-
QuickviewInbox by Noah Eli Gordon
SuperstarsCan we, as poets, create texts about how we think and feel by using the language of how others think and feel? Can we compose with the new streams of language flowing in and around us (e.g. the ephemera and minutia of everyday email) to express our own place in the world? In a well-informed gesture beyond Baudrillard’s null set, Noah Eli Gordon’s booklength conceptual poem, INBOX, opens a new chapter of intimacy—his, yours, mine, ours. Welcome to a new subjectivity; welcome to a new way to say from the heart. —Robert Fitterman$16.00 -
Quickviewincidental music by Jane Joritz-Nakagawa
Poetryincidental music is attentive to the deep formal traditions of poetry in the western tradition: the sonnet, the pantoum, the cinquain, the rondeau, the triolet, the ghazal. And yet, as Jane Joritz-Nakagawa well knows, these traditions get their strength in how they intertwine with the contemporary. Incidental music is both innovative and inclusive of all that poetry can do. —JULIANA SPAHR$16.00 -
QuickviewInconsequentia by Dereks Henderson & Pollard
PoetryIn this sequence, the collaboration between word and reader, writer and responder, life and death, Derek and Derek, is an invitation, a dance card in which the dancer and the danced become not a duet but a crowd of possibility—“the shining market of us." —Eleni Sikelianos$16.00 -
QuickviewInside Narratives by Ethan Saul Bull
PoetryThere is a way of seeing expressed in Ethan Bull's poems—complex mimetic waves drifting from modernity, rippling through memory as a person or a state or flora. Proper nouns exploded, rent and mended—sometimes on the very same page. — Joseph Mains$16.00 -
QuickviewInside The Walls of My Own House: The Complete Dark Shadows [of My Childhood] Book 2 by Tony Trigilio
Poetry“The Complete Dark Shadows (of My Childhood) feels meditative, organic, and weighty far beyond what one would anticipate from a poem about a blooper-ridden ’60s TV show” (Rain Taxi).$16.00 -
QuickviewInterstellar Theme Park by Jack Skelley
New Releases, Poetry“Despite my dislike of seeing my own name, you’re really a good writer – never what’s expected.” —Kathy Acker$22.00 -
QuickviewInterstitial by Sean Patrick Hill
PoetryIn Interstitial, Sean Patrick Hill lovingly renders the mundane into a world that is (quite literally) on fire. His poems are taut, perverse, and terrifying. As with all good poems, these leave the page to hound and haunt the reader. — Alan May,$16.00 -
QuickviewInventories by Paul Hogan
PoetryA forceful, unapologetic exploration of the masculinity of creative impulse. Hogan looks at nature, life, disparate moments, mysticism, and fatherhood not with rose-colored glasses but with the obsidian eyes of a realist unafraid to be caught submitting to his poetic instincts. Inventories is a work of great relevance, power, and importance. —Gary Earl Ross$16.00 -
QuickviewIona by Andy Martrich
PoetryQuince Eastwood: proud Iona alum, a man still drawn to that small Catholic college in New Rochelle. He's looking for love in all the wrong places, and tracking info down via the absolute worst subforum. And how could he not? Iona's a place where no one's safe from transmutation, from instantly viral dipshittery.$16.00 -
QuickviewIthaca: A Life In Four Fragments by Travis Cebula
PoetryIthaca points profoundly to the past as it creates a future with hope and precision. The story of a birth, it is also the story of her coming of age, her maturity, and her death. Ithaca is everyone, no one, word-filled and silent, as we humans are. Travis Cebula in his beautiful fragments captures the essence of being in life and its conversations with itself, others, and even God. —Maxine Chernoff$16.00 -
QuickviewJanuary Found by Michael Sikkema
PoetryMichael Sikkema’s poems are both carefully honed and fun to read. Each word seems to be happy where it is, and this can be funny, too. —Aram Saroyan$16.00 -
QuickviewJoys: a catalogue of disappointments by Christophe Casamassima
PoetryQuietude = qui etude: the study of the who , and who's studying it motivates this marvelous book, full of sharp moves based on acute attention to language. At times directly honoring his sources-- Jabès, Creeley--and at times indirectly quoting many others from Joyce to Cendrars to Lezama Lima, Casamassima proves himself a worthy inheritor of the postmodern tradition of writing that inscribes (and in doing so, refuses) its own impossibility. - Cole Swensen$16.00
![BlazeVOX [books]](https://wp.blazevox.org/wp-content/uploads/2021/03/cropped-BX-logo-top-sm.png){kind=logo}
The finest in global independent publishing.
Contact us at editor@blazevox.org