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205-216 of 510 products

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    I Named the Dragon for You by Nikki Ketteringham

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    Ketteringham has composed a striking composition featuring an ingenious plot twist and etched with what it feels like to say, “I like belonging to something not someone,” but stay. —Tiffany Troy,

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    I Thought I was New Here by Gregory Lawless

    Gregory Lawless is a visionary of fallen satelites, making revelations of scrap and stray: exiles, astronauts, scarecrows, a gnome, a daughter who will not speak, a pet gryphon and pet rock that "gets dizzy on the plains."  —Dean Young
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    I Want to Take You Everywhere by Cassandra Manzolillo

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    "Eros, like Lear, must sometimes wander unhoused across a cruel landscape. How wonderful, then, to read the poetry of Cassandra Manzolillo, there to find desire sheltered in its brightest insouciance and in the full flourish of actual yearning. There is a tireless, guileless presence in these poems that I find both admirable and original." —Donald Revell
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    i wear a figleaf over my penis by Geoffrey Gatza

    This book is part of our moblis in mobli series, a free ebook with a printed books that is for sale from us as well as Amazon.com.
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    I Went Looking For You by Ruth Lepson

    Pure and graceful and deep: it takes much time to come to those three. Here they are. Fragile and objective, the view of the world from here. It is how a person sees when looking. Very clear. —Fanny Howe
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    I, THE WORST OF ALL by Estela Lamat Translated by Michael Leong

    I, the Worst of All is a complex and heterogeneous book that combines Lamat's intense, almost manic lyricism with her prodigious mythopoeic imagination. The result is a challenging and ambitious project that invites multiple readings and rewards extended lingerings within its dense, linguistic thicket…This book quite literally takes your breath away–because of the demanding pace of Lamat's language
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  • Imported Poems by Diana Adams
    Imported Poems by Diana Adams
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    Imported Poems by Diana Adams

    Diana Adams offers up moments of a life dressed in understated, quasi-surreal clothing. She calls upon deep pools of the imagination to render poems that proceed not chronologically or logically, from cause to effect, but rather, by enigmatic and startling images that unwrap the pleasures of discovered connections, as when we look at a surrealist painting, with its congealed dreamscapes. —Jeffrey Levine
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    Imposture Notebooks By Lance Phillips

    Traversed the grass... ” begins Lance Phillips' Imposture Notebook and aptly so.   This book enacts traversal (and   trans versality) in so many ways, it's difficult to keep count.   Add another entry to the heroic, folded tradition of post-autobiography scrolling from Hejinian-Whitman to Howe-Dickinson and back.   At once comprising intensely personal concretions, sweeping, almost hierophantic abstractions, and meditations on the places where such ends of the language spectrum must meet, Phillips' Notebook is a welcome record of many names writ in aether.”  —Aaron McCollough
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    In Other Days by Roger Craik

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    “Every moment of Roger Craik's In Other Days is an event of inviolable music, golden, as the best of music always is, with both finitude and duration. And I use the word “golden” most particularly here, as these poems--whether urban or pastoral, whether fond or furious--impart a radiance to their idiom identical to that burnished radiance we find in the paintings of Samuel Palmer or the enigmas of Elgar. Craik adventures far beyond pathos and nostalgia, into something like a prospect of eternity. I am both thrilled and consoled by this poetry.” —Donald Revell
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    In Paran by Larissa Shmailo

    “From under the El in Williamsburg, Brooklyn, to her window seat on the Harlem Line, Shmailo is right on track with poetry that dances with love, death and desire. The proverbial urban poet, Shmailo masterfully mixes the beauty and the gritty, in New York City.” — Doug Holde
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    In the Country of the Peregrine by Wade Stevenson

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    It is wonderful to discover in these poems a companionship that is also in itself a kind of odyssey, replete with enchantments. This is a most welcoming book. —Donald Revell
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    In Your Dreams by Ted Greenwald

    Ted Greenwald's 30th book consists of 79 72-line poems, each with his trademark recombinatory drop-stitch weave. As a basic pattern, which is varied, each poem's 26 demotic lines is repeated in 9 interlinked free triolets (ABCACDAB-DEFDFGDE). In Your Dreams is almost, then is, hard to say, In Your Dreams is almost, hard to say, autopoiesis, In Your Dreams is almost, then is, autopoiesis, flickering fugal strobe of the everyday, or sublime sonic moir , autopoiesis, or sublime sonic moir, spoken and shimmering, autopoiesis, flickering fugal strobe of the everyday. — Charles Bernstein
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