Ithaca points profoundly to the past as it creates a future with hope and precision. The story of a birth, it is also the story of her coming of age, her maturity, and her death. Ithaca is everyone, no one, word-filled and silent, as we humans are. Travis Cebula in his beautiful fragments captures the essence of being in life and its conversations with itself, others, and even God. —Maxine Chernoff
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    January Found by Michael Sikkema

    Michael Sikkema’s poems are both carefully honed and fun to read. Each word seems to be happy where it is, and this can be funny, too. —Aram Saroyan
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    JDP by Ron Burch

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    Ron Burch exposes the offbeat edge of California’s most mythical urban places populated with tourists feeding the quest for memorabilia of dead celebrities—leading to the ultimate prize, JDP. Tough and gritty with equal parts heart and offbeat humor, the novel’s innovative narrative pumps new noir through the veins of Hollywood in an ironic journey with an unlikely XXXL protagonist who runs a celebrity museum and stretches the limits of anti-hero iconography. —Aimee Parkison,
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    Jonkil Dies (A Mesophysical Eulogy) by Kane X. Faucher

    "Holy Kanadada, Bat(aille)man!  Kane X. Faucher's socio-sexio-scalpel of Logos explodes an intoxicated phantasmarrhea of Anguish & Ecstasy unto the Jabberwocky Matrix Éxtrémé!  Run for the Collidosphere of hyper-Deleuzian Magyaria & hold to the Vertigo of the New Philology's Brainbucket Bastardchild!"  — Mark Spitzer
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    Journals From the Time of the Radar Dog By Pat Lawrence

    These are the collected journals of my friend, Vincent Pantaglia, from a period late in his life.   During this time he was furiously documenting his daily activities with the hope of using the material to someday write a novel.   When he was unable to finish the journals or to realize his dream of re-working their stories and characters into a fiction, I took the notebooks into my possession for safekeeping after having received them from his family, and out of nostalgia, I suppose.
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    Joys: a catalogue of disappointments by Christophe Casamassima

    Quietude = qui  etude: the study of the who , and who's studying it motivates this marvelous book, full of sharp moves based on acute attention to language.  At times directly honoring his sources­-- Jabès, Creeley­--and at times indirectly quoting many others from Joyce to Cendrars  to Lezama Lima, Casamassima proves himself a worthy inheritor of the postmodern tradition of writing that inscribes (and in doing so, refuses) its own impossibility. - Cole Swensen
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    KATA by James Maughn

    Robert Creeley wrote about poems that make rites of passage actual, poems that speak a primary language. In Kata, James Maughn speaks a primary language. He is inventing a world—and this beautiful book enacts a wry and patient intelligence, embodies physical grace. In these lines you will hear fullness of representation, and a luminous consciousness.  — Joseph Lease
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    Katzenjammered by Norma Kassirer

    Katzenjammered is a brilliantly compelling illumination of the nature of storytelling. Through the haunting imagery of interwoven narratives, the tale carries the reader through family mythology, tragedy, and beyond. With, in the words of the young protagonist, “each syllable broken into light and shadow”, the language is a joy to read. —Donna Wyszomierski
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    Kewalo Blues and Echoes by Gary Pak

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    Gary Pak’s Kewalo Blues and Echoes reflects his profound, joyous, and critical grasp of Hawai’i as entangled site of local pidgin, Native Hawaiian, oceanic, and ethnic mores of world-dwelling and culture-making. —Rob Sean Wilson
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    Ladders In July by William Allegrezza

    This book is part of our moblis in mobli series, a free ebook with a printed books that is for sale from us as well as Amazon.com.
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    LAST by E.J. McAdams

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    I recommend reading E.J. McAdam's LAST out loud, singing/shouting each line in city parks, the subway, the office. Let it echo off the walls "amidst skyscrapers" in an elegy for our ecology/our planet/our lives that is devastating, but joyous still in its love for what was and what might still be possible —Marcella Durand
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    Le Trouvère Prétendu by Peter Siedlecki

    Congratulations, Peter Siedlecki, on a fascinating, dare I say 'heartwarming', book! His muse takes him in such unexpected directions, like writing a love song to his dog – that poem 'Heike' will always be one of my favorites. —Edward Field
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    Lecture Notes- A Duration Poem in Twelve Parts by Deborah Meadows

    Lecture Notes: A duration poem in twelve parts makes that subtle shift from seemingly raw appropriation to an act of art history right before our eyes so that the safe empiricism of "seeing is believing" is turned upside down, and believing (or culturally-driven perception) creates the scene.
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    Letters To An Albatross by Anita Mohan

    'No ideas but in things.' In lieu of abstraction and sentimentality, Anita Mohan presents 'real gardens' with real apperceptions in them. More inlooker than onlooker, she enlivens the flora and fauna of this volume with her being-in-the-landscape.  —Steven Felicell
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    Lexicartographies by Nicholas Alexander Hayes

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    Nicholas Alexander Hayes's Lexicartographies feels like a microscopic look at an ever-shifting organism, with language serving as a tool for mapping out its evolution and tiniest particles, both fragile and brutal in their raw, naked reality. —Dominik Miles
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    LIFT OFF: a journey of future tense by Stephen Bett

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    Canadian poet Stephen Bett has been called a legend internationally. His 24th book, Lift Off: a journey of future tense, like his recent ones, is a serial poem―minimalist in its poetics, and subtle enough to sustain repeated readings. The book concerns painful, but edgy, movement out of chaos and disrepair and into new beginning, into a ‘lifting off’.
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    Light at the End of the Word by Cheryl Pallant

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    Pallant’s poetry seeks connection transducing passed the tympanic membrane whilst continually registering the energy emitting materiality of one’s own body, the wounded other, and the conditions that quicken cosmic connect/to feral superfluity in full throttled resonance. —Kimberly Lyons

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    Light Reading by Stephan Delbos

    Light Reading ranges from micro-minimalist poems to all-encompassing lyric declarations and metatextual litanies. The book’s first section, “Light Reading,” begins with an aubade and ends with a lullaby. In between, these short poems grapple with the marks words make on existence, exploring themes of language and memory, and confronting the work of great poets and thinkers.
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    LIGHT-HEADED by Matt Hart

    In Matt Hart’s poetry, crackling diction and soulful exuberance take the wheel for a happily bent ride through waking and dreaming spaces. Hart works the contours of his chosen forms with precision and humor, and emphasizes reoccurrence as poetic value and material dynamic through which to channel further depths of possibility for the imagination. —Anselm Berrigan
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    Lilith Walks by Susan M. Schultz

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    This humane book, interconnected with her dogged, personable companion, Lilith, investigates life’s multifaceted and poignant zones. —Rachel Blau DuPlessis
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    Limitless Tiny Boat by Ruth Danon

    By investigating the minutiae of life—the stuff that anchors us, a stone and its echo, paradoxes constructed by language—Ruth Danon investigates nothing short of Thanatos and Eros. The journey of the Limitless Tiny Boat is fierce and fearless. Watch out! These poems expand and contract—breathe—as they are read. A substantial achievement. —Martine Bellen
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    Line And Pause by Forrest Roth

    "Driven by deep experimentation with the conventions of fiction--chapter, plot, the requirements against obliteration--but with a shameless commitment to narrative, Roth makes a novel seemingly from thin air. In a poetic voice inflected by visual and aural space, Line and Pause reveals both the body and the spirit of the artistic life." — Kazim Ali
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    lithic cornea (Volume V, The Grammaton Series) by Irene Koronas

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    Irene Koronas’ Grammaton Series is an antithetical subphylum launching its egg, planula larva, polyp and tryst autoaffects. —Thetica Zorg
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    Little Cliffs by Paul Naylor

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    “Little Cliffs is a philosophical adventure story. Both characters (Kai and Chishō) and narrator struggle to transcend binaries while wandering the brushy canyonland of eastern San Diego and studying “The Uncertainty Sutra,” The Rule-Governed Sutra, “The Sutra That Shouldn’t Be Written,” etc. Narration enacts choice. Here choices are made, unmade, and remade in a prose poem as serious and light as a sutra.” —Rae Armantrout
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    Little: Novels by Emily Anderson

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    Come for the Michael Landon Flip Book; stay for the richly rewoven story that excavates hidden moments in Little House on the Prairie and pays playful homage to fan favorites like prairie bitch Nellie Oleson. Little is a new classic, skillfully foraging Laura Ingalls Wilder's much-loved series to create an (ir)reverent rereading that pioneers the new frontier of Little House on the Prairie in the 21st-century. —Alison Fraser
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    LIZARD or EASY ANSWERS: They Are None Being a Novel Tracing of the Yi Jing/ I Ching Seen to by Thomas Meyer

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    Lizard offers the poet and reader a simultaneous process of personal narration, a creation evolving thought the constant change of form, the reading and the writing in a balancing act of creation, and divination improvisation. Lizard an ever being written and, therefore, changing form of poetic prose thought the I Ching: A form of interpreted life is a meaningful form of poetry. —Michael Basinski
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    Lost Poet, Four Plays By Jesse Glass

    In this selection of plays, Jesse Glass‘ imagination rages, leaps and staggers from the Challenger disaster of 1986 to the hallucinated lucubrations of Thomas Holley Chivers (friend and rival of Edgar Allan Poe), and manages to cover the arrival of a cosmic, sexual vermiform lemure of the Kabbalistic Bohu-Tohu in a reportorial manner worthy of Philip Glass on N.P.R., while ringing the changes on a young man’s sexual angst in the face of the ambiguities of the Summerland.
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    Love at the End by Wade Stevenson

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    In the formal immediacy of these new poems, Wade Stevenson practices elegy in the imperative mode, in the faithful idioms of amazement. And so it happens that he is vividly able to address evidence and events of loss in their proper bodies, in a tender, mutual anguish. Along the way, he discovers wild decorums of love in the embrace of annihilation. These poems are a consolation beyond consolation, an unprecedented heaven on earth. —Donald Revell
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    Madstones by Corey Mesler

    “These poems-- at times dark and troubling, at other times passionate and openhearted--are the work of a very talented poet. Madstones is a book worthy of a smart and attentive audience.” —Ron Rash
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    Mainstream by Michael Magee

    Right from the start, Magee’s work bristles with the spirit of improvisation. Everything about it pops: classic poetry chops, a serious sense of humor, unabashed rawness. Mainstream is thrilling because it can turn in any direction at any time, moving effortlessly from wacked units of thought turning inside out to tender moments of highly focused nonsense and song that get, paradoxically, straight to the point.  --Drew Gardner
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    Maps for Jackie by Jason Labbe

    Jason Labbe’s wonderfully moving and inventive collection Maps for Jackie is an open journey into desire and its fathomlessness. Though the poems dislocate between something and nothing, it’s a loving ride where “waking finds / morning the inmost warp / in space time.” The book is filled with impeccable craft. It’s a terrific work and worth the trip. I’m on board. —PETER GIZZI
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    Marine Layer by Kit Robinson

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    Kit Robinson convects his frontal systems through Marine Layer, happy to be enveloped in its fog while somehow always letting its poems breathe. Information sizzles in these data dispatches from the twenty-first century: poetry as a news feed that knows just enough to trust what happens next, lifting the fog—for us all—on the movable things of song. —Miles Champion
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    Masks by Victor Coleman

    Victor Coleman has played with and explored the subtleties of Oulipian procedures for many years, bringing his own imagination and impeccable ear to the revivifying possibilities arrangement offers poetry in lieu of the predictable outpourings of “identity” in the Commercial Poetry Product. With Masks he has reached a point that leaves you breathless in the face of mastery. —Michael Boughn
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    Meet Me at the Happy Bar by Steve Langan

    I'm consistently jealous of Steve Langan's small-a absurdist accuracy, not to mention his unfailing ability to dredge gorgeous song from the hum of the normal. Meet Me at the Happy Bar is sharp, sad, sassy, and frighteningly alive. —Graham Foust
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    MemeWars by Aldon Lynn Nielsen With E. Ethelbert Miller

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    As you begin Memewars, think of Ethelbert Miller’s leading questions as melodies, recognizable tunes, and Nielsen’s responses as harmolodic extensions, waxing nostalgic, and just as moving, just as important, playing all the changes on a prolific career and life in music and writing. —Tyrone Williams

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    Metamerican by Seth Abramson

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    America has been awaiting the arrival of a poet like this for a generation. —Barn Owl Review
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    Mind Over Matter by Gloria Frym

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    How does the present imprint itself on language, on poetry? Gloria Frym's Mind Over Matter shows us that: the outlines of the endless wars, the credit default swaps. But it also shows poetry resisting this. "No poem/would stand for such a line." Frym writes. "A poem is not a fool." This book makes me want to cheer. —Rae Armantrout
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    Mingling Among by Paul Naylor

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    Paul Naylor’s Mingling Among is a beautifully sustained, thought-provoking, and companionable prose poem in five interrelated sections. Taking the paragraph as his primary unit of composition, scenes are rendered in ever-changing frames of time, scale, and location, in a measured if kaleidoscopic inquiry into the possibility of overcoming our obsession with binary constructions and the domination of nature. —Ted Pearson
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    Minnows Small as Sixteenth Notes by Norma Kassirer edited by Ann Goldsmith and Edric Mesmer

    Norma Kassirer, widely known as the author of the delightful Magic Elizabeth, brings the same imagination, intelligence, whimsy, and delight to the poetry collected here. ––Michael Boughn
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    Miscellaneous Debris by Nicolas Mansito III

    Surfing the emotional sea, this latest collection from Nick Mansito tosses the soul from crest to deep. Brilliant! Exciting! A beautiful look into the roller coaster soul of the poet. A perfect blend of heart and spleen, this is Mansito at his best. If this is ""debris,"" then it's time for poetry lovers everywhere to go dumpster-diving! ~ G. R. Maddison
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    MOCK TROUGH RASPING CROW by Billy Cancel

    Reading MOCK TROUGH RASPING CROW I was captivated in much the same way as when I watched billy cancel perform, though the masks & at times flamboyant costumes were missing I was caught up in the language, dark humor, magic & surreal screwball imagery. This is 1 of those rare instances where performance poetry transfer perfectly from page to stage & vice-versa so “don’t let your attention wander” as cancel puts it, MTRC is about “everything at once / or something all the time.” Grab it, crack it open & try, if you dare, to figure it out. —Steve Dalachinsky
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    Molloy the Flip Side by Chris Tysh

