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    Nomads with Samsonite by Timothy Bradford

    Timothy Bradford gnaws on the big questions: should I run with my pack, or should I go it alone?  Where to find enlightenment?  What is a dead animal?  What is the spirit’s realm?  The mind falls into its quandaries, and the body, drunk with it, tags along.  These poems, roving across continents, restlessly seek to locate consciousness in the world, a universe which “opens like a tulip / or closes like a fist,” where the poet is not afraid to admit: “I forget / which.” —Eleni Sikeliano
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    Non Sequitur Syndrome by Goro Takano

    In this book, the desire for clarity is pitted against the lust for ambiguity, and the desire to be saved collides with the urge to self-destruct. Also, in this book, what I am (as male, father, widower, heterosexual, poet, Japanese native living in Japan, and so on) coexists with what I am not. —Goro Takano
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    Notes on a Past Life by David Trinidad

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    In Notes on a Past Life, David Trinidad exorcises the ghosts of New York with a compulsively readable, wrenching memoir in verse. His “Goodbye to All That” offers a critique of ambition, an ode to community, and a sip of the poison that poetry is, in the end, the antidote to. —Eula Biss
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    O by Jared Schickling

    Jared Schickling, the Poetry of the imagination expansive, no master, not forms that restrict, not the commercialism of print.   Not the Government of Poetry, with this an anarchistic being is where all might of the elemental as a construction without end with wisdom and magic, behold begins a future —Michael Basinski
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    Occasion Poems by Diane Christian

    Occasion poems were suggested by colleague, friend, and poet Robert Creeley, who thought it would be a good idea to have poems for various occasions made up as ink stamps, ready to imprint on a postcard and send off for occasions. Unlike occasional poems tied to specific persons and events, they have a broader human reach.
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    ocean plastic by Orchid Tierney

    It is with intuition rather than calculation that Tierney's #ocean plastic# forages, gathers and arranges. With intuition chosen over calculation, Tierney's unit of measure is a unit of matter. Responding to the pipeline with the ethics of the poetic line, Tierney's particular attention models a dwelling among that can teach both how and why we might turn the plastic we find into an ecology of ethics. —Michelle Taransky
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    Of Some Sky by Joseph Harrington

    If it’s indeed darkest before the dawn, then we should immerse ourselves in Joseph Harrington’s Of Some Sky and hope – because it doesn’t get much darker than this. This book surveys the terrain we inhabit now (in the mid-Anthropocene) somewhere between the devil and the rising seas. —Rae Armantrout
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    One Year In A Paper Cinema by Travis Cebula

    Nobody looks in the newspaper to see what's on TV anymore. For that kind of news, we have to go to poems—specifically, Travis Cebula's pitch-perfect One Year in a Paper Cinema, whose shapely, lyrico-epigrammatic interfaces with a year's worth of TV listings in The Denver Post pull open the gauzy curtain separating ""art"" and ""life"" to reveal something at once fresh and recycled, mysteriously stochastic and predatorily pre-programmed. Almost as soon as this book was finished, the Post stopped printing this section. Thank goodness for the celerity of visionary poets! —K. Silem Mohammad
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    Ongoing Repairs to Something Significant by Linda King

    Linda King’s new collection is filled with poems that reflect on their own making, considering the rules of narrative with wit, subtlety, and grace. Here you will find language interrogated from within its most familiar structures, singing all the while with difficult and necessary music. Her work surprises and gratifies with its syntactic denseness, its wild associative leaps. King is a poet to watch. —Kristina Marie Darling
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    Opera House Arterial by Anne-Adele Wight

    Anne-Adele Wight's new masterpiece Opera House Arterial is a fierce testimony of the power that one archetype alone can create––the Opera House. Part trickster, part behemoth, part lover, part spy, part friendly cadaver––like "sparrow bones in a cup." Or "a mug of phosphorus."––Debrah Morkun
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    Oponearth by Timothy David Orme

    If you want a poetry that drops you off a cliff, then suddenly hauls up the sun making you realize the world's actually cycling at speed around you while you stand awestruck read Timothy David Orme—his lyrics are vertiginous, and lovely. —Catherine Wagner
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    or, The Whale by Sherry Robbins

    “Into this first and oldest cradle / I invite you, reader.” from “The Fossil Whale” by Sherry Robbins. “me in in in / in the boat / of my body” from “The Chase – First Day” by Sherry Robbins. This is her book of poetry. I read her returning to this poetry. Sherry Robbins, ubiquitous saillore at voyage in the allegorical myth of and in her life, explores her journey, the wovenings of woman currents, root drinker and her map of heaven. —Michael Basinski
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