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    Human Scale by Michael Kelleher

    It would be difficult for me to overstate my admiration for Michael Kelleher's new poems. They vibrate to a music rarely heard before, combining passion and intelligence with such mastery that one is left stunned by the pleasure they afford. With few words, an entire world is born. -- Paul Auster
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    Human-Carrying Flight Technology by Christopher Shipman

    Christopher Shipman’s debut collection of poetry is edgy, quirky, sharply observed, and evocative. With language simultaneously plain and artful, poem after poem draws us into a landscape familiar but odd, a world that pleasures and troubles. Shipman’s is one of the most exciting voices I’ve heard in ages. —Rick Lott
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    Hurled Into Gettysburg by Theresa Wyatt

    At one point, Theresa Wyatt reminds us that “…history picks off the scabs of arrogance.” This work illustrates also that poetry can penetrate the icy data of history and find its feelings. Each poem in this remarkable anthology of responses to this most crucial Civil War battle has a life of its own, a language of its own, a tone of its own. —Peter Siedlecki
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    Hybrid Hierophanies by Clayton Eshleman

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    Adrienne Rich has stated: “As a poet and translator, Clayton Eshleman has gone more deeply into his art, its processes and demands, than any modern American poet since Robert Duncan and Muriel Rukeyser.” And Robert Kelly has written: “Nobody is like him in his struggle. At times he makes the wildness of most poetry seem merely effete. I know of no poet who has fed so richly from the thingliness of the world beneath his feet, none who so resists the glamour of beliefs. He is a shaman without a single superstition.”
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    I AM YOU by Anne Tardos

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    "I Am You reminds us of something we know but often forget: that identity is formed in relation to others. These poems are couched within the contexts of process-based, art-making practice and clear-headed philosophical inquiry. The result is a kind of philosophical investigation into the multiplicity of time." —Kit Robinson, American Book Review
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    I DID THE WEIRD MOTOR DRIVE by Charles Baldwin

    The author of this book is obviously the unnatural love grand child of William *Sewer* Burroughs & Jim *J.G.* Ballard. Makes for a weird motor. Despite Theory Police*s stem warmings, I mean, stern warnings, I*ll buy a pre-owned text from this guy any day, though I know it to be habit forming. - Pierre Joris
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    I Named the Dragon for You by Nikki Ketteringham

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    Ketteringham has composed a striking composition featuring an ingenious plot twist and etched with what it feels like to say, “I like belonging to something not someone,” but stay. —Tiffany Troy,

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    I Thought I was New Here by Gregory Lawless

    Gregory Lawless is a visionary of fallen satelites, making revelations of scrap and stray: exiles, astronauts, scarecrows, a gnome, a daughter who will not speak, a pet gryphon and pet rock that "gets dizzy on the plains."  —Dean Young
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    I Went Looking For You by Ruth Lepson

    Pure and graceful and deep: it takes much time to come to those three. Here they are. Fragile and objective, the view of the world from here. It is how a person sees when looking. Very clear. —Fanny Howe
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    I, THE WORST OF ALL by Estela Lamat Translated by Michael Leong

    I, the Worst of All is a complex and heterogeneous book that combines Lamat's intense, almost manic lyricism with her prodigious mythopoeic imagination. The result is a challenging and ambitious project that invites multiple readings and rewards extended lingerings within its dense, linguistic thicket…This book quite literally takes your breath away–because of the demanding pace of Lamat's language
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    IDIOGEST by Ed Taylor

    Like gems in their deer parks and their bus scenes, the broadways and jurassics, the Edens and Manhattans, Ed Taylor's Idiogest is a work of poems that do more than just delight; his book is a new bright star, a refreshing awe of intelligence. —Kim Chinquee
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  • Imported Poems by Diana Adams
    Imported Poems by Diana Adams
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    Imported Poems by Diana Adams

    Diana Adams offers up moments of a life dressed in understated, quasi-surreal clothing. She calls upon deep pools of the imagination to render poems that proceed not chronologically or logically, from cause to effect, but rather, by enigmatic and startling images that unwrap the pleasures of discovered connections, as when we look at a surrealist painting, with its congealed dreamscapes. —Jeffrey Levine
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