    Molloy: The Flip Side transcreates the first half of Beckett's 1951 French novel, narrated by its eponymous anti-hero who is slowly going nowhere. The hobo lyrics of Tysh's book-length poem open up the unendurable abyss of being, yet zing with vernacular and zany humor: ""Gotta check out soon/ Be done with dying,"" Molloy says, but there's a few things he must do first. And so begins the uncanny journey in this poetic B-side of Beckett's masterpiece.
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    Moon Talk by Wade Stevenson

    William Carlos Williams wrote it is always proper to talk about the moon. Rite about the moon: “Moon Talk” by Wade Stevenson, a hypnotic tide rocks within the waves of this book, the power of the tide, forces push and pull throughout “Moon Talk”, the talk that rocks and swaddles the ear with heart. —Michael Basinski
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    Morpheu by Alejandro Crawford

    From political change to pocket change, shipments to shipwrecks, quotations to digital code, Alejandro Crawford never met a morphosis he didn't like, and here in these pages neither will you. —Craig Dworkin  
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    MORPHEUS: A BILDUNGSROMAN by John Kinsella

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    Morpheus has its origins in a novel John Kinsella worked on in his late teens — a time of transition between adolescence and adulthood, but not a time before he had at least glimpsed the contours of the vast, interconnecting literary project that was to be his lifelong pursuit. An amalgam of realism and fantasy, of fiction, poetry, and drama, the project limned the phantasmagoric yet self-questioning and disciplined emotional terrain that has so captivated and intrigued his many current readers worldwide.
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    Morphology by Ruth Lepson & Walter Crump

    In the first image of Ruth Lepson and Walter Crump’s Morphology, the eye follows train tracks into a distant background of earth-meets-sky, the sky a near circle of light, presenting at the same time an enclosure and an eternity. The first text suggests a linkage of thinking and seeing: if I think it, it appears. This book is magic. I want to read it a thousand times.  - Charles Alexander
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    Moth Moon by Matt Jasper

    "The Roman poet Petronius once avowed that, considered rightly, there is shipwreck everywhere. In Moth Moon, Matt Jasper goes farther still, proving time and again that shipwreck is a treasure unto itself, a perfect emerald before and after all mishap. Here, vision is rewarded with new eyes, and I am grateful for the news." —Donald Revell
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    Multiverse by Michael Smith

    Reading Mike Smith’s Multiverse is like watching Adam bring forth new creatures from the mud of language by breathing their name. Two books in one, one a bestiary of bodies, the other a personal history, both are a tour de force of the anagram: a thrilling demonstration of how the constraints of language and living produce poetry in life, as poem after poem infects one another. —Steve Tomasula
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    Musee Mechanique by Rodney Koeneke

    Rodney Koeneke's quick-paced, hilarious, often vulgar juxtapositions are rude to understanding but courteous as a calling card to anyone who cares about the life of language. Assembled with delight, affection, and a connoisseur's ear for the latent pleasures of babble, Musee Mechanique is a joyous record of the words in our head, c. 2006. I love this book. —Benjamin Friedlander
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    Museum Hours by Michael Kelleher

    “Attraction has its pulls,” writes Michael Kelleher. Museum Hours maps, in moving ways, the force of gravity that art has on our lives, our attentions. One trusts the secrets that Kelleher’s poems share. With their precision, their quietness, their frequently keen but subtle wit, these poems enter the ear and the mind as intimately as a sudden sense of wonder just before “the roof gives way to the stars.” —Richard Deming
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    Museum of Thrown Objects by Andrew K. Peterson

    Imagine an ocean leaving its bed to hover above itself, where it should not be, to form a "silhouette" visible against an "afternoon." The technology of displacement is deployed, in Andrew Peterson's brilliant book, to create: not "delay" but "fusion."  It makes sense, then, to build a museum out of artifacts that would, in the wetness beyond architecture, disappear by "low tide", but are instead "kept."  Locked away in a decaying archive, "the thrown objects" form perverse alliances when the lights dim.  Where the genitalia should be, for example, are "leafs and bugs."  —Bhanu Kapil
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    My Aunt’s Abortion by Jane Rosenberg LaForge

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    My Aunt’s Abortion, a collection of essays and poetry by Jane Rosenberg LaForge, treks the landscape of family. It is an uneven terrain of uncertain memories and mundanities, old and discovered traumas, the vagaries of circumstance and outcome and loss—the unattainable, whether dreams or abortion. —K-B Gressitt
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    My Grunge of 1991 by Dennis Etzel Jr.

    Within the poem, “a list of alphabetized semblances for keeping track of occurrences out of post-trauma,” the speaker negotiates a way between quotations. Even pre-9/11, “we [were] no longer safe,” so he cloaks himself in “Grunge music, comic books, and Star Trek.” Amidst the dystopia of the First Gulf War, Dennis Etzel, Jr. brilliantly imagines a utopia where “there are no boy or girl Happy Meal toys – only Hot Wheels or Barbie.” In other words, this absorbing prose-poem sequence is an inoculation against – and hope for – the present. —Joseph Harrington
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    My ID by Bill Lavender

    Life happened before it was over. Then there is the sorting out that empties into overlaid panes, mind’s planets, which Bill Lavender navigates in My ID with consummate élan and a strong dose of “impolite, unpolitic” dissent. —Charles Bernstein
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    My Kinship With The Lotus Eaters by Lewis LaCook

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    My Kinship With The Lotus Eaters confirms Lewis LaCook’s status as an irresistible poet of sensuous, intelligent, surprising work. At the border of synesthesia (“Ellipses in a woodpecker’s throat”), ephemera take shape and miraculously last. —Sheila E. Murphy
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    My Next Heart: New Buffalo Poetry

    My Next Heart: New Buffalo Poetry is a collection of poetry from young Buffalo writers. The poems in this anthology capture the energy and creative output from the city’s thriving slam, alt-lit, spoken word, language poetry, academic, and publishing communities.
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    My Secret Wars of 1984 by Dennis Etzel, Jr.

    The world of 1984 has a deft tenacity in the hands of Dennis Etzel, Jr. This book blends the personal to the greater political as only the best possible memoir can do. We are all in this world together and the strangest things occur, sometimes when other strange things occur, and I thank Mr. Etzel for his brilliant, sharp reminder. —CAConrad
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    mylar by Eric Wertheimer

    "Where we live, we live in cars,” Eric Wertheimer writes in Mylar, of an eerily postmodern city where “Dust storm at the mirror of stars.” Wertheimer locates us in an at-times gorgeously realized lyric moment—a perfectly rhymed couplet, for instance, or the sly grammatique of this deftly languaged poetry. The visionary range of Wertheimer’s poetic dictions across centuries is riveting, and the swerve to tender, embodied attentiveness and vulnerability so moving. Mylar is miracle. —Cynthia Hogue
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    N7ostradamus by Travis Macdonald

    This is a book written from a spirited and volatile unconscious. Read it when it's raining, or at night, or with your eyes completely closed. —Bhanu Kapil
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    Naming God by Jennifer J. Thompson

    This book is part of our moblis in mobli series, a free ebook with a printed books that is for sale from us as well as Amazon.com.
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    Nectar of Story by Tim J. Myers

    Nectar of Story considers wildly various, ever intriguing subjects with sympathy, passion, and self-effacing wisdom. And his prose introductions to the poems are often as fine as the vignettes in Hemingway's In Our Time. A rich and wonderful collection. —Ron Hansen,
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    New City by Scott Abels

    Roll into Scott Abels’s gloriously fracked New City, where the vibe is fun, loving, creating, jobs, for kids, “looping our rope over / a natural crotch,” growing up, in Nebraska, looking like clip art, don’t worry pee is sterile, we’re singing for whose supper?, this city’s, got us, altogether now—if you're a red-blooded a merry can of worms, you need to read this. —Catherine Wagner
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    Nightshades by Michael Gessner

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    Nightshades, Michael Gessner’s new and presciently-titled collection of poems, manages to captivate the reader on its opening pages, beginning with a deadpan, impossibly earnest manifesto titled “Expectations”—followed immediately by a pair of anaphoric poems that seem almost gleeful in their savvy irreverence. All of these offer the reader a highly promising springboard into a unique poetic adventure. —Marilyn L. Taylor
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    Nine Blue Moments for Robin by Michael Boughn

    How unafraid these thinking loving poems are as they explore memory’s grief and delight, hommages for Robin Blaser – not about, but to a beloved friend and mentor. Boughn’s interlinked meditations conjure something of Blaser himself that anyone who knew him will recognise, and over which anyone who did not will wonder – celebration and grief, mind and body, urgency and laughter, all working together. Nine blue moments indeed, that resonate more fully than memory and may outlast it: “Enough depth,” the poet says, “to contain a sky.” The ache of that. —Peter Quartermain
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    Nine by Anne Tardos

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    Anne Tardos, whose poetry & performances have enlightened us for several decades now, emerges in Nines as an innovator of new forms as a vehicle for work that incorporates, like all great poetry, the fullest range of thoughts & experiences & makes them stick in mind & memory. I am struck, as rarely happens, by this combination of form & content, each a powerful extension of the other. —Jerome Rothenberg
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    NIV: 39 & 27 by Nicholas Hayes

    Revising rule and ritual of the holy books, the speaker of these re-tellings drips distorted light on some of the ancient obsessions to make them appear strange in their familiarity and familiar in their strangeness. With a mathematical precision and the patience of an engineer, Nicholas Alexander Hayes' first book offers holy enemies, licked-up Lords and unclean priests, harlot judges, names that burn, locusts who attack lions, and borders that force peace. — Daniel Borzutzky
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    No Dimes for the Dancing Gypsies by Linda King

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    In No Dimes for the Dancing Gypsies, Linda King masterfully orchestrates an intriguing & mesmerizing work of identity and survival. These are poems of inquiry, poems of resurrection, where “water has a memory” and language reveals “other dichotomies,” where the past and present merge, and language beautifully triumphs. —Marcia Arrieta  
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    No Dimes for the Dancing Gypsies by Linda King

    In No Dimes for the Dancing Gypsies, Linda King masterfully orchestrates an intriguing & mesmerizing work of identity and survival. These are poems of inquiry, poems of resurrection, where “water has a memory” and language reveals “other dichotomies,” where the past and present merge, and language beautifully triumphs. —Marcia Arrieta
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    Noah’s Ark by Sam Magavern, Art by Monica Angle

    Sam Magavern opens quick portals in ""Noah's Ark"" for morning visions and wisdoms: reports and chants from dark and funny parts of the mind. Here are sudden pictures of durable wonder. Read quickly and all at once. And breathe in Monica Angle's long now, a broadly painted calligraphy that stitches the poems into the book and keeps it afloat, a watercolor time and life line that locates the enduring horizon. —Anthony Bannon
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    Nomads with Samsonite by Timothy Bradford

    Timothy Bradford gnaws on the big questions: should I run with my pack, or should I go it alone?  Where to find enlightenment?  What is a dead animal?  What is the spirit’s realm?  The mind falls into its quandaries, and the body, drunk with it, tags along.  These poems, roving across continents, restlessly seek to locate consciousness in the world, a universe which “opens like a tulip / or closes like a fist,” where the poet is not afraid to admit: “I forget / which.” —Eleni Sikeliano
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    Non Sequitur Syndrome by Goro Takano

    In this book, the desire for clarity is pitted against the lust for ambiguity, and the desire to be saved collides with the urge to self-destruct. Also, in this book, what I am (as male, father, widower, heterosexual, poet, Japanese native living in Japan, and so on) coexists with what I am not. —Goro Takano
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    Nonexistence by Kenji Siratori

    "Kenji Siratori breaks new ground that others only dream.” — Alan Sondheim
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    Notes on a Past Life by David Trinidad

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    In Notes on a Past Life, David Trinidad exorcises the ghosts of New York with a compulsively readable, wrenching memoir in verse. His “Goodbye to All That” offers a critique of ambition, an ode to community, and a sip of the poison that poetry is, in the end, the antidote to. —Eula Biss
    Original price was: $16.00.Current price is: $8.00.
    Original price was: $16.00.Current price is: $8.00.
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    O by Jared Schickling

    Jared Schickling, the Poetry of the imagination expansive, no master, not forms that restrict, not the commercialism of print.   Not the Government of Poetry, with this an anarchistic being is where all might of the elemental as a construction without end with wisdom and magic, behold begins a future —Michael Basinski
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    Occasion Poems by Diane Christian

    Occasion poems were suggested by colleague, friend, and poet Robert Creeley, who thought it would be a good idea to have poems for various occasions made up as ink stamps, ready to imprint on a postcard and send off for occasions. Unlike occasional poems tied to specific persons and events, they have a broader human reach.
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    ocean plastic by Orchid Tierney

    It is with intuition rather than calculation that Tierney's #ocean plastic# forages, gathers and arranges. With intuition chosen over calculation, Tierney's unit of measure is a unit of matter. Responding to the pipeline with the ethics of the poetic line, Tierney's particular attention models a dwelling among that can teach both how and why we might turn the plastic we find into an ecology of ethics. —Michelle Taransky
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    Of Some Sky by Joseph Harrington

    If it’s indeed darkest before the dawn, then we should immerse ourselves in Joseph Harrington’s Of Some Sky and hope – because it doesn’t get much darker than this. This book surveys the terrain we inhabit now (in the mid-Anthropocene) somewhere between the devil and the rising seas. —Rae Armantrout
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    On The Bus: Selected Stories by Dennis Barone

    Dennis Barone often mixes history, politics, religion and poetic story-telling into a heady mix in which all are transformed. Barone has proven himself one of the more interesting – and adventuresome – of American fiction writers. —Douglas Messerli
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    One Year In A Paper Cinema by Travis Cebula

    Nobody looks in the newspaper to see what's on TV anymore. For that kind of news, we have to go to poems—specifically, Travis Cebula's pitch-perfect One Year in a Paper Cinema, whose shapely, lyrico-epigrammatic interfaces with a year's worth of TV listings in The Denver Post pull open the gauzy curtain separating ""art"" and ""life"" to reveal something at once fresh and recycled, mysteriously stochastic and predatorily pre-programmed. Almost as soon as this book was finished, the Post stopped printing this section. Thank goodness for the celerity of visionary poets! —K. Silem Mohammad
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    Ongoing Repairs to Something Significant by Linda King

    Linda King’s new collection is filled with poems that reflect on their own making, considering the rules of narrative with wit, subtlety, and grace. Here you will find language interrogated from within its most familiar structures, singing all the while with difficult and necessary music. Her work surprises and gratifies with its syntactic denseness, its wild associative leaps. King is a poet to watch. —Kristina Marie Darling
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    Oops! Environmental Poetics by James Sherry

