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169-180 of 510 products

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    Gerald Locklin: A Critical Introduction

    I am most happy to say that this book celebrates the poet Gerald Locklin. It is an homage to Gerald Locklin, a poet whose neck of the woods is the literary underground, which is the publishing stratum that has delivered Howl and The Maximus Poems and Ulysses and The Making of Americans and Flower Fist and Bestial Wail.  Not a bad list. His is a forceful, absolutely clear and democratic voice that constantly reminds all of us in the realm of the poem that our poetry is all of us who make all of our poetry. —Michael Basinski
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    Ghost / Landscape by Kristina Marie Darling & John Gallaher

    GHOST / LANDSCAPE reads like an intimate chat, except not the kind people have over tea. Maybe it's whiskey causing these emotional flare-ups ("They warned me about you"), these bouts of nostalgia ("You wake wondering where the antique chickens are"), these lamentations about lost love (count the number of missed phone calls throughout), these discomfiting confessions ("...I had always thought unhappiness would be easy"). The chemistry between these poets is electric; it lights up the page. —Diana Spechler
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    Ghosts of the Upper Floor: The Complete Dark Shadows (of My Childhood), Book 3 by Tony Trigilio

    There’s so much to admire in Tony Trigilio’s addictive new book (the third in his delicious Dark Shadows poetry soap opera): the obsessive vision, the light and dark of emotion, and the everyday world brushing eerily—sometimes hilariously—against the supernatural. —Aaron Smith
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    Girl in Two Pieces by Elizabeth Hatmaker

    Elizabeth Hatmaker has a quiet way of crunching up our world. She excels in shaking out the dirty little corners of the mind, particularly the mind of misogynist history. In the person of Elizabeth Short, the so-called "Black Dahlia," she has found her heroine, the way Leonard Cohen found Joan of Arc--or perhaps how Raymond Queneau found Zazie in the metro--for in Girl we see Elizabeth Short refracted and perfected through multiple stylistic prisms and processes. —Dodie Bellamy
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    Girls’ Book of Knots by K. D. Harryman

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    With a sharp, tender eye for life’s beauty and brutality, K.D. Harryman’s “Girls’ Book of Knots,” is an instruction manual on how to survive the tightly knotted world of girlhood. Drawing from wisdom and warning, these poems thread together stories of childhood and motherhood with all of its charms, hurts, and triumphs. —Vandana Khanna
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    gnōstos by Irene Koronas (Volume VII, The Grammaton Series)

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    Koronas makes me see words that aren’t there. Her gnōstos is mantic, and her Sophia—the liquid crystal wombed God—inseminates with ink, strumous as an ethotic alley (i.e., a post-bodied diachronic polysemic strangulation). gnōstos is our proleptic apocalypse; “the last Oedipus/licks his gonads.” —Tom Prime
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    GODZENIE by Marcus Slease

    These are not merely some of the most extraordinary lyrics about central European urban realities since the death of the great Polish experimental poet Miron Bialoszewski. They are, simply put, some of the most extraordinary lyrics I have ever read about how to live with disciplined joy in the continual alienation that is urban life. —Gabriel Gudding
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    Going Head To Head by Wade Stevenson

    Going Head to Head is a book-length poem meditating on life through the lens of the head, the senses it captures in the natural world, and the turmoil inside the mind. In this sonorous collection, we have the yoyo head, the shrunken head, the coin head, the disembodied head, and the conjoined head. — Martin Ott
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    Going with the Flow by Peter Siedlecki

    Crystalline would describe the language of Peter Siedlecki's Going with the Flow, an outstanding set of poetic essays chockfull of surprises. —Jorge Guitart
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    Golden Age by Seth Abramson

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    Seth Abramson is author of The Metamodern Trilogy, which includes Golden Age (2017), DATA (2016), and Metamericana (2015), all published by BlazeVOX. He is also the author of The Insider’s Guide to Graduate Creative Writing Degrees (Bloomsbury, forthcoming 2018); Thievery, winner of the Akron Poetry Prize (University of Akron Press, 2013); Northerners, winner of the Green Rose Prize (New Issues/Western Michigan University Press, 2011); and The Suburban Ecstasies (Ghost Road Press, 2009).
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    Goodbye Public and Private by James Sanders

    Goodbye Public and Private is the work of a barbarian Thomas Edison—poems that are not simply wildly inventive but rather the end-result of a perpetual cycle of creation, destruction, and re-creation of poetic convention on every page. “[A]s a series of discarded habits,” Sanders offers us everything from diagram poems—the21 st century equivalent of Charles Peirce's logical graphs—to procedural, conceptual, concrete, hand-written, hand-drawn poems driven as much by sight and sound as sense. We are awash in language and we are grateful. – Lori Emerson
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    Gradually the World: New and Selected Poems, 1982 – 2013 by Burt Kimmelman

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    The specificity of Burt Kimmelman's poems has, for more than thirty years, been a singularly locating force. It situates us in space, in relation to the luminosity of objects, art, and one another. That every shadow of wonder can stand forth in the most familiar words is the gift this poet offers his readers time and again. – Susan Howe
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