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    Birds Of Tifft by Jonathan Skinner

    At once rigorous and casual, conceptual and hilarious, Birds of Tifft offers us a tour through a nature preserve reclaimed from industry. Sometimes our guide reads Tifft like an old-school naturalist, identifying flora and fauna and noting the weather; sometimes he reads it like a contemporary poet, delighting in the visual beauties and ethical ironies of a post-industrial landscape. Ultimately, however, our guide demonstrates that ecopoetics gains its power from inhabiting both positions at once. By neither idealizing nature nor demonizing industry, he shows us our own equal participation in both, and thereby animates a dialectic between “the bittern and the train/the tulip and the dump.” —Brian Teare
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    Black and Yellow Notebooks by Stephen Ratcliffe

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    The wonderful momentum of Ratcliffe’s clipped language echoes the staccato footsteps of his week-long hikes. It’s walking art in the tradition of Richard Long and Hamish Fulton, yet kept in motion through a constantly shifting, ever-piercing attention that keeps the reader acutely present to the changing light, the passing crows, and the meteors streaking through the August night sky. To enter this book is to go uncommonly outside. -- Cole Swensen
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    Black Lines on Terracotta by Terry Van Vliet

    In a voice daring and decorous, Terry Van Vliet celebrates Apollonian beauty and erotic desire. He uses poets and painters who have long fascinated him as guides for exploring these states. Other poems are more autobiographical. Family, friends, and the vivid characters that abound in Los Angeles, London, or Paris become his subjects. —Katharine A. Daly
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    BLAME FAULT MOUNTAIN by Spencer Selby

    These texts exude a para-oulipean vibe of disinterested construction, yet possess an almost cinematic drive wherein plot twist and paranoia dance together wearing the tragicomic masks of ancient theater, but the masks are screens upon which dance the latency and explication of semiotics as romance. —Lanny Quarles
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    Blood Will Tell by Craig Paulenich

    These are shrewd meditations on what remains in the cold shadow of the American rust belt. —Dorothy Barresi
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    Boombox Serenade by Joey Nicoletti

    In the title poem, the speaker lists the songs to be played at his funeral and the friends to whom they’re dedicated; the resulting poem, and the collection as a whole, is a catalog of love and human connection, a “playlist of gratitude.” —Juliana Gray
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    Brains Scream at Night by Paul Sutton

    "Paul Sutton has trudged through the fuggy fen of all that is English, wiped his boots on a sheaf of paper, bound it and titled it *Brains Scream at Night*." —Aaron Belz
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    Brushes With by Kristina Marie Darling

    Some facts: there is ""white residue"" on a windowsill. In a novel on the brink of being written, someone walks out the door then reappears on the edge of a lake. To ""recollect."" To ""glide."" To ""wake up."" In a work that is reminiscent of Jenny Boully's The Body -- a blankness accompanied by footnotes -- Darling's Brushes with performs a narrative of sexual betrayal and peculiar [excruciating] loss with a delicate and pressing hand. —Bhanu Kapil
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    Byron in Baghdad by Mike Smith

    How is it Shelley truly did believe that Byron's Don Juan would be the great poem of its time? How is it that satire and pastiche become the most durable monuments to our romance? to our romance of ourselves and of our aspirations? With Byron in Baghdad, Mike Smith has, against all the odds and against all the currents of our present depravity, written a work of beautiful renunciation. Chaste and chastening, these poems are pure. Their urgency will only increase over time. —Donald Revell
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    CALL THE CATASTROPHISTS by Krystal Languell

    What then is a catastrophist? In the cosmography of this incredible first volume, she is a mobile force that screams: There is plenty to say, say it, say it! In the case where it is the critical reality of the daily life of a person, a thinking person, a person with a sex that is not one, with a class not a cache, who bumps against reality being easily bruised, and doing it again, and saying so. Krystal Languell reinscribes poetry to its rightful spot where we begin, and keep beginning, inside our catastrophe, where it lives. —Rachel Levitsky
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    camera obscura by erica lewis

    erica lewis’s camera obscura is a stunning meditation on the relationship between things in the world and our perception of them. Beginning with a photograph “that made me think about how time and the constant mutability of everything is . . . the underlying story of all the stories we write,” her words show us – indeed literally see – how “the object exists outside us without our taking part in it”; how “to bring the picture into focus”; how “an image sparks another image” ... —Stephen Ratcliffe
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    Canyonesque by Tom Clark

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    [Clark] really flows and gambles and plays it loose. I like his guts... He's the raw gnawing end of the moon. — Charles Bukowski
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