    Can we find models for environmental writing in "language" poetry? What do poetry and risk management have in common? Can hierarchy be inclusive? Why are cross-disciplinary thinking and formal innovation core, non-mutually exclusive tasks for environmental writing today? Sherry's thoughtful, resourceful, playful poetics, as methodical as they are experimental, will challenge you to rethink many of your assumptions about writing, the environment, poetry. This is a substantial, and key, addition to the conversation. –Jonathan Skinner, editor ecopoetic
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    Opera House Arterial by Anne-Adele Wight

    Anne-Adele Wight's new masterpiece Opera House Arterial is a fierce testimony of the power that one archetype alone can create––the Opera House. Part trickster, part behemoth, part lover, part spy, part friendly cadaver––like "sparrow bones in a cup." Or "a mug of phosphorus."––Debrah Morkun
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    Oponearth by Timothy David Orme

    If you want a poetry that drops you off a cliff, then suddenly hauls up the sun making you realize the world's actually cycling at speed around you while you stand awestruck read Timothy David Orme—his lyrics are vertiginous, and lovely. —Catherine Wagner
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    or, The Whale by Sherry Robbins

    “Into this first and oldest cradle / I invite you, reader.” from “The Fossil Whale” by Sherry Robbins. “me in in in / in the boat / of my body” from “The Chase – First Day” by Sherry Robbins. This is her book of poetry. I read her returning to this poetry. Sherry Robbins, ubiquitous saillore at voyage in the allegorical myth of and in her life, explores her journey, the wovenings of woman currents, root drinker and her map of heaven. —Michael Basinski
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    Other Maidens by Toti O’Brien

    In Other Maidens, Toti O’Brien masterfully choreographs shifting perceptions of self and the other in a soulful dance with reality. These intuitive, courageous poems explore the elusive and illusive core of grief and wonder, fear and joy, estrangement and intimacy. —William O’Dal
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    Otherwise Known as Home by Tim Wood

    The poems shimmering in this volume represent an intense and vertiginous new beginning of the sonnet, erupting from the site of "end words." Tim Wood's re-embarkations are thrilling. I hesitate to impose metaphors on a work of art that stands on its own terms, but something related to time travel might turn attention in the right direction. —Lyn Hejinian
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    Overtures by Ted Pearson

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    The standard acrostic submitted to pre-preparation's careful, reticent, insistently epigraphic procedures; the cenobitic playhouse accompaniment in blue sphere’s black expanse; the constant opening of open and uncountable dialog in analog: ladies and gentlemen and all the swung and transient surround, it's nobody but Ted Pearson! – Fred Moten
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    Ovid’s Creek by Sam Magavern, Art by Monica Angle

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    In Ovid's Creek Sam Magavern, in paying tribute to the Roman poet Ovid, works out his own ars poetica, one that values plainness over ornament,  playfulness over solemnity, and liveliness over propriety and elevation. ... The result is a book of peculiar freshness. —Carl Dennis, Winner of the Pulitzer Prize for Practical Gods.

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    Oxidane by Nicole Matos

    Oxidane has the reach of taut flash fiction fiction and the punch of expertly crafted poetry. It is a truly hybrid animal you’ll think about running from—but you'll find yourself running towards it. —J. Bradley
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    Parables For The Pouring Rain by Paul Sutton

    "The ship might be sinking but Paul Sutton has tied himself to the mast and his poems chart the descent as the whole caboodle wallows down. Sutton’s work is a sovereign antidote to the pointless mush of establishment-approved literature." — Rod Madocks
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    Parataxis by Matt Hill

    "... swaying between Baudelairean modalities of social spleen and lyric fervor, perceptions fresh and exacting; each piece demands utopia, and measures reality by its absence." —Andrew Joron
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    Paris Views by Michael Joyce

    Anyone who loves Paris will find that literarily-overdetermined city brought to new life---new and not particularly literary, for through Joyce’s sharp, quick, and cleverly amorous eye, Paris is evoked not as objet d’art, but as sloppily, raucously, lived; as an idiosyncratic confluence of specific instances that shed deep light on the way that individual perception and experience sculpt public space. — Cole Swensen
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    Patient Women by Larissa Shmailo

    Larissa Shmailo’s Patient Women tells the story of Nora, a gifted young woman who comes of age in New York against heavy odds. Her Russian mother is demanding; the young men around her are uncaring; and her dependence on drink and sex leads her to a shadowy life filled with self-made demons. Yet Nora’s intelligence pulls her through the difficult times—there are even moments of (very) dark humor here. —Thaddeus Rutkowski
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    perimeter homespun by Marcia Arrieta

    Marcia Arrieta's perimeter homespun is part meditation, part equation. Both spare and delightfully baroque at the same time, the collection deftly explores the tensions between art and nature, the created world and the occurring one. —Kristy Bowen
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    Permission to Relax by Sheila E. Murphy

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    These intricately constructed structures have an air of lightness about them, though mixed into that lightness is the existential angst of the quotidian rung with rhythmic grace and disjunctive virtuosity. —Daniel Borzutsky
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    Person Hour by Thibault Raoult

    Thibault Raoult reaches across the orderly table of syntax and conventional content to grab the reader literally by the throat in order to redirect attention to language performing itself as an unresolved constellation of eros, humor, history, and social observation. —Forrest Gander
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    PERSONAL EFFECTS by Ted Pearson

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    Time travels aphoristically in short hops, seen from long distance, with words as object lessons, in Ted Pearson’s refulgent work. “These annotations mean the world” in the most personal and impersonal sense. But the “eternal present” affords scant comfort, as quatrains slant away or sentences shimmer over the depth of existence. —Alan Bernheimer
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    Petites Suites by Robert Wexelblatt

    “If these stories were mousetraps, we should all be mice. They are enticing and snap without warning, but the real surprise is their grace. The survivors escape a wee bit wiser, more alert, and creatively perturbed.” —R. S. Deese
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    Petrarchan by Kristina Marie Darling

    Kristina Marie Darling's Petrarchan uses ideas of the fragment, the unsaid, and the unknown to gesture towards her own passionate syntax. It seeks the person in Petrarch's humanism. —Sean Singer
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    PHARMAKON (A CASE HISTORY) by Kristina Marie Darling

    PHARMAKON is a rattling collection. Laced with pinching, dark detail, the tinge of gone, resonant trinkets, and a seasoned sense of loss, this book dustlessly describes the bewilderment of being, being not, and the feeling that comes with those. —Emily Toder
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    Phoems for Mobil Vices by Rich Murphy

    “intriguing and somehow informative poems.” — Erica Wright, Poetry Editor, Guernica
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    Pickles & Jams by Cris Cheek

    In Pickles & Jams, cris cheek exposes the very membranes that lie between the sensed-real of the culturally dominant and the barely-sensed hyper-real of the culturally emergent. His poetics (initially spawned and tested in Briton) isn’t of an “epiphany” variety, but rather is borne of a sabre-ready constructivist process, whereby the jettisoning of American Capitalist values is at a premium. —Rodrigo Toscano
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    Pieces by Hank Lazer

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    These apt, reductive verses keep a locus of faith with skill and moving commitment. —Robert Creeley
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    Please Do Not Feed the Ghost By Peter Ramos

    These poems by Peter Ramos stage incidents of arrested breath. Diegetic scenes---a mid-century interior, a cocktail party, a clinic, an airport, and everywhere the glow of television---so embroil a psychological subject as to mirror the difficult weather that divides labor from leisure life in the caesuras of time and space.Roberto Tejada
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    POEM FOR THE UNBORN| NOTES TO THE GREATEST GENERATION by Chuck Richardson

    The hip thing these days is to be a poet and write fiction. It is not the hip thing these days to be a fiction writer and write poetry. The former brings possible public reward and greater numbers of readers; the latter brings no public reward and notice but by a few. That is the surface reason this book of poetry--a single dark, weird, shattering poem, really--by the singular fiction writer Chuck Richardson might trigger curiosity and attention. —Kent Johnson
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    Poems by Richard Owens

    From Delaware Memoranda (2008) through Dead in the House of Pound (2018), this volume brings together a broad constellation of poetic work, much of which first appeared through presses on both sides of the Atlantic in editions either out-of-print or distantly circulated.
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    POEMS: now and then by Edric Mesmer

    These poems fall all too neatly into two sections, the eponymous “now” and “then.” I feel the “now” poems, all from the early months of 2020, share a returning-to with the “then” poems, some of which were written as long as 20 years ago. That they have come together so squarely—so circularly—(at least to me), speaks to a sympathy between then and now. I hope that the reader will also find this to be true. — Edric Mesmer, May 2020
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    Poetic Architecture by Kent Johnson

    ...In other words, and at the risk of sounding extreme, I strongly encourage readers to ignore this ridiculous piece of attention-seeking dilettantish drivel. Now, let's get on with the real work. —Kenneth Goldsmith
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    Poetic Realism by Rachel Blau DuPlessis

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    Poetic Realism by Rachel Blau DuPlessis is the fourth episode of the on-going work Traces, with Days. It is both a committed poetry looking out at the world in witness, resistance, and with a fervent vow to find “incantatory information” in an account of what is seen, felt, and thought.
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    Polaroids of Turbulence by Henry Sussman

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    Polaroids of Turbulence is a chronicle of culture trouble, a verse report of the unfathomable depths of our times: “barbarism’s eternal return.” Sussman’s sharp observations and linguistic play mark a “jagged trajectory” through “the outerbanks of / introspection.” —Nancy Kuhl
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    prairie)d by Garin Cycholl

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    Mostly, Cycholl proceeds in dismay for the beggaring of his world. prairie)d is the song of a grieving poet. It tells of the water which dribbles muddily through a once-garden and into lives malformed by manias of profit. —Dennis Cooley
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    Prefab Eulogies, Volume 1 by David Wolach

    Is it possible to out-Flarf Flarf? Prefab Eulogies encourages multi-channel collectivity that demands we read—and act—with a finger on the trigger of forgiveness, with an eye trailing reclamation. —Jules Boykoff
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    Prior by James Berger

    There is an ever-present intensity to James Berger’s Prior through which the reader plummets. Full of complex and particular insight, by turns darkly comic and comically dark, these poems are as unafraid of regret and anger as they are of quick surprise and happiness. — Richard Deming
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    Projection Machine by Debrah Morkun

    In the land of All Language, replete with spoken gold, Debrah Morkun spins poems, then weaves this Projection Machine. This original or pre-. And when reflection mazes and you are inside and civilization itself a book read in all directions, she will take your eyes by the hand and lead you on. I am waiting for you there. —Bob Holman
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    Province of Numb Errs by Jared Schickling

    Jared Schickling’s Province of Numb Errs is a quirky, sincere and often funny homage to the long arms of his Catholic upbringing. Less dour than Stephen Daedalus and the other cohorts of Joyce’s imagination, the narrators in these poems gleefully yoke together Biblical clichés and homespun homilies, xenophobic injunctions and commonsense imperatives, and, per rhetoric, the highfalutin’ and colloquial. —Tyrone Williams
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    Puddles of An Open by Paige Melin

    Through her provocative syntactic ruptures and stream-of-consciousess narrative style, Melin subtly and gracefully interrogates the boundaries between interior and exterior, subject and object, self and world. Puddles of an Open is a stunning debut, as innovative in its technique as it is in its philosophical assertions. —Kristina Marie Darling
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    Quinn’s Passage by Kazim Ali

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    "The will to be transformed away from the senses via the senses is a sensualist's mission. It is Quinn's desire, as it is the desire of the gods. The reader will see that such a desire infuses language with a passion for breathing and utterance equally." —Fanny Howe
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    Rain Check Poems by Aaron Simon

    Aaron Simon's lines feel like strokes of a pre-CBS Jazzmaster. Not plastic. More like rosewood with at least a Gibson tuneOmatic bridge. A brrruummm alliteration where each word-note contains the artful play of improv and composition colliding. Aaron Simon is a good band whose record is killing it on the deck these days. —Thurston Moore
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    Rambo Goes to Idaho by Scott Abels

    In Rambo Goes to Idaho, Scott Abels has blurred the lines between pop culture and personal struggle, the east and the west, God and Gene Simmons. At once heroic and elegiac, these poems balance on a knife edge not unlike Rambo’s, and what’s most beautiful here is that they sometimes get cut. —Clay Matthews
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    Rearview Mirror by Charles Borkhuis

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    The rapidity & delight of Charles Borkhuis’s poetry, set against the serious matters of truth & lies, of light & darkness, is difficult to capture & impossible to escape. And all of this he delivers with a master’s sure sense of humor & grief, the badge of a poet at the top of his powers, which I read now with ever-growing delight, & still can’t stop reading. —Jerome Rothenberg
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    Reflections Of Hostile Revelries by Jennifer C. Wolfe

    Jennifer C. Wolfe’s new collection Reflections of Hostile Revelries is the voice in our heads that needs to be spoken. In this progressive work, Wolfe targets our richest and most powerful enemies addressing their essential flaws and epic mistakes while reminding the reader these are the exact people running our countries. Reflections of Hostile Revelries is direct and honest oral poetics and will leave you tired, but eager to read on. —Jordan Antonucci
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    Refugee: Six Rooms With Marc Chagall by Travis Cebula

    Both art and poetry hit the heart with pure, undiluted impact, and Travis Cebula’s latest collection “Refugee: Six Rooms With Marc Chagall” is a beautiful and stirring example of this immediacy. —Jill Koenigsdorf
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    Requited by Kristina Marie Darling

    The prose poems that open Kristina Marie Darling’s Requited gradually recede, through erasure, into the quieter fragments of the “Epilogue.” The closing section deftly reframes the juxtapositions and silences that come before, making one question whether the collection’s title suggests love or retaliation. —Sandra Lim
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    Responsibilities of the Obsessed by Goro Takano

    Telephones ring “hollow and blank”; “He has no idea what he’ll become. / All he knows is / that tomorrow will be a sunny day / for everybody else.” Dementia and demolished nuclear plants in an immense desert: the artificial landscapes created by Goro Takano in his second book are chillingly, and humorously, real. —Jane Joritz-Nakagawa
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    Robert Creeley on the Poet’s Work in conversation with & photographs by Bruce Jackson

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    This is an edited transcript of a conversation about the work poets do that Robert Creeley and Bruce Jackson held in Robert Creeley’s home—a converted firehouse in Buffalo’s Black Rock district— the morning of September 6, 2001.
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    ROMANCE WITH SMALL-TIME CROOKS by Alexis Ivy

