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    The Epic of Hell Freeze by Richard K. Ostrander

    The poems in Richard K. Ostrander's The Epic of Hell Freeze (What Stays the News) shift from allusion (Andromeda, Abraham, Sisyphus) to illusion: ""He walks through walls/ On the other side of silver."" Ostrander's attention to ""language's legerdemain"" ties seemingly unrelated poems to each other like knotted scarves pulled from a magician's sleeve, using alliteration—""And a single sentence,/ Tautness of telephone lines""—as well as slant rhyme—""Flies, happy in their bottles/ Freer than fish/ that fly/ Melody or malady/ I don't know which""—and clichés twisted into new configurations—""There's a sty in the sky,/ Here's a shoulder to fry on."" —Beth Copeland
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    The Equation That Explains Everything by Andrew Cox

    Poets usually either rhapsodize the world or explain it.  In The Equation that Explains Everything, Andy Cox shows us that he is an explainer, but he explains through a wondrous broken logic where blind men drive under the influence of dogs, rubber snakes entice the world with plastic apples, and two plus two equals five but all the tiny sighs in the hours before quitting time add up to nothing.  —Richard Newman
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    The Exploding Nothingness of Never Define by Anne Tardos

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    Anne Tardos, whose poetry & performances have delighted us for several decades now, emerges in her new book as the innovator of a work that incorporates, like the best of our poetry, a full range of thoughts & experiences & makes them stick in mind & memory. —Jerome Rothenberg
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    The History of My World Tonight by Daniel Nester

    In The History of My World Tonight, Daniel Nester re-envisions The Beach Boys, The Brady Bunch, and the Bible. He takes on the Munchkins, Montale, Monet, and masturbation. But that’s just the beginning. In these intimate confessional and experimental poems, Nester delivers a complex psyche along with deadpan social commentary. This is an engagingly funny and tender book. —Denise Duhamel
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    The Homesick Mortician by Peter Mladinic

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    Mladinic gives us a world where “a man with a wooden leg/ and a boy in a white shirt/ talk weather/ and look like an argument.” The strange and the mundane combine into sharp mystery. This is exquisite poetry and worthy of your time. —Jeff Weddle

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    The Hunger in Our Eyes by Jared Demick

    Jared Demick's The Hunger in Our Eyes is a little bit country and a whole lot of cross-country(ies). The shape-shifting Americana here scores a playfully re-visionist choreography that brings into focus what imperial eyes typically miss: the accidents of landscape, the histories of food, the body's crossings. —Urayoán Noel
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    The Ida Pingala by Debrah Morkun

    Debrah Morkun's words compose dynamic fields. Her efforts push poetry onto the page to energize language by reaching toward its limits. Between the ""janus-lipped morning"" and ""miserable neighborhoods"" a resistance forms according to what can be said and what actually gets said. Morkun confronts opposing forms and possibilities (like the ida and pingala of the title). Here poetry is electrified by the tensions of sound and meaning. ~ Hoa Nguyen
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    The Impossible Picnic by Mark Tursi

    Mark Tursi’s Impossible Picnic sets up camp not on grassy Romantic heights but on the astroturf of our mental backyards and interiors. In its wild juxtapositions and deadpan humor, one hears unsettling echoes emanating from the “vapory camaraderie” of modernism. Here “the world is all this, plus the world,” as the title propels us toward a super-abundance that only initially seems “impossible.” —Elizabeth Willis
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    The Jointure by Clayton Eshleman

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    “What does it mean to see with the eyes of the soul?” In The Jointure, Clayton Eshleman offers an answer to this question in language of visionary symbolic consciousness. Intimate and expansive, psychological and anthropological data germinates this fecundating exploration and extrapolation of inner wilderness and the essence of imagination. In The Jointure, “memory is fracture” – the depths of horror enshroud the horror of depths – but imagination is revealed as the “keelson of paradise.” —Stuart Kendall
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    The Last Place I Lived by K. Alma Peterson

    One of the early poems in this book concludes: “My wild side would like to know.” If yours would too, read The Last Place I Lived. The collection abounds in wit and verbal play, yet the reward in reading comes from an intelligence lodged deep, directing the lines in sophisticated ways, the “afterimage // glassily repeated in the hawk’s beveled eye.” —Julie Funderburk
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    The Living Air by Masiela Lusha

    When I discovered Masiela Lusha’s impressive list of accomplishments in the cinematic arts, I have to say I was not surprised in the least. Ms. Lusha’s poems skillfully dramatize the most ethereal of philosophical ideas, showing us what’s at stake as we “stalk the truth.” This book will invite you in, then “release you as a learner,” subtly illuminating through its performative poetics what questions we should be asking of the world around us. —Kristina Marie Darling
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    The Logic of Clouds by Marc Pietrzykowski

    Marc Pietrzykowski lives and writes in Lockport, NY, with his wife and various furry mendicants. He has published elsewhere, has friends and so forth, but he would much rather you read the inside of the book than the back cover.
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