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    Un storia by Steve Timm

    Steve Timm’s word spectrum is brave, unnerving, dazzling, commodious; with it he composes an elegantly minimalist poetics, humorously charted in one of the most satisfying TOCs I’ve read in a long time. Suggesting neo-Joycean abundance, it leads one instead to sculpted poems of unsparing leanness. —Joan Retallack
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    Un/Wired by Stephen Bett

    In this, his 18th book of poetry, internationally acclaimed Canadian poet Stephen Bett is back to working the sassy, edgy margins of social satire. Divided into four sections, this book opens with humor; turns to soft-edge and then to hard-edge, wicked, hilarious satire of our vapid monoculture; and concludes with a section of poems bringing in the angst of it all.
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    Uncertain Remains by Michael Boughn

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    “Michael Boughn is a cross between John Donne and Attila the Hun.” —Billie Chernicoff
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    Uncomfortable Clowns ms #77 by James Hart III

    These poems by James Hart, III careen in the mind as they do down the page with an eagerness, to apprehend every given vicissitude of moment that comes their way. The tensions one finds, throughout the sequence, reflect the ever-fraught interface of inward and out, self and other, word and world. — Bill Berkson
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    Under the Impression by James Berger

    Under the Impression transverses the spongy dents in the surfaces of language and memory. Anti-lyrical and insistently lyrical, frank, interrogative, and punctuated with humor, Berger’s poems articulate brilliantly an inventive scepticism of the real world’s edges and fictions. —Orchid Tierne
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    Under the Sky They Lit Cities by Travis Cebula

    Herein lies the poet's confidence in forgotten "tones revealed in full light."  Cebula's poetry, like the city itself is resilient, iridescent, and every time a little different. —Elizabeth Robinson,

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    UNRULY by Elysia Lucinda Smith

    UNRULY is a book of rude girl poems describing threesomes, freewheeling, Joan of Arc, naked mole rats, and other R rated things. It is also a book about overcoming an upbringing in the Bible Belt. All this converges in a spilling, like when you vomit into your purse in an Uber except in this book you're sober enough to be mad.
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    Unusual Woods by Gene Tanta

    "Gene Tanta's Unusual Woods is deceptively simple and candidly devious. Reading it is like looking in a funhouse mirror for the first time." —Mike Topp
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    Valency by J. Michael Wahlgren

    A luminous cascade of syntax —Brenda Iijima
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    VEL by Alan Sondheim

    Alan Sondheim is a force of nature: a Category 5 mindstorm blowing in from all points of the compass at once. Coded and plain-speaking, philosophical and emotional, artistic and banal: to read Sondheim is to fall through a wormhole into a full world. And why shouldn't a work of art be a world’ His art is writing as a performance act even more direct than Allen Ginsberg speaking into his tape recorder. — Jim Rosenberg
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    Versus by Stacia M. Fleegal

    Stacia Fleegal just can’t stop creating serious noise in her poems. She’s a writer who isn’t afraid to make words crackle and snap, especially about how social class works in America, starting at the bottom and going up. So, fair to say, you should expect something other than the tame lyric in this collection. —Eloise Klein Heal
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    Vertigo Diary by Larry Sawyer

    Larry’s poetry gives me the best kind of vertigo: the kind where you’re afraid of falling, but when you do you fall into a soft, meaty, sensual, smart ravine that shakes you pretty good, but instead of killing you it turns you into a Thinking Cocktail. What a scary and fine artist Mr. Sawyer is! —Andrei Codrescu
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