    Alexis Ivy's jagged, hoarse, and beautiful poems recount a journey through a hell that looks a lot like honky-tonk America: the drugs, the booze, the sex— and the promise of transcendence everywhere just out of reach. There is nothing small-time about Romance With Small-Time Crooks. It is an extraordinary book. —Richard Hoffman
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    Rude Girl by John Sakkis

    In Rude Girl, light "scrime[s]," a girl secretly "places a button under her tongue," and a tide is a "pseudonym" both for not speaking (right then) and for what comes after: the start of seeing "the things [in front of]" (my brackets), which in fact "were always [in front of]."  There's an attention too, in John Sakkis's beautiful book, to the "frequency and occurence" with which these things happened.  Are happening. Like "years or color."  Loved these poems.  Hope you will too.  Bhanu Kapil
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    Ruin by Luke McMullan

    ‘The Ruin’ is the remaining fragment of an eighth-century Anglo-Saxon poem that describes the collapsed arches and rubble-strewn site of the old Roman baths at the city of Bath. Here Luke McMullan offers a translation in two strands that cross—poem and gloss—with the generous gift also of a scaffolding: word-tables that reveal for a reader the possible constellations of meanings of the poem’s key words, situating this gorgeous text within the history of its previous translation. —Lisa Robertson
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    Runes by Tracy Thomas

    Tracy Thomas' poetry takes us to places we've never been even as we feel we've been there before. Sometimes mystical, sometimes comical, sometimes frightening and always overwhelming. His juxtapositions are dizzying, he creates language you can dance to. —Jack Evans
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    Runoff by Clay Matthews

    It’s a major book from a writer who’s already shown himself to be one of our best and most unconventional narrative-lyric poets.  Your head will spin, your eyes will bulge, you’ll think you could’ve done it, but you didn’t (and you couldn’t)!  Put on your goggles and armor; you’re in for a crushing, bewildering, and beautiful ride. — Matt Hart
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    Saccade Patterns by Deborah Meadows

    Saccade Patterns explores vision, the erotic gaze, and social discernment. The book opens with a shuffled text that dismantles melodrama by inscribing primate capacity for abstract thought. There’s even a list of possible names for a pet cricket that follows a mathematic iteration. The poems seem to ask how an ekphrastic poem based on the story of Tristan und Isolde illumines the oldest gaze of love and eros. “Highways out to desert proving grounds” lead to technologically-enhanced vision, failures in our “dynastic speed-up.”
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    Sailing This Nameless Ship by Justin Evans

    Soundly lyrical yet subtly narrative, these poems find a grounded energy in a bittersweet longing for home that is belied by a thrilling apprehension of what’s to come. — Jeff Newberry
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    SALVAGE by Michael Basinski

    SO, he tried and it was endless in his head labyrinth and he tried and tried: When asked about SALVAGE Basinski pondered and battled with his selves. He didn’t know. He was afraid. His impulses were everywhere. The veil of art, which would unveil nothing! The silly, try too hard, musings of an aging being! Alien communication, confrontation, and arrogance and some rampant need and want.
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    Samsara Congeries by mIEKAL aND

    Impossible to characterize in a few sweeping phrases, Samsara Congeries, an epic in many pieces, channels land-ancestors, land-heirs, langue-ancestors, langue-heirs, all the detritus of material and linguistic (t)ex(t)(ins)istence that insists on itself in cycles of embodied living. —Maria Damon
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    Sauvage: Essays on Anglophone Poetry by Richard Owens

    Broad in scale and scope, this volume attends to developments on the terrain of contemporary Anglophone poetry deeply articulated with issues of balance, justice, measure, and distance as these variously cohere, come apart and recombine across the unfolding present. Decentered and transatlantic in orientation, the essays aggregated in this volume emerge from a variety of social contexts, including the popular and the scholarly, print and digital forums, the cosmopolitan and the local, the center and the margin.
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    Say It Into My Mouth by H. L. Hix

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    What makes H. L. Hix’s book unique is that its set of very personal, indeed autobiographical poems turn out, paradoxically enough, to be composed almost entirely of quoted text. How does a poet perform this feat? ... Every aphorism or question provokes a further question or response, often familiar on its own, but transformed by its context. The resulting lyric conceptualism or conceptualist lyric — take your pick! — is as thought-provoking as it original and charming. — Marjorie Perloff
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    Scorched Altar: Selected Poems & Stories 2007-2014 by Kristina Marie Darling

    It is in the very restlessness of her metaphors that Kristina Darling documents a tangible faith. Such restlessness is trustworthy and always, throughout Scorched Altar, both vital and in plain view. Here are truthful experiments. Here is a new tradition, alive in bright air. —Donald Revell
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    Secondary Sound by justin sirois

    Sometimes a ringtone is just a ringtone, but not very often. Mostly they say things like "hope you got away from yourself safe," or "reformat a thief into a reverted serf," or "felt more real watching it onscreen." This is not a technological book, it's about people, so it's techno-illogical-- it's about hiding & thieving & occasionally, love. sirois has written here a stunning documentary attempt at re-lyricizing our stupid alienations. He succeeds, we don't. Ahoy there Group Gropers, press send. — Rod Smith
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    Secret’s Exhibition and Other Introventions by Vernon Frazer

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    Vernon Frazer's Secret's Exhibition and Other Introventions is a delightful book, showing & showcasing once again, from the first poem on — "to repeal a tense present / riding the grammar surge" — the poet's ability to align words with other, often disparate, words, & then shape the resultant phrases into assemblages of insight & beauty. —Mark Young
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    Secrets of My Prison House by Geoffrey Gatza

    Geoffrey Gatza’s poems go straight to the point. From one to another the plane is consistent, the tone both literate and congenial; the feeling, one of an assessment of options while moving through choice to definition, a definition-in-progress of how to be, allowing large time outs for horseplay, an inventory of asides that end up occupying large chunks of mind. The book as ethos – you can live with it -- you wish – why not—Bill Berkson
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    Selected Prose of Bobbie Louise Hawkins Edited by Barbara Henning

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    Bobbie Louise Hawkins is a remarkable master of the witty understated prose sentence and writes in the lineage of Barbara Pym and Jane Bowles; she is also a fabulous storyteller with a great ear for the "very thing": quip or bon mot. —Anne Waldman
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    Sensational Spectacular by Nate Pritts

    As its exuberant title suggests, Sensational Spectacular is a book of double energies, hurling out voluble, self-sparking poems on one side while clocking the reader upside the head with the essential loneliness of the lyric (and the universe) on the other. —Joyelle McSweeney
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    SHE, A BLUEPRINT by Michelle Naka Pierce and Sue Hammond West

    It is an ekphrasis of the female form, one which writes a woman into being where the woman cannot be. It is a reverse-ekphrasis of the formal female, one which images what might be a woman were woman not imagined. Pierce and Hammond West’s She, a Blueprint underscores that every grid is someone’s narrative, and there is only necessity in the thrust of us. —Vanessa Place
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    Showgirls – The Movie in Sestinas by Jeffery Conway

    It has been far too long since a collection of poems summoned us to a world of performers and voyeurs, catfights and choreography, lip gloss and lap dances. In fact, this has never been done before, and Jeffery Conway’s Showgirls: The Movie in Sestinas digs deeper than any collection in recent memory. —Mary Biddinger
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    SHRINKRAP, Litany in Quadraphony by André Spears

    AND NOW, AS THEY SAY, FOR SOMETHING COMPLETELY DIFFERENT. André Spears’ Shrinkrap begins with a claim to simple reportage – the who, what, where, and when that define the parameters of classic reporting – but this report will lead you down the proverbial rabbit hole and into an experience of our current condition unlike any you have had before. —Michael Boughn
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    Sidestep Catapult by Anne-Adele Wight

    In Anne-Adele Wight‘s monumental collection, Sidestep Catapult, she maneuvers time and space to bring us to a new sense of being. With fresh and gorgeous language, she makes a world where letters and colors come together... ––Dorothea Lasky
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    Sidewalk Portrait: Fifty Fourth Floor and Falling by Rick Henry

    Rick Henry's Sidewalk Portrait is audaciously conceived and meticulously crafted. It's such a winning work of word art in its modernist and pomo impulses that it seems it should have already been with us for decades, like the recently discovered experiment of a lost Oulipo genius. —Ted Pelton
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    Silent Whistle-Blowers by Goro Takano

    Goro Takano's restless, deadpan, corkscrew imagination conjures prose poems, quatrains and stories that celebrate the life force and, if you believe his unreliable narrator, promote peace. I can't help thinking what this writer's "self-dramatizing practice" aims to unleash are not "silent whistle-blowers" so much as audible mind-blowers. Readers, be warned. —Alan Botsford
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    Siphonic (Volume VI, The Grammaton Series) by Irene Koronas

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    Irene Koronas’ Grammaton Series is a metaleptic myth of reincarnation in an Einstein-Rosen Bridge. —Anna Phylactic, Protagonist, The Reincarnation of Anna Phylactic
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    Sisyphus My Love (To Record a Dream in a Bathtub) by Laura Hinton

    Once there was a time, before this and before that, a time of metaphoric remembrances and repetitions, virtual rehearsals. “The rhythm of film like poetry” becomes the rhythm of poetry like film “to remain inside and outside at once.” Funny outrageous dark dreams are real, wherein a smaller point size of type determines infinitives. “Sisyphus died and came back that week,” back to the beaches of the Riviera, the old “New City,” where the radical “I” was an Orpheus who did not turn around but instead rhymes “bleak” and “chic.” —Norma Cole
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    Six Verse Plays: Or, Some Poems For Performance, by John Matthias

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    The poetry, essays, and fiction of John Matthias are widely known. Less known are the plays and performance texts that he has been writing and adapting from his longer poems in the course of the last several years. This book contains six of these texts, only one of which has been performed. However, the success of staged versions of “Automystifstical Plaice” suggests that performances of the other texts would be equally exciting. Both by the reader and the hypothetical producer of these plays, this book will be warmly welcomed.
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    SKY BOOTHS IN THE BREATH SOMEWHERE, The ASHBERY ERASURE Poems by david dodd lee

    David Dodd Lee is the author of four full-length books of poems, Downsides of Fish Culture (New Issues Press, 1997), Arrow Pointing North (Four Way Books, 2002), Abrupt Rural (New Issues Press, 2004), The Nervous Filaments (Four Way Books, 2010), and a chapbook , Wilderness (March Street Press, 2000).
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    Slab Phases by Matt Turner

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    These are worlds that float as microscopic filaments alive as micro-engravings kinetic with migrational telepathy as they glisten with their own dictation. An endemic domain not unlike primordial grammar that dictates protracted simplicity. — Will Alexander
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    Sleeping with Sappho by Stephen Vincent

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    Stephen Vincent's "Sleeping with Sappho" is a fascinating investigation of how a writer envisions a way back into history and simultaneously contemporizes it. — Maxine Chernoff
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    Small Crimes by Tom Carey

    Small Crimes is a heartbreaking and beautiful valentine between historical moments. Mexico’s early twentieth century art world, its Hollywood moment, is sweetly subverted in Tom Carey’s twitching hands. Reading it I’m grateful for his insouciant homoeroticsm and popping dialogue because they make this novel more memory than simulacrum. Meaning it really feels true. —Eileen Myles
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    SMEAR by Andrew Brenza

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    Rachel Blau Duplessis, author of Poetic Realism: Working with strong page-making skills in modes of visual and procedural poetry, Andrew Brenza’s serious work comments on the tearing up and uneasy reconfiguring of languages in our historical moment. He creatively transforms inaugural addresses of all U.S. Presidents: imploded, exploded, spun to whirlpool, in a “jagged maw” or “transforming into a broken vapor.”
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    Smoke by Chuck Richardson

    Chuck Richardson's Smoke probes human existence by pursuing truth and meaning in an unknowable, inexpressible universe, much like the author-ities.   What makes Smoke fascinating is the imaginary catastrophe lurking behind it, which leaves us to invent and imagine the world anew.  —Raymond Federman
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    So It Seams by Chuck Richardson

    Chuck Richardson is a necessary American writer: Kafka’s disturbed humor; postmodern esemplastic axes and paradoxes; Taoist humility of Hindu-Buddhist warfare mentality; Black Elk’s quest for his siblings; Castaneda’s sexual appeal; the grotesque Thomism of Flannery O’Connor; Marquez; Grace Paley; A.P.E.S. and quantum physics and a healthy dose of gastronomic preference; a nuclear-sonar-tech-turned-journalist-bracketing Buffalo and Greenpeace, the range of Chuck Richardson astounds me. —Jared Schickling

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    So Long, Napoleon Solo by Patrick Chapman

    Dublin, 1999. Jerome Williams is a man in denial. When his childhood friend Tom shoots himself dead, Jerome enters a world shaped by the spy games of their youth, as their secret identities re-emerge in unexpected ways. He encounters Tom’s pregnant girlfriend Ro, who might just carry out the death pact she had with her lover—but should Jerome even try to save her? And can he convince Clea, his new oldest friend, to leave her potentially dangerous partner?
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    Soldatesque / Soldiering | Poetry by Anne Waldman, Art by Noah Saterstrom

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    “Here on the home front Anne and Noah’s word-and-image frieze blossoms like an immensely considerate device improvised for those Gentle Reader hands remaining.” — Bill Berkson
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    some deer left the yard moving day by Andrew K Peterson

    "To: “quincify.” To: “decolonize.” Andy's Peterson's some deer is dedicated to “Naropa,” the university he attended for two years. There, he drew rancid, ebullient comics and amazed us all – his “blood company” – with stand-up, improvised accounts and physical examples of a contemporary hybrid poetics. ... The experiment is to stay alive. – Bhanu Kapil
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    Some Odd Afternoon by Sally Ashton

    “This is about what turns up,” writes Sally Ashton in Some Odd Afternoon . What turns up may be the “dangedy-dang twang” of a banjo, a laptop hiding under a hoop skirt, or a living room that becomes a forest of grandfathers, one “a log, another stone, one a river.” —Nils Peterson,
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    Something to Exchange by Celia Gilbert

    “I can't see with an angel's sight,” Celia Gilbert writes, but she can see with the clear vision of a poet who knows both love and loss and continues to make—to embrace—that costly exchange. These poems give us the natural world in stunning beauty and history in all its inconsolable grief. — Betsy Sholl
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    Somewhere Over the Pachyderm Rainbow by Jennifer C. Wolfe

