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241-252 of 510 products

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    Lilith Walks by Susan M. Schultz

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    This humane book, interconnected with her dogged, personable companion, Lilith, investigates life’s multifaceted and poignant zones. —Rachel Blau DuPlessis
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    Limitless Tiny Boat by Ruth Danon

    By investigating the minutiae of life—the stuff that anchors us, a stone and its echo, paradoxes constructed by language—Ruth Danon investigates nothing short of Thanatos and Eros. The journey of the Limitless Tiny Boat is fierce and fearless. Watch out! These poems expand and contract—breathe—as they are read. A substantial achievement. —Martine Bellen
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    lithic cornea (Volume V, The Grammaton Series) by Irene Koronas

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    Irene Koronas’ Grammaton Series is an antithetical subphylum launching its egg, planula larva, polyp and tryst autoaffects. —Thetica Zorg
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    Little Cliffs by Paul Naylor

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    “Little Cliffs is a philosophical adventure story. Both characters (Kai and Chishō) and narrator struggle to transcend binaries while wandering the brushy canyonland of eastern San Diego and studying “The Uncertainty Sutra,” The Rule-Governed Sutra, “The Sutra That Shouldn’t Be Written,” etc. Narration enacts choice. Here choices are made, unmade, and remade in a prose poem as serious and light as a sutra.” —Rae Armantrout
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    Little: Novels by Emily Anderson

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    Come for the Michael Landon Flip Book; stay for the richly rewoven story that excavates hidden moments in Little House on the Prairie and pays playful homage to fan favorites like prairie bitch Nellie Oleson. Little is a new classic, skillfully foraging Laura Ingalls Wilder's much-loved series to create an (ir)reverent rereading that pioneers the new frontier of Little House on the Prairie in the 21st-century. —Alison Fraser
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    Lost Poet, Four Plays By Jesse Glass

    In this selection of plays, Jesse Glass‘ imagination rages, leaps and staggers from the Challenger disaster of 1986 to the hallucinated lucubrations of Thomas Holley Chivers (friend and rival of Edgar Allan Poe), and manages to cover the arrival of a cosmic, sexual vermiform lemure of the Kabbalistic Bohu-Tohu in a reportorial manner worthy of Philip Glass on N.P.R., while ringing the changes on a young man’s sexual angst in the face of the ambiguities of the Summerland.
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    Love at the End by Wade Stevenson

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    In the formal immediacy of these new poems, Wade Stevenson practices elegy in the imperative mode, in the faithful idioms of amazement. And so it happens that he is vividly able to address evidence and events of loss in their proper bodies, in a tender, mutual anguish. Along the way, he discovers wild decorums of love in the embrace of annihilation. These poems are a consolation beyond consolation, an unprecedented heaven on earth. —Donald Revell
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    Madstones by Corey Mesler

    “These poems-- at times dark and troubling, at other times passionate and openhearted--are the work of a very talented poet. Madstones is a book worthy of a smart and attentive audience.” —Ron Rash
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    Mainstream by Michael Magee

    Right from the start, Magee’s work bristles with the spirit of improvisation. Everything about it pops: classic poetry chops, a serious sense of humor, unabashed rawness. Mainstream is thrilling because it can turn in any direction at any time, moving effortlessly from wacked units of thought turning inside out to tender moments of highly focused nonsense and song that get, paradoxically, straight to the point.  --Drew Gardner
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    Maps for Jackie by Jason Labbe

    Jason Labbe’s wonderfully moving and inventive collection Maps for Jackie is an open journey into desire and its fathomlessness. Though the poems dislocate between something and nothing, it’s a loving ride where “waking finds / morning the inmost warp / in space time.” The book is filled with impeccable craft. It’s a terrific work and worth the trip. I’m on board. —PETER GIZZI
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    Marine Layer by Kit Robinson

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    Kit Robinson convects his frontal systems through Marine Layer, happy to be enveloped in its fog while somehow always letting its poems breathe. Information sizzles in these data dispatches from the twenty-first century: poetry as a news feed that knows just enough to trust what happens next, lifting the fog—for us all—on the movable things of song. —Miles Champion
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    Masks by Victor Coleman

    Victor Coleman has played with and explored the subtleties of Oulipian procedures for many years, bringing his own imagination and impeccable ear to the revivifying possibilities arrangement offers poetry in lieu of the predictable outpourings of “identity” in the Commercial Poetry Product. With Masks he has reached a point that leaves you breathless in the face of mastery. —Michael Boughn
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