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    Vexed by Jessica Grim

    Grim's style masterly evokes the simplicities of poetry in the "New American" vein, with its fragments of candid observation just shimmering on the surface of the poem, but she allies it with a "post-Language" sensibility that balks before the prospect of a too-fluid Romanticism, thus spicing sensual reverie with documentary relevance. —Brian Kim Stefans
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    Via Crucis by Peter Siedlecki, art by Catherine Burchfield Parker

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    Siedlecki’s poetry resonates the surfaces and experiences of Burchfield Parker paintings. The Way of the Cross is understood as spaces of time, moments of loss, forgotten destructive comforts, and nightmare memories. ... This is a tough, beautiful, provoking book of poems. —Geoffrey Gatza
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    Virtual Worlds Virtual People by Kay Porter Winfield

    Poetry and video games don’t often occupy the same space at the same time, but Kay Porter Winfield’s Virtual Worlds Virtual People proves once and for all that they can (and maybe they should). These poems rocket with character-driven action and conflict: electrical shocks, diabolical plots, flashing swords, and cliffhangers galore. —Matt Hart
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    VOLUME ONE (Selected Anonymous Marginalia) by Liam Agrani

    VOLUME ONE represents a decade of research into found language by the poet/editor Liam Agrani. The work is composed solely of direct transcriptions of marginalia from libraries, used bookstores, and various other places. Removed from the context of the books they came from, these works become intimate abstract accidental poems, occupying the space where private literary "criticism" and found poetry meet.
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    Vow by Kristina Marie Darling

    In Kristina Marie Darling’s Vow, both text and subtext paint the fraught institution of marriage, particularly the subjectivities of the bride’s several selves. Written in candle, tale, and glass, the book “reveals, harbors, conceals” in an exciting new collection. —Carmen Gimenez Smith
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    Waste by Emily Toder

    Through these honest, prismatic poems, Emily Toder explores what is cast off, what is extra, and what we deem unsalvageable. This book reveals that our garbage can be a lesson in our humanity and, sometimes, that lessons in our humanity are garbage. Either way, both ways, I love this revelatory book. —Sommer Browning
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    Wave Particle Duality by Dana Curtis

    In Wave Particle Duality, Dana Curtis takes us into her nocturnal sphere, the film noir where fission splits the soul, and dark energy is all we have to go on. These are poems full of twisted desire and visionary clarity, pure need and thin hope. Throughout her language is as sharp as a pinprick. She cites Hogarth, which is apt, because Dana Curtis is a moralist, with gallows humor and a sense of the perverse. "Will you be my infidel," she asks? Oh, yes, we think. Just keep on talking. —David Lazar
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    What A Bicycle Can Carry by Laura Madeline Wiseman

    In a moment when our nation feels divided and strange, Wiseman’s authoritative, sensitive guide provides a bicycle-eye view of a beautiful, complicated country. —Nancy Reddy
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    What She Knows by Marcia Roberts

    By assembling these fragments into a whole, the poet Marcia Roberts has saved telling moments from a lifetime's experience; and having done so with care, now generously shares them. —Tom Clark
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    Whatever Speaks on Behalf of Hashish by Anis Shivani

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    “Both arresting and inventive, Anis Shivani’s new poems reveal a rich sense of wonder at this complex thing we call humanity. Smart, unflinching, and relevant—this book demands rereading.” — Ryan G. Van Cleave
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    When I Said Goodbye By Didi Menendez

    "Sexy, involved, intense, hilarious, hip, weird, intelligent, witchy wild in a way one thinks of female owls, maybe with embers of fire under their wings, such wide eyesight: This Is A Damn Good Book!" —ron androla
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