    Once again Jennifer C. Wolfe takes aim at American politics in her  newest collection of poetry, from Buffalo’s BlazeVOX books.  In them, Wolfe goes beyond the current political climate to explore the role of the media and pundit-ainers who “report” with seemingly unprecedented partisan bias, and do so shamelessly.  She is critical, and she doesn’t pretend otherwise.  Wolfe seeks out this dynamic, shining the light, by looking both at the actors and issues themselves, and how partisan politics often plays out in the media coverage of issues and current events.  —Lynn Alexander
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    SongBu®st by Stephen Bett

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    Stephen Bett’s new book SongBu®st sounds like a ship-wrecked wit (“We are coast people”) riffing at the end of the world. Here you’ll find snippets of old American pop songs morphed into takes on gun carnage and quotes from tech bros, each separated from the other by an “infrathin delay.” —Rae Armantrout
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    Songs of the Sun Amor by Wade Stevenson

    Be to be Not to become You can’t think joy What you seek or sought The mind can never catch So live lightly Love wildly Go sweetly Love tenderly Die softly Run the race from within Ride the mare of the moon Eat the golden apples of the sun
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    sound of wave in channel, Books I and II by Stephen Ratcliffe

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    In Stephen Ratcliffe’s sound of wave in channel, constant difference meets constant sameness. The result is a sublime evanescence, where the daily practice of poetry becomes a means of making palpable the immanent transcendence that Dickinson called “Finite infinity.” —Charles Bernstein
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    specimens by Mark Cunningham

    My introduction to Mark Cunningham came when a small swarm of [beetles]  arrived in my inbox at Otoliths. Delightful things, that I was instantly enamored of. Something of a paradox, though. So detailed they could only have been examined at length whilst pinned to a plush velvet tray; & yet so full of life. —Mark Young
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    Spleen Elegy by Jason Labbe

    Let’s twin and twine together two primary aspects of how America can see herself—the good atoms of Whitman’s leaves of grass, and the engines humming their freedom on the highways that cut across those 19th century fields. Now, Jason Labbe well knows, as Whitman’s atoms become pixels, we find ourselves at a crossroads, learning again and again the consequences of “the indescribable way you shape / a past of little use.” —Dan Beachy-Quick
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    Starlight: 150 poems by John Tranter

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    Certainly John Tranter, who has been an international phenomenon for some time, is not one to deny the influences from outside, or to slow down the discussion of whether it all (Beats, Black Mountain, New York School) may be a hoax itself. This open question is, after all, what gives them their plangency and liveliness. Welcome to Tranter’s medicinal coruscating world. You’ll like it. It’ll do you good. — John Ashbery
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    Starlight’s Genesis: An Anthology of the Starlight Gallery

    Each of these works opens connections to people who often feel disconnected; they offer chances to see ourselves within those who often seem different from us. In that sense, for those who created these, and you who absorb them, they can be the genesis of a newly shared joy.” —Paul T. Hogan
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    Stirring Within Poems and Tales from Mount Carmel by G Emil Reutter

    G. Emil Reutters poems are carved down like a sculpture from a block of ice, into thin, striking lines like the blade of a stiletto. His wit is razor-sharp. In the best sense of the word, his poems are masculine: powerful words tempered by testosterone and tenderness, words full of strength and sensuality, with a keen eye toward internal reflection and self-discovery. —Eileen M. D'Angelo -- Editor of Mad Poets Review
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    Stone by Naomi Buck Palagi

    In Buck Palagi’s Stone, the words are pulled from the ground, vivid and durable—poetic stones of memory and contemplation. Her poetry shows a connection to the earthen, the bodily, while engaging in contemporary and playful poetic practice. The words in this first book signal a fully formed poet we surely need to follow. —William Allegrezza
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    Storm Crop by Stacie Leatherman

    More and more, I see those who want to figure out and document the puzzling emotions that come with an awareness of one’s involvement in global events turn to poetry. Stacie Leatherman’s Storm Crop is part of this. It is a psychogeographical accounting of contemporary experience. She turns to her subconscious in order to attempt an honest accounting of these emotions and then she organizes these with an alphabetical inclusiveness. It is a book of empathy and of longing.  —Juliana Spahr
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    Stormy Mondays by Skip Fox

    There are gems here: it’s Skip Fox’s Monday. Push through and get into the smoke. Whatever happened before Monday, Monday also means a beginning. Read to feel the future lives offered by these fascinating word-doors. —Eileen R. Tabios
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    Stratification By Meghan Punschke

    All the wondrous stratifications of water, atmosphere, myth, history, society and (of course) the chills and fevers of colloquial lives are rigorously plotted in this dense, layered, disconcerting book. I know of few poems as insistently scrutinizing but empathetic, or as simultaneously devastating and resplendent. ~Robert Polito
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    String Parade by Jordan Stempleman

    With a voice that speaks of the simultaneous desolation and burgeoning hopefulness of our time, Stempleman's String Parade begs us to listen again to an American landscape long forgotten, yet still around.   It is a landscape full of children and families, of old Hollywood glamour, of worn out streets, of gardens, of domestic scenes full of ache, of heavy rain clouds, of dedication.   As the title suggests, images and people float at us in endless sequences, strung together in a language of the everyday.  —Dorothea Lasky
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    Submissions by Jared Schickling

    Cutting ruthless swathes into the dense thickets of history and culture, Jared Schickling's submissions is the linguistic detritus of his singular explorations. Hard to classify, impossible to pin down, this poem demands attentive reading and re-reading. Its unforgiving energy and relentless tension make it seem as if Herman Melville and Susan Howe got together and, during an awkward pause in the conversation, conjured Jared Schickling from a dark corner of the room. —Daniel Bouchard
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    Such Conjunctions: Robert Duncan, Jess, and Alberto de Lacerda

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    After meeting in November 1969 at the International Festival of Poetry in Austin, Texas, the Portuguese poet Alberto de Lacerda (1928-2007) developed a trans-Atlantic friendship with the San Francisco poet Robert Duncan (1919-1988) and his partner, the artist Jess (1923-2004). This book celebrates that friendship by bringing together from the Duncan and de Lacerda archives reproductions and transcriptions of all their extant correspondence in addition to the many inscribed publications, books, magazines, photographs, poems, drawings, and artwork that they shared with each other.
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    Sunday Double Suicide by Goro Takano

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    In my poetry, orderly chaos reigns. You will keep feeling countless lessons in love and solitude loom up through the mad torrent of myriad images in this book. I hope reading this book will somehow help you navigate your own way through everyday realities. —Goro Takano
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    Sung: Ink in love & lust by Mick Raubenheimer

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    Raubenheimer’s voice is a unique one – a solitary one – one that is rarely heard in South Africa, or even rarely heard this side of consciousness. Some of these poems are like snapshots – short-lined, frequently employing eye-popping wordplay, but always with precision and economy of measure. They can be light-hearted and humourous, yet still cast a pebble into the depths of profundity or even blackness, fear, dark rituals – ‘the violence of magic’. —Gary Cummiskey
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    Sunsphere by Andrew Farkas

    This brilliantly satirical and playfully experimental collection upends all expectations—Sunsphere is the perfect book for our absurdist times. Each story is a new philosophical labyrinth of delicious, Barthelme-style surprises. Don a pair of ironic (or earnest!) sunglasses, and enjoy this incredible book. —Alissa Nutting
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    Sure Thing by Robin Brox

    Like the images in this thoughtful debut, Brox's poems chart our attraction to surfaces, textures, and weathers with a calm hand intent on recording the ""tenderest ambivalences"" of our desires and senses. —Jennifer Moxley
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    Surface Tension by David Peak

    Amputation of person, amputation of limb, amputation of smaller and smaller shapes of cells. Into his sentences David Peak fits deleted frames from wonderful films we saw once half-asleep, that time asleep on the sofa in that room we would have paid more attention to if we'd known we weren't going to be back there these years later. — Blake Butler
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    Suspended Imagination by Florine Melnyk

    "Suspended Imagination is a wild read. Risky, provocative, cheerfully over-the-edge, at their best these poems are filled with music, humor, and imagination. Always alert for new ways to give form to the wild and strange, Florine Melnyk offers two of the most high-spirited sestinas you'll ever come across and throws in a fine nonce-sestina that engages the reader in a sort of mad treasure hunt for fun and meaning." — Theodore Deppe
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    Sweet Boy by Matthew Petit

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    At once steely and intimate, these poems invite us to sit with the world in all its beauty and terror —Christine Kitano

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    t&u& lash your nipples to a post history is gorgeous by Jared Schickling

    “Forgetfulness of everything but bliss,” —John Keats
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    Taste: Gastronomic Poems by Francis Raven

    The indomitable spirit of cuisine is brought to a boil in this new collection of poems by Francis Raven. Taste revels in the seasons of the senses, as if summer and spring were actions of eating or of smell, asking us in to dinner and savor all that can be experienced in a day. From shopping lists, conversations, recipes to meditative contemplations on tea, these poems are thoughtful as they are a delight. —Aloysius Werner
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    Ten by Jennifer Firestone

    Using her recovering body as a constraint for poetic inspiration, Jennifer Firestone has written poems that are limpid, elemental, tranquil, and full of light. —Cathy Park Hong
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    Tender by Travis Cebula

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    In Tender Travis Cebula transforms raw, emotional experiences into preserved moments of artful reflection. —Janaka Stucky

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    Test Camp by Randy Prunty

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    In these pages an absorbent and meditative mind faces a world of unrelenting transit. Randy Prunty's ability to take inventory under circumstances where "speed covers loss" is remarkable and sustaining. He would reclaim the accelerated present's "chains of subsequency" and make them meaningful once again. —George Albon
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    That Woman Could Be You by Vi Khi Nao + Jessica Alexander

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    Like Anne Charlotte Robertson's Five Year Diary seen through a fervid haze, its Super 8 frames fractaling in and out of memory's forlorn theatrics, the pieces in this book invite the reader on a jaunt of vanishingly small, gigantic, public, and intimate dimensions. Accept the invitation. Reel with all the ways That Woman Could be You.  –– ALI RAZ
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    The Absence Of The Loved by Wade Stevenson

    Left. There is the absence There is the wound the shock, the rage, the disbelief and the grief and more for the sinking, suffering heart. In these poems, Wade Stevenson realistically surrounds the departed love with his private raw emotions and with the most wonderful metaphors, fantastic in fact, and with them the poet in his craft knits his hurt into poetry. — Michael Basinski
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    The Age of Greenhouses by Anne-Adele Wight

    It is exciting watching a new Anne-Adele Wight poetry fan holding her latest book, their faces beaming until they look up with Wow! Her poetry is a hidden American treasure no longer as more and more poets are sharing her books. It is a privilege to read a poet who has dedicated years to her craft, giving the world some of the best poems we will ever read. The Age of Greenhouses made me say Wow over and over! Let the celebration begin! ––CA Conrad
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    The American Godwar Complex by Patrick Herron

    Patrick Herron is the author of the chapbooks Man Eating Rice (Blaze VOX) and Three Poems (Gateway Songbooks). His poems and essays have recently appeared in Exquisite Corpse, Jacket, Fulcrum, in the Tokyo Metropolitan Art Museum, and in the anthology 100 Days (Barque Press).
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    The Antiracism Trainings by David Reich

    David Reich has written a funny, incisive novel about race, religion, and office politics.  He's fearlessly unpious, observant, and witty, but he's also fair to his flawed and often enjoyably irksome characters.  His gift for finding nuanced humanity in their semi-good intentions gives warmth and life to this quietly ambitious satire. —Carlo Rotella
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    The Arctic Circle by Kristina Marie Darling

    The symmetrical aspects of this narrative make for a pristine evocation of crisis and overcoming. Kristina Darling’s fable resists disintegration, challenging instead a forceful awareness. The dynamics here do not permit abjection to pulverize presence. —Brenda Iijima
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    The Best Word for the Job of Mourning by Jessica Baron

    Jessica Baron realizes mourning’s best words refuse their own elegiac nature. In her long sequence death is present not as a shadowy realm from which the loved one will be recalled by the poet’s words; in this poetry death is a place of honest witness.—Dan Beachy-Quick,
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    The Bird Hoverer By Aaron Belz

    Just what American poetry needs: lots of fresh poems that are weirdly conventional one minute, satisfyingly strange the next. On the surface this violent assault on complacency is playfully serious, but deep down, you notice that the surfaces of these gentle poems glint and catch the light as they turn over and over, patiently waiting for your attention.  —John Tranter
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    The Blooming Void by Peter C. Fernbach

    In The Blooming Void he enacts this. From a “sea of maroon”; from the “sludge” of a polluted world; from the genesis of a “Fruit Fly in Pile of Dirty Laundry”: from these and more emerges “a contrivance of mind” that may result in “A[n] [imperfect] human attempt/At control and understanding,” but, [imperfect] or not, what else have we?  —Dr. David Landrey
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    The Breath by Cindy Savett

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    Cindy Savett’s The Breath accesses and occupies the territory, real and true, where the living can dwell with the dead. The speaker’s beloved daughter lives on, in spirit and lyric, as she “steps into the stable of vanished gods.” Savett’s skillful elegies hold the daughter’s hand and reader’s attention across the threshold.  — Jason Labbe, author of Spleen Elegy
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    The Built World by George Albon

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    In The Built World connection is understood as the spaces between things and scenes that move continuously, resonating underneath with all represented surfaces and experiences. This is a tough, beautiful, provocative, companionable book of poems. —Anselm Berrigan
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    The Camel’s Pedestal, Poems 2009–2017 by Anne Tardos

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    Free-ranging, intelligent, a poetry of wit and survival—to be “crazy not to go crazy” and not going crazy and making art in the face of that: “finally taking a stand” . . . “there is no shortage of things to do on the path to a better life” and “letting things be,” “tip-toeing around the good and the terrible”—Maurice Scully
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    THE CARCASSES: A FABLE by Raymond Federman

    — no need to say more about the pathetic failure of this revolution — what will happen in the zone of the carcasses will be told in a subsequent chapter — but as it is now said and repeated in every corner of the zone since the miscarriage of this revolt — the more things change the more they’re the same —
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    The Color Symphonies by Wade Stevenson

    This is a visionary work. It’s a torrent, a whirlwind, a symphony of colors. It’s a blazing apocalypse of rainbows, a dazzling setting sun of the material world. Surely it was written in some god-inspired, intoxicated state reflected through the rational mind of a star-struck color scientist. —Aloysius Werner
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    The Complete Collection: Of People Places and Things by John Dermot Woods

    “John Woods' The Complete Collection brings the small-town America of Sherwood Anderson's Winesburg, Ohio into conversation with Italo Calvino's fake travelogue, Invisible Cities, and that book's dreamish vision of Imperial China. — Johannes Göransson
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    The Demotion of Pluto by Deborah Meadows

