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445-456 of 510 products

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    The Speed of Our Lives by Grace C. Ocasio

    These bracing poems celebrate everything from nature to history, to the family, to the famous – and in each, she discovers the music and meaning that lets them bloom in all their strangeness and surprise. —Elaine Equi
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    The Spider Sermons by Robert Krut

    With a winning mixture of verve and tenderness, the poems in The Spider Sermons confront the extreme significance of our daily lives. It's the most passionate of come-ons, but with the kindest of intentions. —Kazim Ali
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    The Sun & The Moon by Kristina Marie Darling

    In poems lit by an incendiary marriage, Kristina Marie Darling traces a story that begins, as stories often do, “as a small mark on the horizon.” Brave and haunted, these poems burn down to ash and winter, daring to unlock the spell of memory’s silver flashings. The small remains, like distant stars, make a moving portrait. —Mary Ann Samyn
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    The Trapeze of Your Flesh by Charles Rammelkamp

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    Charles Rammelkamp’s exposition of the “flesh trapeze” that swings through American entertainment and culture, via the voices of some of its most prominent acrobats, is vital to an understanding of our culture. —Roman Gladstone
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    The Trees of Surprise edited by Marjorie Norris

    Trees of Surprise has been published by Buffalo’s BlazeVox Books. It is and edited anthology which responds to the loss of trees during the October 2006 storm.
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    The Tryst of Thetica Zorg Volume II: The Posthuman Series Daniel Y. Harris

    Daring, adventurous, exotic, & necessary, —can this be the exemplary, posthuman poesis? You bet it can if it’s The Tryst of Thetica Zorg. Ushering the reader into the nefarious underworld of computer viruses, Daniel Y. Harris delivers a shimmering dramatic intensity swathed in the rare glow of an Epochal Imagination. —Heller Levinson
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    The Unfinished: Books I-VI by Mark DuCharme

    Mark DuCharme's beautiful poems teach us to read all over again: mystery, the situation of person, the texture of dream and the texture of awareness: The Unfinished is a tough book, a necessary book. —Joseph Lease
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    The Visit by Ana T. Kralj

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    1992. The war rages in Bosnia and Croatia. In Slovenia, which has escaped the war’s horrors on its own soil, a high school graduate finds herself profoundly shattered. Unable to transition from the safe environment of the high school to the loosely structured student life, struggling to come to grips with an unsuccessful relationship and tormented by her helplessness in the face of the war, she embarks on a harrowing search for the meaning of her existence. But the streets of Ljubljana leave her empty-handed. Until something changes. A visitor comes by.
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    The White Visitation by David Brennan

    Not since the Book of Ecclesiastes has such litany been deployed to smack dab us with a wall of words. In The White Visitation, David Brennan pressure treats language, syntax, grammar, content into a layered labyrinthine quilted fabric of strata. One doesn’t so much as read as one peels, strips, skins the text—a sonic archeology, a narrative dig. Nothing new under the sun? Don’t count on it. The White Visitation is the plasma at the sun’s very core. —Michael Martone
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    Theater of the Tongue by Diana Adams

    Diana Adams book, Theaters of the Tongue , gives the reader a fascinating canvas of words, some words best described as word food. The reader is treated to lines like “salmon are lead by bells inside.” —Mary Kasimor
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    Thief by Katrinka Moore

    In a series of interlocking text-image meditations and small narratives, Katrinka Moore’s Thief rewrites the literary impulse to claim. This thievery confesses our visitor status upon body, mind, land, and book and asks, “So, you select your shape purposefully? How to explore this obscure site? How does the world assemble?” The journey is gendered: how does a woman write into a literary and family history that was actually never so sure of its claims, its own thievery? – Jill Magi
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    This Visit by Susan Lewis

    In the fissures and gaps of a malleable lexicon, Susan Lewis’s playful, punning, musical lyrics create spaces for a reader to explore. In her “mythic stickiness” edges are blurred in service to an “everlasting loop.” Her poems are oddly intimate, full of a wise skepticism and a quirky grace — perhaps more of a place to live in than to visit. —Joanna Fuhrman
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