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    Thief by Katrinka Moore

    In a series of interlocking text-image meditations and small narratives, Katrinka Moore’s Thief rewrites the literary impulse to claim. This thievery confesses our visitor status upon body, mind, land, and book and asks, “So, you select your shape purposefully? How to explore this obscure site? How does the world assemble?” The journey is gendered: how does a woman write into a literary and family history that was actually never so sure of its claims, its own thievery? – Jill Magi
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    This Visit by Susan Lewis

    In the fissures and gaps of a malleable lexicon, Susan Lewis’s playful, punning, musical lyrics create spaces for a reader to explore. In her “mythic stickiness” edges are blurred in service to an “everlasting loop.” Her poems are oddly intimate, full of a wise skepticism and a quirky grace — perhaps more of a place to live in than to visit. —Joanna Fuhrman
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    Those Godawful Streets of Man by Stephen Bett

    This is an edgy, raw, harsh, gritty book about the contemporary cityscape—its block buildings; its loose, naked, spitting live wires; its plugged-in populace. A place where Borderliners, leeches, zombies, and drains fight it out over a man and a woman locked in a death grip.
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    Three Suite by Christophe Casamassima

    In Christophe Casamassima’s Three Suite, recombination and erasure make visible the edges of an intelligently empathetic poetics of rediscovery. These poems are indebted to their found texts, but are always looking forward to the new line that is made possible only by way of procedural mapping. Casamassima skillfully weaves together a landscape in which the poem becomes total texture ... —Julia Bloch

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    Through a Certain Forest by Laura Madeline Wiseman

    We are given a field guide to trees in Laura Madeline Wiseman’s latest book of poetry Through a Certain Forest, realizing as we step in that we are deep in the mythos of ourselves. Each poem is a persona, each tree species recounting its survival from humans. Us homo sapiens are the trolls lurking through the middle of the collection. In the midst of bombings and ecological disasters caused by us is the private life of the speaker, too, living with her own personal troll. —Dennis Etzel, Jr
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    TO BE SUNG by Michael Kelleher

    "Michael Kelleher's deft poems have often a wry poignance and sing the old songs with fresh particulars. So it's as ever where we are that counts, and that's where these poems are, always." —Robert Creeley
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    to go without blinking by Aimee Herman

    Aimee Herman is a cyborg. Not in the sense of a mixture but: in her impetus. Her desire for a book to be a new kind of thinking and being in the world. As she writes in the startling Statement of Poetics that opens this passionate collection: ""This body of text practices trilingualism and contraction. Theories include gender confiscation and syntax dissection."" I liked that. A syntax that records what happens to a body even more than the words themselves. And that's just page one. Throw away ""the color pink,"" writes Herman, deeper in. —Bhanu Kapil
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    To Hush All The Dead by William Allegrezza

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    A poet bountifully rooted in geography, Allegrezza transcends the usual sense of place. In To Hush All The Dead, he reveals that every one of us faces “The Natural Trail Marked,” simultaneously experiencing a lack of understanding and hard self-questioning, as a sense of direction seems “thrown to bits and folded in blue.” —Sheila E. Murphy
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    To The Eaves By Lisa Forrest

    These poems unfurl in the reader's palm in bird song and flight: the natural world has never been more sensuous or sung. Yet human nature, thwarted love is her true topic. Lisa Forrest's To The Eaves , takes us to the heights with grace and sweet song. —Brenda Coultas
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    Tom Clark Collection

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    The Tom Clark collection contains his six titles from BlazeVOX. This is a great set of electrifying work by one of America’s foremost poets. At the Fair | Canyonesque | Feeling for the Ground | Truth Game | Evening Train | Distance
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    too ok by Colin Herd

    'Colin Herd's 'too ok' is a treasure trove of razzle-dazzle stylings, superfine wit, charismatic discretion, and a vacuuming tenderness. Herd's gift for words is exquisite and adventurous and armed to the teeth, and these poems are its perfect measurements.' —Dennis Cooper
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    Torched Verse Ends by Steven D. Schroeder

    These are the poems of a hooch-swilling layabout, shifty-eyed sneak thief, disagreeable cuss—in short, good work, but he scares my kids. That shaved head and Satanic goatee? The yelling about the government? —Aaron Anstett
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