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    In Deborah Meadows’ The Demotion of Pluto runs of poetry bleed into plays. The title play recasts Sophocles’ Philoctetes; Obstacle Plays riffs on Michael Fried’s Art and Objecthood that considers minimalist sculpture as both theatrical and an obstacle; and Nothing to Do works intensive differences between brilliant and crumbling minds situated in the aftermath of street struggle.
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    The Desense of Nonfense by Megan A. Volpert

    Not since the Nature Theater of Oklahoma has such a cast of characters been recruited in the name of narrative theory and good clean fun.   Starring icons of culture high and low, from Slavoj Zizek to Simon Cowell, from Akira Kurosawa to Will Ferrell, Volpert's essay on nonsense is a Technicolor triumph. —Jena Osman
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    The Distancing Effect by Maryam Monalisa Gharavi

    A beautifully tangled collection of poems that reveal an intense focus on the world, not as a singular philosophical phenomenon but a series of sensual encounters that always seem to be on the verge of revelation. Like all great writers, Maryam Monalisa Gharavi leads us to the precipice of some greater understanding of our circumstances and ourselves, then withdraws and encourages us to take the final step into the wondrous ether on our own. —Michael Thomsen
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    The Ecstasy of Capitulation By Daniel Borzutzky

    "Lucretius and Epictetus; Franz Kafka and Daniil Kharms; Lucretia Mott and William James; William Bronk and Bernadette Mayer: Daniel Borzutzky is their heir and equal. He is a world class author. - Gabriel Gudding
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    The Edge of the Underworld by Michael Ruby

    “Call it immersion”: take Michael Ruby’s sibilant heterographic tour of the underworld’s underwords and rediscover in these homophonic burrows that sonic intersection is ear + imagination.  —Judith Goldman
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    The Electric Affinities by Wade Stevenson

    The Electric Affinities examines the interior lives and motives of six affluent, artistic friends as they struggle to find love and meaning in the summer of 1969, “the year that changed everything.” Set in the Hamptons and New York City, the novel brilliantly captures the decadent, freedom-loving lifestyles of characters trapped in a “prison of opulence.”
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    The Empress of Frozen Custard & Ninety-Nine Other Poems by Jorge Guitart

    Jorge Guitart’s poetry is not for the masses but it is for everyone. The Empress of Frozen Custard is awash in marvels. Guitart is a master of language, a tongue trickster, a feller of fashion.  In this, his second volume of English poetry, he has done it again, producing a collection that sings and laughs and cries all at once.  In the words of Yankee fans praising one of their most beloved players, “Hip, hip, Jor-gé!” —Pablo Medina
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    The Epic of Hell Freeze by Richard K. Ostrander

    The poems in Richard K. Ostrander's The Epic of Hell Freeze (What Stays the News) shift from allusion (Andromeda, Abraham, Sisyphus) to illusion: ""He walks through walls/ On the other side of silver."" Ostrander's attention to ""language's legerdemain"" ties seemingly unrelated poems to each other like knotted scarves pulled from a magician's sleeve, using alliteration—""And a single sentence,/ Tautness of telephone lines""—as well as slant rhyme—""Flies, happy in their bottles/ Freer than fish/ that fly/ Melody or malady/ I don't know which""—and clichés twisted into new configurations—""There's a sty in the sky,/ Here's a shoulder to fry on."" —Beth Copeland
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    The Equation That Explains Everything by Andrew Cox

    Poets usually either rhapsodize the world or explain it.  In The Equation that Explains Everything, Andy Cox shows us that he is an explainer, but he explains through a wondrous broken logic where blind men drive under the influence of dogs, rubber snakes entice the world with plastic apples, and two plus two equals five but all the tiny sighs in the hours before quitting time add up to nothing.  —Richard Newman
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    The Exploding Nothingness of Never Define by Anne Tardos

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    Anne Tardos, whose poetry & performances have delighted us for several decades now, emerges in her new book as the innovator of a work that incorporates, like the best of our poetry, a full range of thoughts & experiences & makes them stick in mind & memory. —Jerome Rothenberg
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    The History of My World Tonight by Daniel Nester

    In The History of My World Tonight, Daniel Nester re-envisions The Beach Boys, The Brady Bunch, and the Bible. He takes on the Munchkins, Montale, Monet, and masturbation. But that’s just the beginning. In these intimate confessional and experimental poems, Nester delivers a complex psyche along with deadpan social commentary. This is an engagingly funny and tender book. —Denise Duhamel
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    The Hole in the Den by Michael Martrich

    When Tory Spry’s hallucinations become more frequent - what start out as a “pinpoint,” extend into an “arc,” and eventually become the blunted but flashing “Fingerprint” - he reluctantly but necessarily retreats inward into the well of himself. Swimming through the blackholed remnants of his outside world - high school, church, diners, home, in the car with his friends - Spry can only find comfort in sleep, the cold, the woods, and in his best friend John, who has a deep internal secret himself. And within our haunting and untouchable loneliness, we are separate but not alone.
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    The Homesick Mortician by Peter Mladinic

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    Mladinic gives us a world where “a man with a wooden leg/ and a boy in a white shirt/ talk weather/ and look like an argument.” The strange and the mundane combine into sharp mystery. This is exquisite poetry and worthy of your time. —Jeff Weddle

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    The Hunger in Our Eyes by Jared Demick

    Jared Demick's The Hunger in Our Eyes is a little bit country and a whole lot of cross-country(ies). The shape-shifting Americana here scores a playfully re-visionist choreography that brings into focus what imperial eyes typically miss: the accidents of landscape, the histories of food, the body's crossings. —Urayoán Noel
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    The Ida Pingala by Debrah Morkun

    Debrah Morkun's words compose dynamic fields. Her efforts push poetry onto the page to energize language by reaching toward its limits. Between the ""janus-lipped morning"" and ""miserable neighborhoods"" a resistance forms according to what can be said and what actually gets said. Morkun confronts opposing forms and possibilities (like the ida and pingala of the title). Here poetry is electrified by the tensions of sound and meaning. ~ Hoa Nguyen
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    The Impossible Picnic by Mark Tursi

    Mark Tursi’s Impossible Picnic sets up camp not on grassy Romantic heights but on the astroturf of our mental backyards and interiors. In its wild juxtapositions and deadpan humor, one hears unsettling echoes emanating from the “vapory camaraderie” of modernism. Here “the world is all this, plus the world,” as the title propels us toward a super-abundance that only initially seems “impossible.” —Elizabeth Willis
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    The Jointure by Clayton Eshleman

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    “What does it mean to see with the eyes of the soul?” In The Jointure, Clayton Eshleman offers an answer to this question in language of visionary symbolic consciousness. Intimate and expansive, psychological and anthropological data germinates this fecundating exploration and extrapolation of inner wilderness and the essence of imagination. In The Jointure, “memory is fracture” – the depths of horror enshroud the horror of depths – but imagination is revealed as the “keelson of paradise.” —Stuart Kendall
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    The Landfill Dancers by Mary Kasimor

    In this memorable collection, Mary Kasimor enacts an ""image drama"" and ""performance burlesque"" across every poetic line, surprising the reader with a new ""species of FORM."" Watch your step because The Landfill Dancers will take you where the wild is always open. —Craig Santos Perez
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    The Last Place I Lived by K. Alma Peterson

    One of the early poems in this book concludes: “My wild side would like to know.” If yours would too, read The Last Place I Lived. The collection abounds in wit and verbal play, yet the reward in reading comes from an intelligence lodged deep, directing the lines in sophisticated ways, the “afterimage // glassily repeated in the hawk’s beveled eye.” —Julie Funderburk
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    The Life and Times of Grovey Cleves illustrated by Mickey Harmon written by Scott Mancuso

    Series of self generated illustrations paired with a narrative penned by Scott Mancuso which was developed into a graphic novel.
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    The Living Air by Masiela Lusha

    When I discovered Masiela Lusha’s impressive list of accomplishments in the cinematic arts, I have to say I was not surprised in the least. Ms. Lusha’s poems skillfully dramatize the most ethereal of philosophical ideas, showing us what’s at stake as we “stalk the truth.” This book will invite you in, then “release you as a learner,” subtly illuminating through its performative poetics what questions we should be asking of the world around us. —Kristina Marie Darling
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    The Logic of Clouds by Marc Pietrzykowski

    Marc Pietrzykowski lives and writes in Lockport, NY, with his wife and various furry mendicants. He has published elsewhere, has friends and so forth, but he would much rather you read the inside of the book than the back cover.
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    The Long Way Home by Leonard Gontarek

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    Gontarek's enthusiasm and imagination pour through poem after poem: surprising juxtapositions and fragments from Krishnamurti and other meditative guides and philosophers show a wide range of experiences and objects in a kind of praise song. —Sean Singer
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    The Lost Atlas of Desire by Jeremy Downes

    This book is part of our moblis in mobli series, a free ebook with a printed books that is for sale from us as well as Amazon.com.
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    The Lost Positive by Elizabeth Strauss Friedman

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    In The Lost Positive, her stellar second collection of poetry, Elizabeth Strauss Friedman casts the slog of domestic, compulsory heterosexuality into the stars—the result is a new mythology, “a wandering bruise / of glamour,” in which women refuse to negatively refract. —Jenny Molberg
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    THE MERCURY POEM by Jared Schickling

    With THE MERCURY POEM, Jared Schickling brings us an oddly reversible apocalypse—the story of individuals grappling with their own bleak place in history. “A tsunami ruining the beach / during an election season,” “the exclusion zone is breeding,” and as an elegy to television, the poet finds normalcy in the unlivable. —Jonathan Penton
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    The Metaphysician’s Daughter by Dick Ostrander

    "These poems are intriguing , packed with surprising situations, encounters and characters. The poet often captures moments that hit the jackpot such as with "Beauty of the Beast." This is poetry that not only needs to be read more than once, but read out loud and then discussed and pondered." —Sara Claytor
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    The Metempsychosis of Salvador Dracu by Daniel Y. Harris (Volume VI of The Posthuman Series)

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    Daniel Y. Harris’ The Posthuman Series is an amazing tour de force! —Marjorie Perloff
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    The Misprision of Agon Hack (Volume IV: The Posthuman Series) by Daniel Y. Harris

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    Daniel Y. Harris’ Posthuman Series is an amazing tour de force! —Marjorie Perloff
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    The Moon and Other Inventions: Poems After Joseph Cornell by Kristina Marie Darling

    Darling creates a lattice of explicitly feminine apperception around the works of Joseph Cornell. The result is a haunting parascription, of a piece with Cornell's metaphysical idiom while substantially Othering any sustained encounter with his work. —G.C. Waldrep
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    The Moon Blooms in Occupied Hours by Anis Shivani

    Shivani is at the height of his powers as his lens sweeps with cinematic confidence from the grand to the minute and his voice encompasses the roaring horrors of war and the quieter moments of reflection and grace.—Wendy Chin-Tanne
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    The Mouth Of The Bay by Michael Ruby

    In poems written on the rocky coast of Frenchman Bay in Maine, Michael Ruby begins with wisdom and ends with delight, reversing Frost’s famous dictum about poetry. The Mouth of the Bay begins with the wisdom of the Eleatic philosophers on the coasts of southern Italy and Sicily—“There is no beginning and there is no end”—and their calls for purification. Ruby writes the words that appear in his mind when he repeats sayings of Pythagoras, Xenophanes, Empedocles and others.
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    The Olfactions: Poems on Perfume by Anne Gorrick

    Someone once said that after a Bach sonata, the silence that follows is still Bach. Well, after a poem from Anne Gorrick, the silence that follows is a whiff of patchouli, tar, vanilla, tea and other things... Thank you. Thank you. —Fabrice Penot,
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    The Paris Poems by Suzanne Burns

    this is subject matter clichéd a century ago; all of it forced into newness, not by the references of modernity, but by the observance of  a well-referenced poetess of now— a potential beginning for this century's cliché. —c.vance,
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  • The Pied Piper of Hamelin, A Child’s Story by Robert Browning
    The Pied Piper of Hamelin, A Child’s Story by Robert Browning
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    The Pied Piper of Hamelin, A Child’s Story by Robert Browning

    This facsimile of Robert Browning'sThe Pied Piper of Hamelin, A Child’s Story is beautifully illustrated and colored by T. W. Craik and W. A. Craik. BlazeVOX presents for the first time this wonderful edition, originally created in 1959 as a gift by the illustrators to their young son. Robert Browning's poem captures the mysterious nature of the Piper legend and the resplendent, rich time period in which the tale took place, which has inspired many great illustrators such as Kate Greenaway, Arthur Rackham, Margaret Tarant, and Maxfield Parrish. This work contains over 40 illustrated pages with hand lettering and includes a foreword by Roger Craik detailing this book’s creation by his parents. This unique book is intended for all ages.
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    The Pink by Jared Schickling

    “The Pink” reads like a bio-centric futurist work of patterned effeminate lyricism and distortion whose themes are fatherhood, motherhood, and childhood, while playing heartily at inherited themes and motifs through re-worked fairy tales, observations (recordings), and children’s verses.
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    The Quarry and The Lot by Mark Wallace

    Joseph Klein was a brilliant boy, talented—and dangerous. When he dies, at age 32, under uncertain circumstances, a group of his former friends gather for his funeral and see each other for the first time in some years. How did Joseph change them and what does he mean to them? What do they mean to each other, and why have their lives come to be what they are? The Quarry And The Lot is a novel about love and its limits, memory and history. It explores whether any truth can be stable when what’s happening is changed by what people understand and where what passes for normal is something far more frightening.
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    The Radiant World by Dan Featherston

    Dan Featherston is the author of three other booklength collections of poetry, The Clock Maker's Memoir (Cuneiform Press, 2007), United States (Factory School, 2005), and Into the Earth (Quarry Press, 2005), as well as five shorter collections. He lives in Philadelphia and teach at Temple.
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    The Rapture of Eddy Daemon: Volume I The Posthuman Series by Daniel Y. Harris

    Finally: a posthuman translation of Shakespeare. I'm glad Daniel Y. Harris beat Watson at it. There are still large chunks of human in his kind lineation." —Andrei Codrescu
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    The Real World by Emma Winsor Wood

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    Most of us don’t know how to deal with the reality of the unrealities in which we find ourselves living. Wood shows us one way to do so—and it’s a great one, one in which we can be real. — Lyn Hejinian
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    The Refinery by janna plant

