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    The Age of Greenhouses by Anne-Adele Wight

    It is exciting watching a new Anne-Adele Wight poetry fan holding her latest book, their faces beaming until they look up with Wow! Her poetry is a hidden American treasure no longer as more and more poets are sharing her books. It is a privilege to read a poet who has dedicated years to her craft, giving the world some of the best poems we will ever read. The Age of Greenhouses made me say Wow over and over! Let the celebration begin! ––CA Conrad
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    The American Godwar Complex by Patrick Herron

    Patrick Herron is the author of the chapbooks Man Eating Rice (Blaze VOX) and Three Poems (Gateway Songbooks). His poems and essays have recently appeared in Exquisite Corpse, Jacket, Fulcrum, in the Tokyo Metropolitan Art Museum, and in the anthology 100 Days (Barque Press).
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    The Arctic Circle by Kristina Marie Darling

    The symmetrical aspects of this narrative make for a pristine evocation of crisis and overcoming. Kristina Darling’s fable resists disintegration, challenging instead a forceful awareness. The dynamics here do not permit abjection to pulverize presence. —Brenda Iijima
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    The Best Word for the Job of Mourning by Jessica Baron

    Jessica Baron realizes mourning’s best words refuse their own elegiac nature. In her long sequence death is present not as a shadowy realm from which the loved one will be recalled by the poet’s words; in this poetry death is a place of honest witness.—Dan Beachy-Quick,
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    The Bird Hoverer By Aaron Belz

    Just what American poetry needs: lots of fresh poems that are weirdly conventional one minute, satisfyingly strange the next. On the surface this violent assault on complacency is playfully serious, but deep down, you notice that the surfaces of these gentle poems glint and catch the light as they turn over and over, patiently waiting for your attention.  —John Tranter
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    The Blooming Void by Peter C. Fernbach

    In The Blooming Void he enacts this. From a “sea of maroon”; from the “sludge” of a polluted world; from the genesis of a “Fruit Fly in Pile of Dirty Laundry”: from these and more emerges “a contrivance of mind” that may result in “A[n] [imperfect] human attempt/At control and understanding,” but, [imperfect] or not, what else have we?  —Dr. David Landrey
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    The Breath by Cindy Savett

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    Cindy Savett’s The Breath accesses and occupies the territory, real and true, where the living can dwell with the dead. The speaker’s beloved daughter lives on, in spirit and lyric, as she “steps into the stable of vanished gods.” Savett’s skillful elegies hold the daughter’s hand and reader’s attention across the threshold.  — Jason Labbe, author of Spleen Elegy
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    The Built World by George Albon

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    In The Built World connection is understood as the spaces between things and scenes that move continuously, resonating underneath with all represented surfaces and experiences. This is a tough, beautiful, provocative, companionable book of poems. —Anselm Berrigan
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    The Camel’s Pedestal, Poems 2009–2017 by Anne Tardos

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    Free-ranging, intelligent, a poetry of wit and survival—to be “crazy not to go crazy” and not going crazy and making art in the face of that: “finally taking a stand” . . . “there is no shortage of things to do on the path to a better life” and “letting things be,” “tip-toeing around the good and the terrible”—Maurice Scully
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    The Color Symphonies by Wade Stevenson

    This is a visionary work. It’s a torrent, a whirlwind, a symphony of colors. It’s a blazing apocalypse of rainbows, a dazzling setting sun of the material world. Surely it was written in some god-inspired, intoxicated state reflected through the rational mind of a star-struck color scientist. —Aloysius Werner
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    The Demotion of Pluto by Deborah Meadows

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    In Deborah Meadows’ The Demotion of Pluto runs of poetry bleed into plays. The title play recasts Sophocles’ Philoctetes; Obstacle Plays riffs on Michael Fried’s Art and Objecthood that considers minimalist sculpture as both theatrical and an obstacle; and Nothing to Do works intensive differences between brilliant and crumbling minds situated in the aftermath of street struggle.
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