    Janna Plant is an alchemist. She unearths the twin elements of humor and despair from their commonplace lodgings in the language, and reconstitutes them as brilliance. —Anne Kennedy
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    The Reganites: Vol 1 & Vol 2 by Tim Roberts

    Here is a monstrous demonstration of the bloat conditions of our world. Written to extremes, as if to show how truly, really, impossible the current state of language and culture has become. What can Literature do except stop a door—or trip us up, physically as well as lyrically? Who speaks in this massive text, elegantly crafted on the page in wry, deliberate, imitation of a sacred text, twin-columned? —Johanna Drucker
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    The Reincarnation of Anna Phylactic (Volume III: The Posthuman Series) by Daniel Y. Harris

    Daniel Y. Harris’ Posthuman Series is an amazing tour de force! —Marjorie Perloff
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    The Resurrection of Maximillian Pissante (Volume V: The Posthuman Series) by Daniel Y. Harris

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    Daniel Y. Harris’ Posthuman Series is an intoxicating brew of quasis: scientific, esoteric, bibliographic, geologic, lettristic. Who knows what poetry lurks in the heart of codes? It’s as if we are privy to the history of knowledge from its other side, before as much as after. These poems are an explosion in a pataquerics factory. —Charles Bernstein
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    The Sensory Cabinet by Mark DuCharme

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    The Slip by George Tysh

    His engagement with the variable foot of William Carlos Williams gives a new spring and all to George Tysh’s remarkable collection The Slip. For much of the book, especially the haunting title poem, an isolated phrase appears, then the next descends, and then another, each open space miming the way breath appears in human speech, as an aid to understanding and an absolute electric charge—at times one of volcanic intensity. —Kevin Killian
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    The Solace of Islands by Ansie Baird

    The poet is master of her craft and poetic magic manifests in each poem. The magic is all the music of the poetry. Without question, the theme of this poetry is solemn, but there are sparks of humor and tenderness that light the way through the musical landscape. An island is, of course, an enclosed space, a protected place, for poet Ansie Baird the place of the very human heart. —Michael Basinski
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    The Speed of Our Lives by Grace C. Ocasio

    These bracing poems celebrate everything from nature to history, to the family, to the famous – and in each, she discovers the music and meaning that lets them bloom in all their strangeness and surprise. —Elaine Equi
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    The Spider Sermons by Robert Krut

    With a winning mixture of verve and tenderness, the poems in The Spider Sermons confront the extreme significance of our daily lives. It's the most passionate of come-ons, but with the kindest of intentions. —Kazim Ali
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    The Strikeout Artist by Joseph Bates

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    You don’t have to know anything about baseball to fall in love with this astonishing novel in which Franz Kafka performs as an unlikely star pitcher. Delighted by Bates’s kinetic, daring plot, you’ll have to stop often to laugh, then in the next moment you’ll be drawn up short in wonder by the surprisingly tender heart of this novel. —Lee Upton
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    The Sun & The Moon by Kristina Marie Darling

    In poems lit by an incendiary marriage, Kristina Marie Darling traces a story that begins, as stories often do, “as a small mark on the horizon.” Brave and haunted, these poems burn down to ash and winter, daring to unlock the spell of memory’s silver flashings. The small remains, like distant stars, make a moving portrait. —Mary Ann Samyn
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    The Sun Shows How it’s Done by Sandy Olson Hill

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    Sandy Olson Hill writes hard-hitting poetic short stories. This book is dark and moving, and it never flinches from the really tough stuff. —Jeff Parker
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    The Thirteenth Studebaker by Robert Wexelblatt

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    Wexelblatt’s book is laden with wit, with wry observations, gentle sarcasm, and wicked ironies. It always has just enough laughter to keep its characters (and the reader) from spinning off into the abysses. —Fred Marchant,
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    The Trapeze of Your Flesh by Charles Rammelkamp

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    Charles Rammelkamp’s exposition of the “flesh trapeze” that swings through American entertainment and culture, via the voices of some of its most prominent acrobats, is vital to an understanding of our culture. —Roman Gladstone
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    The Trees of Surprise edited by Marjorie Norris

    Trees of Surprise has been published by Buffalo’s BlazeVox Books. It is and edited anthology which responds to the loss of trees during the October 2006 storm.
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    The Tryst of Thetica Zorg Volume II: The Posthuman Series Daniel Y. Harris

    Daring, adventurous, exotic, & necessary, —can this be the exemplary, posthuman poesis? You bet it can if it’s The Tryst of Thetica Zorg. Ushering the reader into the nefarious underworld of computer viruses, Daniel Y. Harris delivers a shimmering dramatic intensity swathed in the rare glow of an Epochal Imagination. —Heller Levinson
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    The Unfinished: Books I-VI by Mark DuCharme

    Mark DuCharme's beautiful poems teach us to read all over again: mystery, the situation of person, the texture of dream and the texture of awareness: The Unfinished is a tough book, a necessary book. —Joseph Lease
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    The White Visitation by David Brennan

    Not since the Book of Ecclesiastes has such litany been deployed to smack dab us with a wall of words. In The White Visitation, David Brennan pressure treats language, syntax, grammar, content into a layered labyrinthine quilted fabric of strata. One doesn’t so much as read as one peels, strips, skins the text—a sonic archeology, a narrative dig. Nothing new under the sun? Don’t count on it. The White Visitation is the plasma at the sun’s very core. —Michael Martone
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    The Woman with a Million Hearts by Loren Kleinman

    Loren Kleinman brings a poet's sensibility to her captivating memoir that is at once serious and sly, self-deprecating and a powerful declaration of self. Her memoir is less about memory than it is a fine-tuned, near magical consideration of the small details that ultimately make manifest the large passions of her life. Her edgy meditations are a bit like a delicately rendered Lost and Found for the great grab bag of human experience--instantly relatable, brash, intimate and true. —Rita Gabis, author of A Guest At The Shooters' Banquet
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    The Writers’ Circle and Other Stories by Michael Gessner

    In this stunning collection Michael Gessner pays full attention to the marginal and the marginalized –– whether unwashed, rejected, condemned, or simply unusual –– and brilliantly inhabits them, evoking their passions, their yearnings, and also the rare strands of hope that sustain and illuminate. —Grace Dane Mazur
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    Theater of the Tongue by Diana Adams

    Diana Adams book, Theaters of the Tongue , gives the reader a fascinating canvas of words, some words best described as word food. The reader is treated to lines like “salmon are lead by bells inside.” —Mary Kasimor
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    Theoretical Animals by Gary J. Shipley

    Beggars, fortune tellers, barge captains, bloated corpses, and the ominous tolling of church bells hover anachronistically over a bleakly existential world whose once-physically-present signs have been reduced to html code, rss feeds and online ad campaigns. —Michael Kelleher, author of Human Scale and To Be Sung

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    There’s Something Wrong With Sven by Greg Gerke

    Full of twists and turns, Greg Gerke's debut collection is more powerful than fun; each character has flavor, the situations stick, the work is unique. There's Something Wrong with Sven, but this book is right on. —Kim Chinquee
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    Thief by Katrinka Moore

    In a series of interlocking text-image meditations and small narratives, Katrinka Moore’s Thief rewrites the literary impulse to claim. This thievery confesses our visitor status upon body, mind, land, and book and asks, “So, you select your shape purposefully? How to explore this obscure site? How does the world assemble?” The journey is gendered: how does a woman write into a literary and family history that was actually never so sure of its claims, its own thievery? – Jill Magi
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    Thirty Miles To Rosebud by Barbara Henning

    This On the Road story zig zags the America grain, a rebellious woman’s experience, and the consequences of the Vietnam era. Barbara Henning’s clean, stark realism rejoices and laments the left and the lost, what can and can’t be found in time and mind. —Gloria Frym
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    This Visit by Susan Lewis

    In the fissures and gaps of a malleable lexicon, Susan Lewis’s playful, punning, musical lyrics create spaces for a reader to explore. In her “mythic stickiness” edges are blurred in service to an “everlasting loop.” Her poems are oddly intimate, full of a wise skepticism and a quirky grace — perhaps more of a place to live in than to visit. —Joanna Fuhrman
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    Those Godawful Streets of Man by Stephen Bett

    This is an edgy, raw, harsh, gritty book about the contemporary cityscape—its block buildings; its loose, naked, spitting live wires; its plugged-in populace. A place where Borderliners, leeches, zombies, and drains fight it out over a man and a woman locked in a death grip.
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    Three Plays by Deborah Meadows

    “Wry and observant, Deborah Meadows' ambivalent oracles and philosopher-clowns seek "a nourishing shape that one could live in without tiring of its perimeter", but find just as readily an anthroposcenic welter, marked by false flags and the untidy promise of myriad revolutions – each adjacent, reluctant, and imperfectly contained.” —Andrew Maxwell
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    Three Suite by Christophe Casamassima

    In Christophe Casamassima’s Three Suite, recombination and erasure make visible the edges of an intelligently empathetic poetics of rediscovery. These poems are indebted to their found texts, but are always looking forward to the new line that is made possible only by way of procedural mapping. Casamassima skillfully weaves together a landscape in which the poem becomes total texture ... —Julia Bloch

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    Through a Certain Forest by Laura Madeline Wiseman

    We are given a field guide to trees in Laura Madeline Wiseman’s latest book of poetry Through a Certain Forest, realizing as we step in that we are deep in the mythos of ourselves. Each poem is a persona, each tree species recounting its survival from humans. Us homo sapiens are the trolls lurking through the middle of the collection. In the midst of bombings and ecological disasters caused by us is the private life of the speaker, too, living with her own personal troll. —Dennis Etzel, Jr
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    TO BE SUNG by Michael Kelleher

    "Michael Kelleher's deft poems have often a wry poignance and sing the old songs with fresh particulars. So it's as ever where we are that counts, and that's where these poems are, always." —Robert Creeley
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    to go without blinking by Aimee Herman

    Aimee Herman is a cyborg. Not in the sense of a mixture but: in her impetus. Her desire for a book to be a new kind of thinking and being in the world. As she writes in the startling Statement of Poetics that opens this passionate collection: ""This body of text practices trilingualism and contraction. Theories include gender confiscation and syntax dissection."" I liked that. A syntax that records what happens to a body even more than the words themselves. And that's just page one. Throw away ""the color pink,"" writes Herman, deeper in. —Bhanu Kapil
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    To Hush All The Dead by William Allegrezza

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    A poet bountifully rooted in geography, Allegrezza transcends the usual sense of place. In To Hush All The Dead, he reveals that every one of us faces “The Natural Trail Marked,” simultaneously experiencing a lack of understanding and hard self-questioning, as a sense of direction seems “thrown to bits and folded in blue.” —Sheila E. Murphy
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    To The Eaves By Lisa Forrest

    These poems unfurl in the reader's palm in bird song and flight: the natural world has never been more sensuous or sung. Yet human nature, thwarted love is her true topic. Lisa Forrest's To The Eaves , takes us to the heights with grace and sweet song. —Brenda Coultas
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    To The River by Diana Adams

    Diana S. Adams’ To The River, is a delicious novella – the first of a trilogy – that is both resolutely gritty and often magical. It’s a wonderful, modern-day exploration of urban life, with characters who stick to the ribs and travel well past the final pages. Adams is a spare, clear-eyed and fearless writer who wades into the lives of her characters and reveals just enough to give them perfect breath. A mere glimpse of a character in an Adams’ novella is full meal – with wine, dessert and an espresso. She reveals the right flavours and readers come away with a full understanding, complete with unanswered questions.
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    Tom Clark Collection

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    The Tom Clark collection contains his six titles from BlazeVOX. This is a great set of electrifying work by one of America’s foremost poets. At the Fair | Canyonesque | Feeling for the Ground | Truth Game | Evening Train | Distance
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    too ok by Colin Herd

    'Colin Herd's 'too ok' is a treasure trove of razzle-dazzle stylings, superfine wit, charismatic discretion, and a vacuuming tenderness. Herd's gift for words is exquisite and adventurous and armed to the teeth, and these poems are its perfect measurements.' —Dennis Cooper
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    Torched Verse Ends by Steven D. Schroeder

    These are the poems of a hooch-swilling layabout, shifty-eyed sneak thief, disagreeable cuss—in short, good work, but he scares my kids. That shaved head and Satanic goatee? The yelling about the government? —Aaron Anstett
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    Touch Me by Joseph Cooper

    Touch Me is a stark and stunning inquest.  Joseph Cooper offers a rich and penetrating view of a shattering love.  Among lightning shapes of spaces, gentle word ways force wide this love exposing terrible wisdom through dialogic violence.  Play the game. —Jane Werle
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    TOUGH SKIN by Sarah Eaton

    A mash of elevated, classic sentence structure and roiling, discomfiting scenarios/vocab. These lines kick and punch against their form.  What a fight!  But within, you will find many attractive and apt aphorisms. —Stacey Levine
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    TRACK THIS: A Book of Relationship by Stephen Bett

    I like these poems. Will be a great book of beauties. Very sweet and clear! —Michael Rothenberg
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    Trailers by Michael Basinski

    With Trailers, Michael Basinski engages in a Joycean celebration offloOwering. As he 'gave up and just repeated again and again singing softly, deeply with his eyes closed', the language bloomed past the letters, numerals, wingdings, webs and crickets into a dream language of the 'noise for active space.' — derek beaulieu
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    Transcendence by Charles Rammelkamp

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    There are good trips and bad trips. And then there is Transcendence. In poem-narratives, Charles Rammelkamp explores the psychedelic movement in America through the voices of those transformed by —Jack Skelley
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    Transcendental Telemarketer by Beth Copeland

    Copeland’s Transcendental Telemarketer contains beautiful lyrics of emotion and meditation, but it also contains rants against war and violence, and all the while it swings us from the U.S. to Japan to Afghanistan, from Islam to Buddhism to Christianity It’s compelling, playful, and well-crafted. —William Allegrezza
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    translanations one by William R. Howe

    Dickinson said that it's poetry if you feel as though the top of your head were taken off. But what if it’s the whole head, down to the shoulders? (Insert Goya image of Saturn and child here.) Howe’s “translanations” are in one sense disfigurations—horrendous manglings that shock not just because of their audacity in taking such liberties with their source texts, but because of the glistening viscera they expose. —K. Silem Mohammad
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    Transversales by Michael Gessner

    The poems in Michael Gessner’s new collection, Transversales, are formally dazzling—incisive, witty, and smart—but compassion tempers linguistic brilliance. In a series set in Paris, for instance, a visit (against advice) to the “labyrinth of tented markets,” the now-dangerous Market of Seine-Saint-Denis, is punctuated dramatically by fragmented quotations from Victor Hugo’s diary kept during the siege of Paris (1871). Quite simply, I am hooked on this book. Gessner’s poems are glory. —Cynthia Hogue
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    Trust Me and other Fictions by Chuck Richardson

    Ziggy Fumar, author of The Electroempathy Specrtometer, considering what Trust Me does: "It gradually reverse-metastasizes via reverse-engineering the malignant psyche into a benign, Alienist attitudinal perspective—that of an egoless schizoid biological psychogeograph whose content seems the effect of form. But whose form, exactly? Think about it. If your thoughts seem the effects of their form, what kind of be-ing are you? What does Mind belong to?"
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    Truth Game by Tom Clark

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    "Very exciting... The poems have the 'now' sound of current experience; they enable one to see a little further into life as it's presently being lived." -- John Ashbery
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    Two Books on the Gas by Jared Schickling

    Schickling’s materiel-driven poetics mashes up a pre-ethicalized consciousness of the raw human reach for Life with the divination-pose of Fuel Speculation’s futurity e pluribus Unum. The “rational” to “irrational” spectrum of our present’s “present”, betrays an unspoken truth: the Republic of Fuel has, in fact, no sensate feel for time—at all. —Rodrigo Toscano
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    Two Dreams of the Afterlife by Kelly Bancroft

    The poems in Kelly Bancroft’s Two Dreams of the Afterlife are wild and beautiful as they create worlds from the ordinary made strange, and from the strange made predictable. The materials are everyday objects and events, especially our unavoidable deep connection to figures of popular culture (the Six Million Dollar Man, Wonder Woman, Hal the computer, and John Boy Walton). —Maggie Anderson
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    Übermütter’s Death Dance by Laura Hinton

    "There is no way to make sense of a senseless death, but in Übermütter's Death Dance, Laura Hinton engages the senses to stay alive and to find, if not meaning, then some sort of vital force in the midst of tragedy. Hinton’s heterogeneous yet unified collection combines the rhetoric of documentation and daily life with the lyricism of dreams, visions and ritual. The result is profound, moving and mercurial." —Joanna Fuhrma
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    Un storia by Steve Timm

    Steve Timm’s word spectrum is brave, unnerving, dazzling, commodious; with it he composes an elegantly minimalist poetics, humorously charted in one of the most satisfying TOCs I’ve read in a long time. Suggesting neo-Joycean abundance, it leads one instead to sculpted poems of unsparing leanness. —Joan Retallack
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    Un/Wired by Stephen Bett

    In this, his 18th book of poetry, internationally acclaimed Canadian poet Stephen Bett is back to working the sassy, edgy margins of social satire. Divided into four sections, this book opens with humor; turns to soft-edge and then to hard-edge, wicked, hilarious satire of our vapid monoculture; and concludes with a section of poems bringing in the angst of it all.
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    Uncertain Remains by Michael Boughn

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    “Michael Boughn is a cross between John Donne and Attila the Hun.” —Billie Chernicoff
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    Uncomfortable Clowns ms #77 by James Hart III

    These poems by James Hart, III careen in the mind as they do down the page with an eagerness, to apprehend every given vicissitude of moment that comes their way. The tensions one finds, throughout the sequence, reflect the ever-fraught interface of inward and out, self and other, word and world. — Bill Berkson
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    Under the Impression by James Berger

    Under the Impression transverses the spongy dents in the surfaces of language and memory. Anti-lyrical and insistently lyrical, frank, interrogative, and punctuated with humor, Berger’s poems articulate brilliantly an inventive scepticism of the real world’s edges and fictions. —Orchid Tierne
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    Under the Sky They Lit Cities by Travis Cebula

    Herein lies the poet's confidence in forgotten "tones revealed in full light."  Cebula's poetry, like the city itself is resilient, iridescent, and every time a little different. —Elizabeth Robinson,

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    Understanding Moonseed by Mary Pacifico Curtis

    From love and glamorous success in the early days of Silicon Valley, to saying goodbye to family she never knew in small town Minnesota, these pages take us along on a highly traveled life that can't escape loss. —Rachel Howard
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    UNRULY by Elysia Lucinda Smith

    UNRULY is a book of rude girl poems describing threesomes, freewheeling, Joan of Arc, naked mole rats, and other R rated things. It is also a book about overcoming an upbringing in the Bible Belt. All this converges in a spilling, like when you vomit into your purse in an Uber except in this book you're sober enough to be mad.
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    Unusual Woods by Gene Tanta

    "Gene Tanta's Unusual Woods is deceptively simple and candidly devious. Reading it is like looking in a funhouse mirror for the first time." —Mike Topp
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    Valency by J. Michael Wahlgren

    A luminous cascade of syntax —Brenda Iijima
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    VEL by Alan Sondheim

    Alan Sondheim is a force of nature: a Category 5 mindstorm blowing in from all points of the compass at once. Coded and plain-speaking, philosophical and emotional, artistic and banal: to read Sondheim is to fall through a wormhole into a full world. And why shouldn't a work of art be a world’ His art is writing as a performance act even more direct than Allen Ginsberg speaking into his tape recorder. — Jim Rosenberg
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    Versus by Stacia M. Fleegal

    Stacia Fleegal just can’t stop creating serious noise in her poems. She’s a writer who isn’t afraid to make words crackle and snap, especially about how social class works in America, starting at the bottom and going up. So, fair to say, you should expect something other than the tame lyric in this collection. —Eloise Klein Heal
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    Vertigo Diary by Larry Sawyer

    Larry’s poetry gives me the best kind of vertigo: the kind where you’re afraid of falling, but when you do you fall into a soft, meaty, sensual, smart ravine that shakes you pretty good, but instead of killing you it turns you into a Thinking Cocktail. What a scary and fine artist Mr. Sawyer is! —Andrei Codrescu
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    Vexed by Jessica Grim

    Grim's style masterly evokes the simplicities of poetry in the "New American" vein, with its fragments of candid observation just shimmering on the surface of the poem, but she allies it with a "post-Language" sensibility that balks before the prospect of a too-fluid Romanticism, thus spicing sensual reverie with documentary relevance. —Brian Kim Stefans
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    Via Crucis by Peter Siedlecki, art by Catherine Burchfield Parker

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    Siedlecki’s poetry resonates the surfaces and experiences of Burchfield Parker paintings. The Way of the Cross is understood as spaces of time, moments of loss, forgotten destructive comforts, and nightmare memories. ... This is a tough, beautiful, provoking book of poems. —Geoffrey Gatza
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    Virtual Worlds Virtual People by Kay Porter Winfield

    Poetry and video games don’t often occupy the same space at the same time, but Kay Porter Winfield’s Virtual Worlds Virtual People proves once and for all that they can (and maybe they should). These poems rocket with character-driven action and conflict: electrical shocks, diabolical plots, flashing swords, and cliffhangers galore. —Matt Hart
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    VOLUME ONE (Selected Anonymous Marginalia) by Liam Agrani

    VOLUME ONE represents a decade of research into found language by the poet/editor Liam Agrani. The work is composed solely of direct transcriptions of marginalia from libraries, used bookstores, and various other places. Removed from the context of the books they came from, these works become intimate abstract accidental poems, occupying the space where private literary "criticism" and found poetry meet.
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    Vow by Kristina Marie Darling

    In Kristina Marie Darling’s Vow, both text and subtext paint the fraught institution of marriage, particularly the subjectivities of the bride’s several selves. Written in candle, tale, and glass, the book “reveals, harbors, conceals” in an exciting new collection. —Carmen Gimenez Smith
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    Walking Dreams, Selected Early Tales by Mark Wallace

    Mark Wallace writes like an avant-garde poet who knows how to tell a good story. Or like a fiction writer who knows how to fill his prose with cutting edge poetry. —Stephen-Paul Martin
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    War on Words : The John Bradley/Tomaz Salamun* Confusement

    "Wow! It might be Nonsalamuns may not enjoy as much as I did, but for our tribe--- I went through different stages: shock, amazement, I was pale, laughter - a lot -, awe, guilt, aphssss!, even my mind wanted to take off for a moment, but mostly gratitude, I was moved; I am moved." - Tomaz Salamun
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    Waste by Emily Toder

    Through these honest, prismatic poems, Emily Toder explores what is cast off, what is extra, and what we deem unsalvageable. This book reveals that our garbage can be a lesson in our humanity and, sometimes, that lessons in our humanity are garbage. Either way, both ways, I love this revelatory book. —Sommer Browning
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    Wave Particle Duality by Dana Curtis

    In Wave Particle Duality, Dana Curtis takes us into her nocturnal sphere, the film noir where fission splits the soul, and dark energy is all we have to go on. These are poems full of twisted desire and visionary clarity, pure need and thin hope. Throughout her language is as sharp as a pinprick. She cites Hogarth, which is apt, because Dana Curtis is a moralist, with gallows humor and a sense of the perverse. "Will you be my infidel," she asks? Oh, yes, we think. Just keep on talking. —David Lazar
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    What A Bicycle Can Carry by Laura Madeline Wiseman

    In a moment when our nation feels divided and strange, Wiseman’s authoritative, sensitive guide provides a bicycle-eye view of a beautiful, complicated country. —Nancy Reddy
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    What She Knows by Marcia Roberts

    By assembling these fragments into a whole, the poet Marcia Roberts has saved telling moments from a lifetime's experience; and having done so with care, now generously shares them. —Tom Clark
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    Whatever Speaks on Behalf of Hashish by Anis Shivani

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    “Both arresting and inventive, Anis Shivani’s new poems reveal a rich sense of wonder at this complex thing we call humanity. Smart, unflinching, and relevant—this book demands rereading.” — Ryan G. Van Cleave
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    When I Said Goodbye By Didi Menendez

    "Sexy, involved, intense, hilarious, hip, weird, intelligent, witchy wild in a way one thinks of female owls, maybe with embers of fire under their wings, such wide eyesight: This Is A Damn Good Book!" —ron androla
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    Where a road had been by Matthew Shears

    Writing in the dark, in the desert of the real, Matt Shears explores profound and necessary possibilities.  Shears moves with extraordinary grace through critique and meditation.  Few poets these days are writing poetry this brave.  This is a wonderful book.  This is a brilliant poet. —Joseph Lease

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    Window On The City by Michael Ruby

    “Unreal City,” intones Mr. Eliot in his “The Waste Land,” bracketed by “One must be so careful these days” and “Under the brown fog of a winter dawn…. ” Ruby writes “velocity,” athwart “toodle to tabasco” and “orange sunshine.” What’s cold and taut in Eliot—strained—is hot and loose in Window on the City. —Sam Truitt
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    With One More Step Ahead by Goro Takano

    In With One More Step Ahead Goro Takano has composed an amazing post-national post-apocalyptic encyclopedic philosophical trans-genre literary critical untranslated novel with poems about post-war Japan, African America, Hawai`i, film, Japanese literature, television news, dementia, paralysis, a sex cult, the atom bomb, gender, race, culture, the corporate state and much more. —Susan M. Schultz
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    within sky by Marcia Arrieta

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    There is a great sense of serenity and peace in Marcia Arrieta’s poems, although we can feel, sense, and absorb the rough and disquieting textures of the world she offers. —Andrea Moorhead
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    Women and Ghosts by Kristina Marie Darling

    Women and Ghosts is a book for the brokenhearted: "Iced over with sadness," its speaker says (or doesn't), "I can no longer speak." In ghost text stricken from the record, she also says (or doesn't): "I wonder how someone else's life can seem so much my own." She means Desdemona's. Ophelia's. Juliet's. Cleopatra's. Lavinia's. But when I read these words, I think: not theirs, hers — I wonder how her life can seem so much my own. I love this book. I honor it. I cherish it. I lose myself in its tragedies, in the absences and silences of women's lives and I feel less desperate, less anxious, less alone. —Molly Gaudry
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    Xo – A Tale For The New Atlantis by André Spears

    When I first read Xo: A Tale for the New Atlantis, it just blew my socks off—Homer's cadence and epic sweep, hallucinatory Phil Dickian channelings, hysterically funny post-Pynchonesque deconstructions of American materialism ... —J.P. Harpignies
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    Yet to Come by Cris Mazza

    Decades before #metoo, Cal chose his punishment for going too far with a girl he was crazy about: a life-sentence with a woman he could not love, whose frequent rages, untapped spending and ruthless children were his means to distract himself from longing and regret. The girl from his past also condemned him to periodic postcards bearing no return address. Rather than increasing his despair, the postcards helped stoke the imaginary life he maintained with her, including dialogue about his plight, images of her showing up while he plays his sax in a nightclub, and even sex, the very realm that had initiated her retreat from him.
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    You’d Be A Stranger, Too by Weston Cutter

    In serial dioramas of "strange unpacking," Weston Cutter's Stranger invents a singing human science. With Nabokovian care, here are homes and lots and bodies, objects, inverted for their layers, laid open both in witness and design. Here is a calculus of hidden hours and the light of those and what was made between us. Here is a huge eye. —Blake Butler
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    Your Disappearance by David Wirthlin

    The marvelous inventiveness of David Wirthlin’s Your Disappearance will sweep over its lucky readers in waves.  Look for it lightly disguised as canaries, pencil shavings, mysterious spirals, perpetually rotating rocks, recurring dogs and fields wherein one might just vanish.  — Laird Hunt
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    Your Wilderness & Mine by David Highsmith

    David Highsmith is the proprietor of Books & Bookshelves in San Francisco.
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    Zero Summer by Andrew Demcak

    "ZERO SUMMER's skinny, sticky, cock-swaggering poems take 'bloody comfort' in Andrew Demcak's lubricated, literary longing, the bourbon 'sweet / with unimagined grief,' the very words 'laboring / over / the soup-bones of literature.'  This is a book that will get under your fingernails." —Randall Mann
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    Zero’s Blooming Excursion by Jared Schickling

    Reading Zero’s Blooming Excursion is like hovering above one’s own body while living; it’s unsettling ecstasy.  Read this book and you’ll “find yourself next to yourself.” —Sasha Steensen
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    “now, 1/3” and thepoem by Demosthenes Agrafiotis | Translated by John Sakkis and Angelos Sakkis

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    "A book of temporally organized form that renounces time, that disassembles form. Demosthenes Agrafiotis' poetry argues, chafes, bristles, and unrelentingly chomps at the bit of its own constraint, as well as at every other human construct, linguistic or otherwise, that might serve as a convenient container for consciousness. ""now, 1/3"" is an extraction of sand from the hourglass… as if the sand weren't free to begin with. —Harold Abramowitz
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